The King Of Good Intentions

Set in Los Angeles in the early 90s, the novel chronicles the early days of an indie band as they meet, practice, make their first record, and get their first break/big gig. It’s also the story of the the flowering love affair between John and Jenny, the two charming if troubled guitarists/singers in the band. John is by day a misanthropic substitute teacher in the zany, sometimes horrific LA Unified School District; Jenny is an mysterious recovering child prodigy. Along the way, the couple and their bandmates make momentous discoveries about themselves and the Hollywood milieu in which they struggle to succeed, a world peopled by narcissistic actors, wannabe screenwriters, pretentious musicians, weirdo fans, crazy neighbors -- and an emu. The King of Good Intentions was originally to have been published by Henry Rollins’s 2.13.61 press in 1999. When Rollins decided henceforth to publish only his own work, Fredrick set the novel aside to focus on his musical and teaching career. Now it will finally make its long overdue debut.

This series contains the king of demons falling for one feisty heroine, lots of love, no cheating, and creatures from your wildest imagination. River Thirteen years have passed since the war started, bombs fell, and the central states became a thing of the past. When the war ended, the government erected a wall to divide the surviving states from the destroyed ones. I never expected to leave my town, but unlike those who volunteered to go, I wasn't given a choice. With a dim knowledge of my strange abilities, the soldiers came for me. They took me beyond the wall, where I learned the truth is far more terrifying than I imagined. Alone, with humans and demons eager to see what I can do, I find myself irresistibly drawn to the one man I should avoid most—a man who isn't even really a man. Kobal I've spent my entire life with one mission… reclaim my throne from Lucifer and fix what the angels tore apart when they cast him from Heaven. Not even when the humans tore open the gates, and unleashed Hell on Earth, did I waver from my goal. I've never been closer to my throne, yet I find myself risking everything because I can't stay away from her… the woman who might be the key to destroying Lucifer. *** Due to sexual content, violence, and language, this book is recommended for readers 18+ years of age.***

The oft-used adjectives--"rollicking," "uproarious," "zany," etc.--don't half do justice to the world John Andrew Fredrick has created in his The King of Good Intentions trilogy. In this, the final volume of the series, the author's madcap, kaleidoscopic, dazzling take on love (and love triangles) and life and an up-and-coming indie rock band called The Weird Sisters in 90's Los Angeles comes full circle as the story of principal bandmates and paramours John and Jenny (plus the mysterious Katie who comes between them) reaches its thrilling conclusion: an ending that, as you'll find, bears out the T.S. Eliot line "in my end is my beginning." Lyrical, heartbreaking, discursive/digressive, startlingly as poetic as it is laugh aloud funny, part three of The King is sure to draw favorable comparisons to the Russian-American master who loved tennis and chess and to play elaborate games with his readers; as well as to a certain bandanna-sporting/tennis-loving genius-writer we lost so tragically some time ago now. As The Los Angeles Review of Books has observed about Fredrick's work: "Come to him, you omnivorous readers with strong opinions. Follow him from A to B, and you'll laugh, furrow your brow, and maybe raise an objection or two. It's not a dangerous trip, but blink and you'll surely miss something."

In this updated and expanded edition of The Tyranny of Good Intentions, Paul Craig Roberts and Lawrence M. Stratton renew their valiant campaign to reclaim that which is rightly ours–liberty protected by the rule of law. They show how crusading legislators and unfair prosecutors are remaking American law into a weapon wielded by the government and how the erosion of the legal principles we hold dear–such as habeas corpus and the prohibition against self-incrimination–is destroying the presumption of innocence. A new introduction and new chapters cover recent marquee cases and make this provocative book essential reading for anyone who cringes at the thought of unbridled state power and sees our civil liberties slowly slipping away in the name of the War on Drugs, the War on Crime, and the War on Terror.

Set in Los Angeles in the early 90s, the novel chronicles the early days of an indie band as they meet, practice, make their first record, and get their first break/big gig. It's also the story of the the flowering love affair between John and Jenny, the two charming if troubled guitarists/singers in the band. John is by day a misanthropic substitute teacher in the zany, sometimes horrific LA Unified School District; Jenny is an mysterious recovering child prodigy. Along the way, the couple and their bandmates make momentous discoveries about themselves and the Hollywood milieu in which t.