The Jewish Book Of Fables

Individual fables by Yiddish poet and writer Shtaynbarg (1880-1932) have appeared in various English anthologies, and there is a thriving critique of his work in Yiddish, but Leviant (Hebrew and Yiddish, Rutgers U.) offers the first collection in English devoted to his work, with the Yiddish on facing pages. The fables, one to three pages long, elevate interactions between mundane objects, animals, or people into spiritual encounters. They draw on the ancient tradition of Hebrew fables. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

Reproduced pages of the original 17th-century Yiddish, including the woodcuts, face the first English translation of the 34 fables that comprise Wallich's Sefer Mesholim. A valuable resource for students of the Yiddish language and of European Jewish culture of the early modern period. The fables come mostly from Aesop and medieval Hebrew and German sources. Well annotated. No index. Annotation copyright by Book News, Inc., Portland, OR

This book presents a varied group of 40 fables which can be found scattered through the Talmud and in certain collections of midrashim. More than stories about talking animals and their interactions with each other and with humans, the fables offer readers--including children--a way into understanding the Talmud and Midrash. The notes and essay help to explain the Jewish teachings in the fables. --From publisher's description.

A collection of Jewish tales, Bible stories, legends, and real life accounts from Jews from every generation and many lands.

Captures the wit, wisdom, and lore of Jewish tradition in a collection of folktales, legends, and literature.

Fables in Jewish Culture catalogues almost 400 Jewish scrolls and books from the collection of Jon A. Lindseth that contain animal stories with moral connections. Spanning six centuries, the books are in several languages, including Hebrew, Yiddish, Aramaic, Ladino (Judeo-Spanish) and Judeo-Persian. They were printed all over the world and include animal stories from the Hebrew Bible and other religious texts as well as translations of secular stories, such as Aesop's fables in Hebrew. The catalogue is divided into four sections—Biblical works, rabbinic works, medieval works, and postmedieval works—and each entry is illustrated with a page or more from the work, a detailed description of the characteristics and publishing history of the work, and description of the fables contained therein, along with a discussion of their literary and/or cultural-historical significance. This volume includes a foreword by Jon A. Lindseth, describing how he assembled this collection of Jewish books containing fables, as well as essays on the role of fables in Jewish culture, their use in Biblical and rabbinical literature, and their appearance in Jewish and Yiddish literature. Fables in Jewish Culture concludes with a bibliography of fables in Jewish literature and multiple indexes that allow readers to locate works by a number of criteria, including fable, author, title (in English, Hebrew, and Latin), and printer. Contributors: Marion Aptroot, David Daube, Simona Gronemann, Jon A. Lindseth, Raphael Loewe, Lies Meiboom, Emile Schrijver, David Stern, Heide Warncke, Irene Zwiep.

Peninnah Schram, widely regarded as one of the great Jewish storytellers of our generation, has collected and retold sixty-four delightful Jewish folktales to create Jewish Stories One Generation Tells Another. Ms. Schram, who believes that stories form "the link between the generations," helps forge that link with this book, ensuring that these stories will continue to live and breathe in the modern world. The life force animating these tales is almost tangible. The printed words seem to vibrate, as if the author possessed the voices of various tellers and lent their lilting tones and ripe inflections to the printed page. Furthermore, the laughter, sobs, and delighted cries of countless listeners also echo in these pages. Schram, who has written a thoughtful, informative introduction for each story, demonstrates on every page her belief that the stories "connect to our lives." And when the lifelike characters woven into Schram's magic tapestry suffer or enjoy the fates they most deserve, we rejoice, secure in their storybook world?a world where justice, however incomprehensible, is always done, and where we attain happiness by living in accordance with Jewish law and in harmony with the world's natural order. Jewish Stories One Generation Tells Another abounds in a gentle wisdom that presses itself upon our complex and often self-contradictory lives, infusing us with patience, tolerance, and hope. We identify with the kings and princes, fools and beggars, heroes and leaders, villains and witches of yesteryear because, though our lives are vastly different from theirs, we share their moral choices and experience their dilemmas. Schram joins Jewish storytellers throughout the ages, linking past to present and preserving an invaluable legacy for generations yet unborn.

The “skilled translators of this admirably edited volume” offer English-speaking readers the chance to savor this Yiddish author’s “tale-telling power” (Harold Bloom). Lamed Shapiro (1878–1948) was the author of groundbreaking and controversial short stories, novellas, and essays. Himself a tragic figure, Shapiro led a life marked by frequent ocean crossings, alcoholism, and failed ventures, yet his writings are models of precision, psychological insight, and daring. Shapiro focuses intently on the nature of violence: the mob violence of pogroms committed against Jews; the traumatic aftereffects of rape, murder, and powerlessness; the murderous event that transforms the innocent child into witness and the rabbi’s son into agitator. Within a society on the move, Shapiro’s refugees from the shtetl and the traditional way of life are in desperate search of food, shelter, love, and things of beauty. Remarkably, and against all odds, they sometimes find what they are looking for. More often than not, the climax of their lives is an experience of ineffable terror. This collection also reveals Lamed Shapiro as an American master. His writings depict the Old World struggling with the New, extremes of human behavior combined with the pursuit of normal happiness. Through the perceptions of a remarkable gallery of men, women, children—of even animals and plants—Shapiro successfully reclaimed the lost world of the shtetl as he negotiated East Broadway and the Bronx, Union Square, and vaudeville. Both in his life and in his unforgettable writings, Lamed Shapiro personifies the struggle of a modern Jewish artist in search of an always elusive home.

"Berechiah added his own narrative details to the traditional stories, using every opportunity to introduce Biblical quotations and allusions and use the language and lessons of the Old Testament.