The Iraqi Christ

** WINNER OF THE ENGLISH PEN WRITERS IN TRANSLATION AWARD ** **LONG-LISTED FOR THE 2013 FRANK O'CONNOR INTERNATIONAL SHORT STORY AWARD** **BOOK OF THE MONTH IN THE SKINNY** A soldier with the ability to predict the future finds himself blackmailed by an insurgent into the ultimate act of terror… A deviser of crosswords survives a car-bomb attack, only to discover he is now haunted by one of its victims… Fleeing a robbery, a Baghdad shopkeeper falls into a deep hole, at the bottom of which sits a djinni and the corpse of a soldier from a completely different war… From legends of the desert to horrors of the forest, Blasim’s stories blend the fantastic with the everyday, the surreal with the all-too-real. Taking his cues from Kafka, his prose shines a dazzling light into the dark absurdities of Iraq’s recent past and the torments of its countless refugees. The subject of this, his second collection, is primarily trauma and the curious strategies human beings adopt to process it (including, of course, fiction). The result is a masterclass in metaphor – a new kind of story-telling, forged in the crucible of war, and just as shocking. 'At first, you receive Blasim with the kind of shocked applause you’d award a fairly transgressive stand-up. You’re quite elated. Then you stop reading it at bedtime. At his best, Blasim produces a corrosive mixture of broken lyricism, bitter irony and hyper-realism which topples into the fantastic and the quotidian in the same reading moment.' – M John Harrison 'Perhaps the best writer of Arabic fiction alive...' – The Guardian. 'Bolaño-esque in its visceral exuberance, and also Borgesian in its gnomic complexity... a master of metaphor.' – The Guardian.

One of NPR's Best Books of 2017! A groundbreaking anthology of science fiction from Iraq that will challenge your perception of what it means to be “The Other” “History is a hostage, but it will bite through the gag you tie around its mouth, bite through and still be heard.”—Operation Daniel In a calm and serene world, one has the luxury of imagining what the future might look like. Now try to imagine that future when your way of life has been devastated by forces beyond your control. Iraq + 100 poses a question to Iraqi writers (those who still live in that nation, and those who have joined the worldwide diaspora): What might your home country look like in the year 2103, a century after a disastrous foreign invasion? Using science fiction, allegory, and magical realism to challenge the perception of what it means to be “The Other”, this groundbreaking anthology edited by Hassan Blasim contains stories that are heartbreakingly surreal, and yet utterly recognizable to the human experience. Though born out of exhaustion, fear, and despair, these stories are also fueled by themes of love, family, and endurance, and woven through with a delicate thread of hope for the future. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Christianity was firmly established in Iraq from the earliest times, and the Churches of Iraq were to play a major role in the development of Christian theology and spirituality for many centuries. By the seventh century evangelization from Iraq had brought Christianity to China, Central Asia and India. Yet few people in the West are aware of Christianity's vibrant past in this region, or of the fact that Christianity has continued to be a significant cultural and religious presence in Iraq right up to the present day. The story of the Churches of Iraq, their interaction with each other and their varied fortunes under successive Parthian, Sassanid, Arab, Mongol and Ottoman rule, is told here with consummate skill. Suha Rassam guides the reader seemingly effortlessly through complex issues of doctrinal dispute and ecclesiastical politics. She helps us explore the ancient heritage of these Churches, and the major contribution they have made to the intellectual development of the region and the wider world. Suha Rassam's book comes to fill a large vacuum in the knowledge of those in the West, many of whom are still not aware of the fact that from ancient times Christianity was firmly rooted in Iraq and the rest of the territory now seen as the 'Arab Middle East'. Archbishop Mikhael Al Jamil, Patriarchal Vicar of the Syrian Catholic Church of Antioch to the Holy See and Vicar Apostolic for Europe Dr Suha Rassam has written a work of remarkable scholarship. But is is also a vivid portrayal of an extraordinary story of conflict, persecution and, for fifty years in the twentieth century, of hope, harmony and prosperity for the Christian community in Iraq. It would be a tragedy if that Christian community were now extinguished. Cardinal Cormac Murphy-O'Connor, Archbishop of Westminster Gives to the general interested public a comprehensive and informed insight into two thousand years of Christianity in Iraq. Dr Erica Hunter, School of Oriental and African Studies, London University

A blistering debut that does for the Iraqi perspective on the wars in Iraq and Afghanistan what Phil Klay’s Redeployment does for the American perspective “[A] wonderful collection.” —George Saunders, The New York Times Book Review The first major literary work about the Iraq War from an Iraqi perspective—by an explosive new voice hailed as “perhaps the best writer of Arabic fiction alive” (The Guardian)—The Corpse Exhibition shows us the war as we have never seen it before. Here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists, but also of madmen and prophets, angels and djinni, sorcerers and spirits. Blending shocking realism with flights of fantasy, The Corpse Exhibition offers us a pageant of horrors, as haunting as the photos of Abu Ghraib and as difficult to look away from, but shot through with a gallows humor that yields an unflinching comedy of the macabre. Gripping and hallucinatory, this is a new kind of storytelling forged in the crucible of war.

**Long-Listed for the 2010 Independent Foreign Fiction Prize** From hostage-video makers in Baghdad, to human trafficking in the forests of Serbia, institutionalised paranoia in the Saddam years, to the nightmares of an exile trying to embrace a new life in Amsterdam... Blasim’s stories present an uncompromising view of the West's relationship with Iraq, spanning over twenty years and taking in everything from the Iran-Iraq War through to the Occupation, as well as offering a haunting critique of the post-war refugee experience. Blending allegory with historical realism, and subverting readers’ expectations in an unflinching comedy of the macabre, these stories manage to be both phantasmagoric and shockingly real, light in touch yet steeped in personal nightmare. For all their despair and darkness, though, what lingers more than the haunting images of war, or the insanity of those who would benefit from it, is the spirit of defiance, the indefatigable courage of those few characters keeping faith with what remains of human intelligence. Together these stories represent the first major literary work about the war from an Iraqi perspective. 'Perhaps the best writer of Arabic fiction alive...' – The Guardian, 12 Jun 10.

Chess-playing people-traffickers, suicidal photographers, absurdist sound sculptors, cat-loving rebel sympathisers, murderous storytellers... The characters in Hassan Blasim’s debut novel are not the inventions of a wild imagination, but real-life refugees and people whose lives have been devastated by war. Interviewed by Hassan Owl, an aspiring Iraq-born writer, they become the subjects of an online art project, a blog that blurs the boundaries between fiction and autobiography, reportage and the novel. Framed by an email correspondence with the mysterious Alia, a translator of the Romanian philosopher Emil Cioran, the project leads us through the bars, brothels and bathhouses of Hassan’s past and present in a journey of trauma, violence, identity and desire. Taking its conceit from the Islamic tradition that says God has 99 names, the novel trains a kaleidoscopic lens on the multiplicity of experiences behind Europe’s so-called ‘migrant crisis’, and asks how those who have been displaced might find themselves again. God 99 is the highly anticipated debut novel by award-winning Iraqi writer, poet and filmmaker Hassan Blasim. Winner of an English PEN Translates Award.

A Westerner's travels among the persecuted and displaced Christian remnant in Iraq and Syria teach him much about faith under fire. Gold Medal Winner, 2018 IPPY Book of the Year Award Silver Medal Winner, 2018 Benjamin Franklin Award Finalist, 2018 ECPA Christian Book Award Inside Syria and Iraq, and even along the refugee trail, they're a religious minority persecuted for their Christian faith. Outside the Middle East, they're suspect because of their nationality. A small remnant of Christians is on the run from the Islamic State. If they are wiped out, or scattered to the corners of the earth, the language that Jesus spoke may be lost forever - along with the witness of a church that has modeled Jesus' way of nonviolence and enemy-love for two millennia. The kidnapping, enslavement, torture, and murder of Christians by the Islamic State, or ISIS, have been detailed by journalists, as have the jihadists' deliberate efforts to destroy the cultural heritage of a region that is the cradle of Christianity. But some stories run deep, and without a better understanding of the religious and historical roots of the present conflict, history will keep repeating itself century after century. Andreas Knapp, a priest who works with refugees in Germany, travelled to camps for displaced people in the Kurdish region of northern Iraq to collect stories of survivors - and to seek answers to troubling questions about the link between religion and violence. He found Christians who today still speak Syriac, a dialect of Aramaic, the language of Jesus. The uprooted remnant of ancient churches, they doggedly continue to practice their faith despite the odds. Their devastating eyewitness reports make it clear why millions are fleeing the Middle East. Yet, remarkably, though these last Christians hold little hope of ever returning to their homes, they also harbor no thirst for revenge. Could it be that they - along with the Christians of the West, whose interest will determine their fate - hold the key to breaking the cycle of violence in the region? Includes sixteen pages of color photographs.

Diana Oestreich, a combat medic in the Army National Guard, enlisted like both her parents before her. But when she was commanded to run over an Iraqi child to keep her convoy rolling and keep her battle buddies safe, she was confronted with a choice she never thought she'd have to make. Torn between God's call to love her enemy and her country's command to be willing to kill, Diana chose to wage peace in a place of war. For the remainder of her tour of duty, Diana sought to be a peacemaker--leading to an unlikely and beautiful friendship with an Iraqi family. A beautiful and gut-wrenching memoir, Waging Peace exposes the false divide between loving our country and living out our faith's call to love our enemies--whether we perceive our enemy as the neighbor with an opposing political viewpoint, the clerk wearing a head-covering, or the refugee from a war-torn country. By showing that us-versus-them is a false choice, this book will inspire each of us to choose love over fear.

An African American soldier returns home to New York City from the Vietnam War in the late 1960s. It is a time and turbulence and change. Racism is very much alive in America. Times are tough for a young black man in America, especially one who has fought for his country in an unpopular war. Rick Talley takes what he believes the only economic road open to him: drug dealing. Prisoner of Dreams presents a large cast of characters, from small time street hustlers and pimps to Hollywood and Las Vegas celebrities, to organized crime figures. In a poignant, eye-opening memoir, the author describes his life and the times, the good and the bad, in New York City and Harlem during one of the most seminal periods in America history