The Laugh Stand

Chuckle your way through a selection of pangrams, anagrams, and even word diagrams.

Humor is on sale at the Laugh Stand, so step up and pick out the laugh of your choice. From Tom Swifties—"'These are my underpants,' Tom said briefly."—to daffinitions—"Benign: What you are after you be eight."—to pangrams, anagrams, and even word diagrams, readers will chuckle their way through this adventure in humor.

Limelight

In this engaging and disarmingly frank book, comic Jay Sankey spills the beans, explaining not only how to write and perform stand-up comedy, but how to improve and perfect your work. Much more than a how-to manual Zen and the Art of Stand-Up Comedy is the most detailed and comprehensive book on the subject to date.

When life is funny, make some jokes about it. Billy Plimpton has a big dream: to become a famous comedian when he grows up. He already knows a lot of jokes, but thinks he has one big problem standing in his way: his stutter. At first, Billy thinks the best way to deal with this is to . . . never say a word. That way, the kids in his new school won’t hear him stammer. But soon he finds out this is NOT the best way to deal with things. (For one thing, it’s very hard to tell a joke without getting a word out.) As Billy makes his way toward the spotlight, a lot of funny things (and some less funny things) happen to him. In the end, the whole school will know -- If you think you can hold Billy Plimpton back, be warned: The joke will soon be on you!

Stebbins begins with a history of stand-up comedy, giving vital background about the industry as it emerged and flourished in the United States and subsequently developed into a popular form of entertainment in Canada. He deals with the nature of comic performance in comedy rooms - cabarets designed specifically for stand-up comedy - and examines the career of the comic: how people become interested in comedy, how they progress as amateurs, how they survive on the road and how, sometimes, they become headliners and later writers for film and television. He also discusses the business of comedy: booking agents, comedy chains such as Yuk-Yuk's, room managers, and the comics themselves as entrepreneurs. As the first comprehensive study of a growing phenomenon, The Laugh-Makers will interest sociologists of humour and sociologists of occupations and will contribute to our understanding of Canadian popular culture.

For decades, stand-up comedy has been central to the imbrication of popular culture and political discourse, reshaping the margins of political critique, and often within the contexts of urban nightlife entertainment. In Working to Laugh: Assembling Difference in American Stand-Up Comedy Venues, James M. Thomas (JT) provides an ethnographic analysis of urban nightlife sites where this popular form of entertainment occurs. Examining the relationship between the performance, the venue, and the social actors who participate in these scenes, JT demonstrates how stand-up venues function as both enablers and constrainers of social difference, including race, class, gender, and heteronormativity, within the larger urban nightlife environment. JT’s analysis of a professional comedy club and a sub-cultural bar that hosts a weekly comedy show illuminates the full range of stand-up comedy in the American cultural milieu, from the highly organized, routinized, and predictable format of the professional venue, to the more unpredictable, and in some cases, cutting edge format of the amateur show.

Understanding your comedy style is a crucial aspect of developing as a stand-up comedian. It begins with analyzing the content you're drawn to, whether it's observational humor, personal anecdotes, social commentary, or absurdist concepts. Your delivery style is equally important - are you naturally deadpan, high-energy, conversational, or theatrical? Consider the persona you present on stage. This could be an exaggerated version of yourself, a completely different character, or simply your authentic self. Your writing style also plays a key role - do you prefer snappy one-liners, elaborate stories, or a mix of both? Identifying comedians who influence you can provide insights into your own style. Pay attention to which parts of your set get the strongest reactions from the audience, as this can highlight your strengths. Note the topics or styles that feel most natural to you, but also be open to experimenting with different approaches.

All the world loves a clown and whether you want to clown around at parties or make a living as a standup comic, comedian Judy Carter can show you how to "do" comedy.

Surveys the stand-up comedy of the 1970s, citing the contributions of celebrity comics, from George Carlin and Richard Pryor to Robin Williams and Andy Kaufman, in an account that also evaluates the roles played by such clubs as Catch a Rising Star, the Improv, and the Comedy Store.