The Image Of The Puppet In Italian Theater Literature And Film

With the advancement of cybernetics, avatars, animation, and virtual reality, a thorough understanding of how the puppet metaphor originates from specific theatrical practices and media is especially relevant today. This book identifies and interprets the aesthetic and cultural significance of the different traditions of the Italian puppet theater in the broader Italian culture and beyond. Grounded in the often-overlooked history of the evolution of several Italian puppetry traditions – the central and northern Italian stringed marionettes, the Sicilian pupi, the glove puppets of the Po Valley, and the Neapolitan Pulcinella – this study examines a broad spectrum of visual, cinematic, literary, and digital texts representative of the functions and themes of the puppet. A systematic analysis of the meanings ascribed to the idea and image of the puppet provides a unique vantage point to observe the perseverance and transformation of its deeper associations, linking premodern, modern, and contemporary contexts.

An enthralling coming-of-age debut novel about a young woman in late 19th-century Venice who becomes a man to join the male-dominated world of the theater as a puppeteer—in the vein of Sarah Waters. Ever since her grandfather introduced her to eight-string marionettes, Francesca has dreamed of performing from the rafters of Venice’s popular Minerva Theater. There’s just one problem: the profession is only open to men. When her father arranges to sell her into marriage to pay off his gambling debts, Francesca flees her home. Masquerading as a male orphan named Franco, she secures an apprenticeship with the Minerva’s eccentric ensemble of puppeteers. Amid the elaborate set-pieces, the glittering limes, and the wooden marionettes, she finds a place where she belongs—and grows into the person she was always meant to be: Franco. The past threatens to catch up with Franco when his childhood friend Annella reappears and recognizes him at the theater. Now a paid companion to an influential woman, Annella understands the lengths one must go to survive, and she promises to keep Franco’s secret. Desire sparks between them, and they find themselves playing a dangerous game against the most powerful figures of Venice’s underworld. With their lives—and the fate of the Minerva—hanging in the balance, Franco must discover who is pulling the strings before it’s too late. Rich in historic detail and imbued with sharp social commentary, Eight Strings is a gorgeous, spellbinding debut that celebrates love, life, and art in all its forms.

"This first English-language study traces the history of Italian puppetry from its evolution in the 16th century. Topics include: the golden ages of marionettes, glove puppets, fantoccini, pupi, and other forms; descriptions of episodic, dramatic performances known as rappresentanti figurati; and in-depth studies of two marionette companies, Turin's Lupi and Catania's Fratelli Napoli"--Provided by publisher.

First published in 1999. The many available scholarly works on Italian-Americans are perhaps of little practical help to the undergraduate or high school student who needs background information when reading contemporary fiction with Italian characters, watching films that require a familiarity with Italian Americans, or looking at works of art that can be fully appreciated only if one understands Italian culture. This basic reference work for non-specialists and students offers quick insights and essential, easy-to-grasp information on Italian-American contributions to American art, music, literature, motion pictures and cultural life. This rich legacy is examined in a collection of original essays that include portrayals of Italian characters in the films of Francis Coppola, Italian American poetry, the art of Frank Stella, the music of Frank Zappa, a survey of Italian folk customs and an analysis of the evolution of Italian-American biography. Comprising 22 lengthy essays written specifically for this volume, the book identifies what is uniquely Italian in American life and examines how Italian customs, traditions, social mores and cultural antecedents have wrought their influence on the American character. Filled with insights, observations and ethnic facts and fictions, this volume should prove to be a valuable source of information for scholars, researchers and students interested in pinpointing and examining the cultural, intellectual and social influence of Italian immigrants and their successors.

This book explores Pinocchio’s hybrid nature -- between mechanical and human -- as a creature of a century traversed by an eager cultural interest in dummies, puppets, and marionettes, a score of mechanical bodies bearing relation with contemporary technological advancements, and leading to a sustained enthusiasm for machines understood as mechanical facilitators of modernity. Pinocchio becomes a symbol of modernity, whether explicitly or implicitly, in both older and more recent studies, highlighting the "generative" qualities of Collodi’s text, as well as the puppet’s status as archetype, model, and, metaphor. The study focuses, on the one hand, on the Pinocchio figure and its "remediations" across time and, on the other, by illuminating both the wider context as well as the more specific genesis and manifestations of the mechanical-human interface in the domains of theatre, the fine arts, literature, radio, film, and virtual reality, where Pinocchio is remodelled from cultural fossil into avatar of a non-mechanical reality, coherently with the digital metamorphosis of our times. The interdisciplinary approach of this volume considers nineteenth-century Italian literature, nineteenth-century French literature and drama, children’s literature, German and Italian drama, contemporary British visual arts, and international film to explore the significance of Pinocchio in the twentieth and twenty-first centuries.

Pinocchio, The Tale of a Puppet follows the adventures of a talking wooden puppet whose nose grew longer whenever he told a lie and who wanted more than anything else to become a real boy.As carpenter Master Antonio begins to carve a block of pinewood into a leg for his table the log shouts out, "Don't strike me too hard!" Frightened by the talking log, Master Cherry does not know what to do until his neighbor Geppetto drops by looking for a piece of wood to build a marionette. Antonio gives the block to Geppetto. And thus begins the life of Pinocchio, the puppet that turns into a boy.Pinocchio, The Tale of a Puppet is a novel for children by Carlo Collodi is about the mischievous adventures of Pinocchio, an animated marionette, and his poor father and woodcarver Geppetto. It is considered a classic of children's literature and has spawned many derivative works of art. But this is not the story we've seen in film but the original version full of harrowing adventures faced by Pinnocchio. It includes 40 illustrations.

This book has puppet theater and marionettes as its main subject. The author, herself a puppeteer, has divided her work into chapters dealing with the history of puppets, the different types found throughout the world and so on.