The Language Of Emily Dickinson

"The Language of Emily Dickinson" provides valuable insight into the cryptic, complex, and unique language of America’s premier poet. The essays make each subject of exploration accessible to general readers, providing sufficient background and contextual information to situate anyone interested in a better understanding of Dickinson’s language. The collection also makes a substantial contribution to Dickinson studies with new scholarship in philology, musicality, and manuscript study. Cynthia L. Hallen, creator of the invaluable Emily Dickinson Lexicon, offers a detailed examination of Dickinson’s words and phrases that are lexically alive and semantically vital. Nicole Panizza, an accomplished pianist, explores Dickinson’s poetic relationship with music as bilingual practice. Holly L. Norton outlines the surprising connections between Dickinson’s poetry and rap music, and Trisha Kannan contributes to recent discussions regarding Dickinson’s fascicles, the manuscript “books” that contain just over 800 of Dickinson’s 1,789 poems, by reading Fascicle 30 in relation to the work and life of John Keats. This book will be of interest to scholars of Emily Dickinson and advanced readers of poetry—such as those in upper-level undergraduate English courses and graduate students in departments of English—as well as to general readers with an interest in Emily Dickinson.

Traces the roots of Dickinson's unusual, compressed, ungrammatical, and richly ambiguous style of poetry.

Visual artists and poets respond to Dickinson's life and work

A startlingly original work establishing the impact of domestic servants on the life and writings of Emily Dickinson

Share in Dickinson’s admiration of language, nature, and life and death, with The Selected Poems of Emily Dickinson.

Facsimile of a dried plant album assembled by the young Emily Dickinson, with interpretive essays and catalog and index of plant specimens.

Heginbotham's book focuses on Emily Dickinson's work as a deliberate writer and editor. The fascicles were forty small portfolios of her poems written between 1856 and 1864, composed on four to seven stationery sheets, folded, stacked, and sewn together with twine. What revelations might come from reading her poems in her own context? Are they simply "scrapbooks," as some claim, or are they evidence of conscious, canny editing? Read in their original places, each lyric becomes different-and more interesting-than when read in isolation. We cannot know why Dickinson compiled the books or what she thought of them, but we can observe what she left in them. What she left is visible only by noting the way the poem answers in a dialogue across the pages, the way lines spilling onto a second page introduce the next poem, the way openings suggest image clusters so that each book has its own network of concerns and language-not a story or philosophical preachment but an aesthetic wholeness. This book is the first to demonstrate that Dickinson's poetic and philosophical creativity is most startling when the reader observes the individual lyric in the poet's own, and only, context for them. For teacher, student, scholar, and poetry lover, Heginbotham creates an important new framework for understanding one of the most complex, clever, and profound U.S. poets.

Emily Dickinson is widely considered to be one of the greatest of American poets. The aphoristic style and wit of much of her verse, its irregular rhymes, directness of expression, and startling imagery have had a profound effect on twentieth-century literature. Over a hundred of Dickinson’s best poems are collected here. These unique and gemlike lyrics are pure distillations of profound feeling and great intellect. They contain a world of imagination, observation, and precisely articulated spiritual and emotional experience. As editor Brenda Hillman says, this small and succinct collection can serve as a guidebook to readers who are exploring the highs and lows of the human experience.

Presents humorous retellings of each of Emily Dickinson's nearly eighteen hundred poems.