The Jewish American Princess Handbook

In 1982, a sensational murder trial in Phoenix, Arizona, reverberated throughout the legal community. Restaurateur Steven Steinberg, who killed his wife by stabbing her 26 times, was acquitted; his legal defense portrayed the victim as an overpowering "Jewish American Princess" whose excesses may have provoked her violent end. Examining the structure of the defense's case, Frondorf, an attorney who was previously a psychiatric social worker, follows the theme that made Elana Steinberg the villain, instead of the victim, of the piece. The defense's forensic presentation, bolstered by testimony from psychiatrists, maintained that Steinberg committed the crime while sleepwalking, an abnormality allegedly brought on by the intemperate spending of his wife. Frondorf recreates the trial whose outcome scarred the tightly knit Jewish community of Phoenix.

Jewish American Princess and Jewish women jokes by Goldie Lox

Essays that discuss the portrayal of Jewish women in American culture.

Her exaggerated coiffure, with its imitation curls and soaped curves that stick out at the side of the head like fantastic gargoyles, is an offense to the eye. Her plated gold jewelry with paste stones reveals its cheapness by its very extravagance. This description of a "ghetto girl" was printed in the American Jewish News in 1918, but with slight variation it might easily be mistaken for a description of our current pernicious and pejorative stereotype of Jewish womanhood, the "JAP." What are the origins of these stereotypes? And even more important, why would an American ethnic group use racist terms to describe itself? Riv-Ellen Prell asks these compelling questions as she observes how deeply anti-Semitic stereotypes infuse Jewish men's and women's views of one another in this history of Jewish acculturation in the twentieth century.

"Since when is Fran Drescher Jewish?" This was Chiara Francesca Ferrari's reaction when she learned that Drescher's character on the television sitcom The Nanny was meant to be a portrayal of a stereotypical Jewish-American princess. Ferrari had only seen the Italian version of the show, in which the protagonist was dubbed into an exotic, eccentric Italian-American nanny. Since When Is Fran Drescher Jewish? explores this "ventriloquism" as not only a textual and cultural transfer between languages but also as an industrial practice that helps the media industry foster identification among varying audiences around the globe. At the heart of this study is an in-depth exploration of three shows that moved from global to local, mapping stereotypes from both sides of the Atlantic in the process. Presented in Italy, for example, Groundskeeper Willie from The Simpsons is no longer a belligerent, alcoholic Scotsman but instead easily becomes a primitive figure from Sardinia. Ironically, The Sopranos—a show built around Italian-Americans—was carefully re-positioned by Italian TV executives, who erased the word "mafia" and all regional references to Sicily. The result of Ferrari's three case studies is evidence that "otherness" transcends translation, as the stereotypes produced by the American entertainment industry are simply replaced by other stereotypes in foreign markets. As American television studios continue to attempt to increase earnings by licensing their shows abroad, Since When Is Fran Drescher Jewish? illuminates the significant issues of identity raised by this ever-growing marketplace, along with the intriguing messages that lie in the larger realm of audiovisual cultural exchange.

What an adventure converting from a Southern Jewish American Princess into a civil rights activist! After Dr. Martin Luther King's death, I called my maid "Mrs." -- my family didn't. "Jocie" is about sacrifices, even death, crazy situations and funny incidents. New insight led to new friends, adventures, music and a long-lasting love.

Now hailed as a "proto-feminist classic" (Vulture), Pulitzer Prize winner Herman Wouk's powerful coming-of-age novel about an ambitious young woman pursuing her artistic dreams in New York City has been a perennial favorite since it was first a bestseller in the 1950s. A starry-eyed young beauty, Marjorie Morgenstern is nineteen years old when she leaves home to accept the job of her dreams--working in a summer-stock company for Noel Airman, its talented and intensely charismatic director. Released from the social constraints of her traditional Jewish family, and thrown into the glorious, colorful world of theater, Marjorie finds herself entangled in a powerful affair with the man destined to become the greatest--and the most destructive--love of her life. Rich with humor and poignancy, Marjorie Morningstar is a classic love story, one that spans two continents and two decades in the life of its heroine. "I read it and I thought, 'Oh, God, this is me.'" --Scarlet Johansson

The Rise and Fall of a Jewish American Princess follows a female Rocky who, leaving behind the generations of women defined by marriage, rises above all obstacles into her true self on her own terms as a successful artist. Dianne Roseman is programmed by her angry mother to be a Jewish princess and to define herself by marriage. After a brutal rejection, while dreaming of becoming an artist, Dianne struggles with divorce, single parenting, and a passionate love affair with David Noel, a well-known dealer of contemporary art. Against all obstacles, from 1960 and into the '80s, Dianne evolves into her true self. On her own terms, she becomes a successful artist inside the difficult world of contemporary art. The novel explores women of all generations trapped in roles imposed on them by the past.