The Imperial House Of Japan

"With the ascension of a new emperor and the dawn of the Reiwa Era, Kenneth J. Ruoff has expanded upon and updated The People’s Emperor, his study of the monarchy’s role as a political, societal, and cultural institution in contemporary Japan. Many Japanese continue to define the nation’s identity through the imperial house, making it a window into Japan’s postwar history. Ruoff begins by examining the reform of the monarchy during the U.S. occupation and then turns to its evolution since the Japanese regained the power to shape it. To understand the monarchy’s function in contemporary Japan, the author analyzes issues such as the role of individual emperors in shaping the institution, the intersection of the monarchy with politics, the emperor’s and the nation’s responsibility for the war, nationalistic movements in support of the monarchy, and the remaking of the once-sacrosanct throne into a “people’s imperial house” embedded in the postwar culture of democracy. Finally, Ruoff examines recent developments, including the abdication of Emperor Akihito and the heir crisis, which have brought to the forefront the fragility of the imperial line under the current legal system, leading to calls for reform."

This important new and original study on the institution of the Japanese emperors focuses on the enigma of the institution itself, namely, the extraordinary continuity of the Japanese dynasty, which is unknown anywhere else in the world, yet which is now at risk on account of more recent laws of succession.

Few institutions are as well suited as the monarchy to provide a window on postwar Japan. The monarchy, which is also a family, has been significant both as a political and as a cultural institution. Ruoff analyzes numerous issues, stressing the monarchy's "postwarness" rather than its traditionality.

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 24. Chapters: Imperial House of Japan, Crown Princess Masako, Empress K jun, Crown Prince Naruhito, Princess Akishino, Prince Akishino, Aiko, Princess Toshi, Empress Michiko, Prince Mikasa, Princess Takamado, Prince Takamatsu, Prince Hitachi, Prince Tomohito of Mikasa, Prince Hisahito of Akishino, Empress Teimei, Princess Mako of Akishino, Princess Mikasa, Princess Kako of Akishino, Princess Akiko of Mikasa, Prince Katsura, Princess Tsuguko of Takamado, Princess Hitachi, Princess Tomohito of Mikasa, Princess Ayako of Takamado, Princess Noriko of Takamado, Princess Y ko of Mikasa. Excerpt: The Imperial House of Japan k shitsu), also referred to as the Imperial Family or the Yamato Dynasty, comprises those members of the extended family of the reigning Emperor of Japan who undertake official and public duties. Under the present Constitution of Japan, the emperor is the symbol of the state and unity of the people. Other members of the imperial family perform ceremonial and social duties, but have no role in the affairs of government. The duties as an emperor are passed down the line to children and their children's children and so on. The Japanese monarchy is the oldest continuous hereditary monarchy in the world. The imperial house recognizes 125 monarchs beginning with the legendary Emperor Jimmu (traditionally dated to February 11, 660 BC) and continuing up to the current emperor, Akihito; see its family tree. However, there is no historical evidence for the genealogical relationships, and in most cases even the existence of, the first 25 emperors. from left to right: Crown Princess Masako, Crown Prince Naruhito, the Emperor, Empress Michiko, Prince Akishino, Princess Kiko; on the occasion of the Emperor's Birthday at the Tokyo Imperial Palace; 2005The 1947 Imperial Household Law defines the imperial house as: the Emperor of...

In this first general study of the Japanese imperial institution throughout its history, Peter Martin brings together inaccessible material, much of it available only in Japanese. He surveys the history and political and religious status of the monarchy of Japan from its mythological origins to our own times.

Can an imperial city survive, let alone thrive, without an emperor? Alice Y. Tseng answers this intriguing question in Modern Kyoto, a comprehensive study of the architectural and urban projects carried out in the old capital following Emperor Meiji’s move to Tokyo in 1868. Tseng contends that Kyoto—from the time of the relocation to the height of the Asia-Pacific War—remained critical to Japan’s emperor-centered national agenda as politicians, planners, historians, and architects mobilized the city’s historical connection to the imperial house to develop new public architecture, infrastructure, and urban spaces. Royal births, weddings, enthronements, and funerals throughout the period served as catalysts for fashioning a monumental modern city fit for hosting commemorative events for an eager domestic and international audience. Using a wide range of visual material (including architectural plans, postcards, commercial maps, and guidebooks), Tseng traces the development of four core areas of Kyoto: the palaces in the center, the Okazaki Park area in the east, the Kyoto Station area in the south, and the Kitayama district in the north. She offers an unprecedented framework that correlates nation building, civic boosterism, and emperor reverence to explore a diverse body of built works. Interlinking microhistories of the Imperial Garden, Heian Shrine, Lake Biwa Canal, the prefectural library, zoological and botanical gardens, main railway station, and municipal art museum, among others, her work asserts Kyoto’s vital position as a multifaceted center of culture and patriotism in the expanding Japanese empire. Richly illustrated with many never-before-published photographs and archival sources, Modern Kyoto challenges readers to look beyond Tokyo for signposts of Japan’s urban modernity and opens up the study of modern emperors to incorporate fully built environments and spatial practices dedicated in their name.

The book offers a fascinating picture of the four emperors of modern Japan, their institution, their personalities and their impact on the history of their country. Leading scholars from Japan and other countries have contributed essays which treat this subject from various angles.