The Jewess In Nineteenth Century British Literary Culture

Stories about Jewesses proliferated in nineteenth-century Britain as debates about the place of the Jews in the nation raged. While previous scholarship has explored the prevalence of antisemitic stereotypes in this period, Nadia Valman argues that the figure of the Jewess - virtuous, appealing and sacrificial - reveals how hostility towards Jews was accompanied by pity, identification and desire. Reading a range of texts from popular romance to the realist novel, she investigates how the complex figure of the Jewess brought the instabilities of nineteenth-century religious, racial and national identity into uniquely sharp focus. Tracing the narrative of the Jewess from its beginnings in Romantic and Evangelical literature, and reading canonical writers including Walter Scott, George Eliot and Anthony Trollope alongside more minor figures such as Charlotte Elizabeth Tonna, Grace Aguilar and Amy Levy, Valman demonstrates the remarkable persistence of this narrative and its myriad transformations across the century.

The representation of the Jewess brought the instabilities of nineteenth-century religious, racial and national identity into uniquely sharp focus.

Stories about Jewesses proliferated in nineteenth-century Britain as debates about the place of the Jews in the modern nation raged. While previous scholarship has explored the prevalence of antisemitic stereotypes in this period, Nadia Valman argues that the figure of the Jewess - virtuous, appealing and sacrificial - reveals how hostility towards Jews was accompanied by pity, identification and desire. Reading a range of texts from popular romance to the realist novel, she investigates how the complex figure of the Jewess brought the instabilities of nineteenth-century religious, racial and national identity into uniquely sharp focus. Tracing the narrative of the Jewess from its beginnings in Romantic and Evangelical literature, and reading canonical writers including Walter Scott, George Eliot and Anthony Trollope alongside more minor figures such as Charlotte Elizabeth Tonna, Grace Aguilar and Amy Levy, Valman demonstrates the remarkable persistence of this narrative and its myriad transformations across the century.

The extraordinary range of responses to Jewish culture and history in the work of these writers will appeal to literary scholars and readers interested in Jewish women's history.

This interdisciplinary study examines how holistic aftercare became a crucial supplement to scientific medicine in nineteenth-century Britain.

Decadent Ecology illuminates the networks of nature, paganism, and desire in 19th- and early 20th-century decadent literature and art. Combining the environmental humanities with aesthetic, queer and literary theory, this study reveals the interplay of art, eco-paganism and science during the formation of modern ecological and evolutionary thought.

A new approach to thinking about the representation of the Other in Western society, The Jew’s Daughter: A Cultural History of a Conversion Narrative offers an insight into the gendered difference of the Jew. Focusing on a popular narrative of “The Jew’s Daughter,” which has been overlooked in conventional studies of European anti-Semitism, this innovative study looks at canonical and neglected texts which have constructed racialized and sexualized images that persist today in the media and popular culture. The book goes back before Shylock and Jessica in TheMerchant of Venice and Isaac and Rebecca in Ivanhoe to seek the answers to why the Jewish father is always wicked and ugly, while his daughter is invariably desirable and open to conversion. The story unfolds in fascinating transformations, reflecting changing ideological and social discourses about gender, sexuality, religion, and nation that expose shifting perceptions of inclusion and exclusion of the Other. Unlike previous studies of the theme of the Jewess in separate literatures, Sicher provides a comparative perspective on the transnational circulation of texts in the historical context of the perception of both Jews and women as marginal or outcasts in society. The book draws on examples from the arts, history, literature, folklore, and theology to draw a complex picture of the dynamics of Jewish-Christian relations in England, France, Germany, and Eastern Europe from 1100 to 2017. In addition, the responses of Jewish authors illustrate a dialogue that has not always led to mutual understanding. This ground-breaking work will provoke questions about the history and present state of prejudiced attitudes in our society.

The turbulent period from the Boer War to the introduction of the Aliens Act was marked by contradictory imaginings of 'the Jew' - pauper/capitalist, separatist/imposter, ideal colonizer/undesirable immigrant, familiar/alien. This new collection considers the wider colonial context in which these ambivalent attitudes to Jews were produced.

In Singing in a Foreign Land, Karen A. Weisman examines the uneasy literary inheritance of British cultural and poetic norms by early nineteenth-century Anglo-Jewish authors. Focusing on a range of subgenres, from elegies to pastorals to psalm translations, Weisman shows how the writers she studies engaged with the symbolic resources of English poetry—such as the land of England itself—from which they had been historically alienated. Weisman looks at the self-conscious explorations of lyric form by Emma Lyon; the elegies for members of the British royal family penned by Hyman Hurwitz; the ironic reflections on hybrid identities written by sisters Celia and Marion Moss; and the poems of Grace Aguilar that explicitly join lyric effusion to Jewish historical concerns. These poets were well-versed in both Jewish texts and mainstream literary history, and Weisman argues that they model an extreme example of Romantic self-reflexivity: they implicitly lament their own inability fully to appropriate inherited Romantic ideals about nature and transcendence even while acknowledging that those ideals are already deeply ironized by such figures as Coleridge, Shelley, and Wordsworth. And because they do not possess a secure history binding them to the landscape of British hearth and home, they recognize the need to create in their lyric poetry a stable narrative of identity within England and within the King's English even as they gesture toward the impossibility—and sometimes even the undesirability—of doing so. Singing in a Foreign Land reveals how these Anglo-Jewish poets, caught between their desire to enter the English lyric tradition and their inability as Jews to share in the full religious and cultural Romantic heritage, asserted a subtle cultural authority in their poems that recognized an alienation from their own expressive resources.

Too often philosemitism, the idealization of Jews and Judaism, has been simplistically misunderstood as merely antisemitism in sheep's clothing. This book takes a different approach, surveying the phenomenon from antiquity to the present day, and highlighting its rich complexity and broad impact on Western culture. Philosemitism in History includes fourteen essays by specialist historians, anthropologists, literary scholars and scholars of religion, ranging from medieval philosemitism, to such modern and contemporary topics as the African American depiction of Jews as ethnic role models, the Zionism of Christian evangelicals, pro-Jewish educational television in West Germany, and the current fashion for Jewish kitsch memorabilia in contemporary East-Central Europe. An extensive introductory chapter offers a thorough and original overview of the topic. The book underscores both the endurance and the malleability of philosemitism, drawing attention to this important, yet widely neglected, facet of Jewish - non-Jewish relations.