The Intercessor And Other Stories

DigiCat Publishing presents to you this special edition of "The Intercessor and other stories" by May Sinclair. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

This seven-week exploration follows the format of Dr. Dunnam's other workbooks. A brief reflection is offered for each day, followed by suggestions for 'reflecting and recording' and an activity to do 'during the day.' While individuals can make use of the workbook on their own, the author encourages readers to share their exploration with fellow pilgrims. Suggestions for group sharing are provided each week.

"The Creators: A Comedy" by May Sinclair May Sinclair was the pseudonym of Mary Amelia St. Clair. In many ways, this book was ahead of its time by showcasing portrayals of romance, gender roles, and being an intellectual. The book delves into psychology and acts as a character study for all of its characters. It's a commentary on society through the careful examination of the underbelly of writing and gender roles and the world of publishing and the audience for literature.

"The Romantic" by May Sinclair. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

As we dive into the Father s heart we are overwhelmed by His presence, the fullness of joy. From this place we begin to see from His perspective. As we see and understand His world we are compelled to intercede.We are now praying and speaking with fresh insight.We see that we no longer have to pray from a place of defense. Instead we pray offensive prayers from His presence. When we speak our petitions and most important our declarations into the atmosphere, authority and breakthrough come. From the intimate place with our Father everything is birthed.

A glorious spiritual awakening is on the horizon, sparked by the combustible mix of worship and prayer. Dick Eastman calls this combination “intercessory worship,” and in this one-of-a-kind guidebook, he explains how worship-saturated prayer rises like a fragrance before God’s throne to declare His glory and reign over all circumstances, relationships and governments—and he shows readers how to engage in life-transforming intercessory worship. Eastman reveals why intercessory worship is the greatest last-days prayer movement in history and invites believers to join the worldwide Body of Christ in fanning the flames of revival through biblical worship and scriptural prayer. The world will be transformed as the presence and power of the Spirit pour forth from the heart of God.

This book explores women’s short supernatural fiction between the emergence of first wave feminism and the post-suffrage period, arguing that while literary ghosts enabled an interrogation of women’s changing circumstances, ghosts could have both subversive and conservative implications. Haunted house narratives by Charlotte Riddell and Margaret Oliphant become troubled by uncanny reminders of the origins of middle-class wealth in domestic and foreign exploitation. Corpse-like revenants are deployed in Female Gothic tales by Mary Elizabeth Braddon and Edith Nesbit to interrogate masculine aestheticisation of female death. In the culturally-hybrid supernaturalism of Alice Perrin, the ‘Marriage Question’ migrates to colonial India, and psychoanalytically-informed stories by May Sinclair, Eleanor Scott and Violet Hunt explore just how far gender relations have really progressed in the post-First World War period. Study of the woman’s short story productively problematises literary histories about the “golden age” of the ghost story, and about the transition from Victorianism to modernism.