The Idea Of The Castle In Medieval England

Medieval castles have traditionally been examined as feats of military engineering & tools of feudal control. This book presents a different perspective, by exploring the castle as a cultural reflection of the society that produced it, seen through art & literature.

Medieval castles have traditionally been explained as feats of military engineering and tools of feudal control, but Abigail Wheatley takes a different approach, looking at a range of sources usually neglected in castle studies. Evidence from contemporary literature and art reveals the castle's place at the heart of medieval culture, as an architecture of ideas every bit as sophisticated as the church architecture of the period. This study offers a genuinely fresh perspective. Most castle scholars confine themselves to historical documents, but Wheatley examines literary and artistic evidence for its influence on and response to contemporary castle architecture. Sermons, seals and ivory caskets, local legends and Roman ruins all have their part to play. What emerges is a fascinating web of cultural resonances: the castle is implicated in every aspect of medieval consciousness, from private religious contemplation to the creation of national mythologies. This book makes a compelling case for a new, interdisciplinary approach to castle studies. ABIGAIL WHEATLEY studied for her PhD at York University's Centre for Medieval Studies.

This paperback edition of a book first published in hardback in 2002 is a fascinating and provocative study which looks at castles in a new light, using the theories and methods of landscape studies.

The vast majority of castles in England, Wales, Ireland, and France have virtually no military history' of sieges or physical conflict across the whole panorama of more than five centuries'. This is quite a sobering thought.

This original and pioneering book examines the role of the castle in the Norman conquest of England and in the subsequent administration of the country. The castle is seen primarily as an instrument of peaceful administration which rarely had a garrison and was more often where the sheriff kept his files and employed his secretariat. In most cases the military significance of the castle was minimal, and only a very few ever saw military action. For the first time, the medieval castle in England is seen in a new light which will attract the general reader of history and archaeology as much as the specialist in economic and social history.

"Some particular books I found useful for A Game of Thrones and its sequels deserve mention... Life in a Medieval Castle and Life in a Medieval City, both by Joseph and Frances Gies." —George R.R. Martin, author of the series A Song of Ice and Fire Medieval history comes alive in Joseph and Frances Gies's Life in a Medieval Castle, used as a research resource by George R. R. Martin in creating the world of A Game of Thrones. Newly reissued for the first time in decades, Life in a Medieval Castle is the bestselling classic that has introduced countless readers to the wonders of the Middle Ages. Focusing on a castle called Chepstow on the border between England and Wales, acclaimed Medievalists Joseph and Frances Gies offer an exquisite portrait of what day-to-day life was actually like during the era, and of the key role the castle played. The Gieses write eloquently about the many people whose lives revolved around the castle, from the lord and lady to the commoners of the surrounding village. We discover what lords and serfs alike would have worn, eaten, and done for leisure; the songs sung; and the codes of sexual conduct that maintained order. We learn of the essential role of honor in medieval culture, the initiation process undertaken by knights, and how castles attempted to keep the constant threats of outside violence at bay. Exhaustively researched and as engaging as any novel, Life in a Medieval Castle is the definitive text for anyone wishing to learn more about this fascinating era.

A collection of the most significant articles in castle studies, with contributions from scholars in history, archaeology, historic buildings and landscape archaeology. The castles of the late medieval period represent some of the finest medieval monuments in Britain, with an almost infinite capacity to fascinate and draw controversy. They are also a source of considerable academic debate. The contents of this volume represent key works in castle scholarship. Topics discussed include castle warfare, fortress customs, architectural design and symbolism, spatial planning and the depiction of castles in medieval romance. The contributions also serve to highlight the diversity of approaches to the medieval castle, ranging from the study of documentary and literary sources, analysis of fragmentary architectural remains and the recording of field archaeology. The result is a survey that offers an in-depth analysis of castle building from the thirteenth to the fifteenth centuries, and places castles within their broader social, architectural and political contexts. Robert Liddiard is Professor of History, University of East Anglia. Contributors: Nicola Coldstream, Charles Coulson, Philip Dixon, Graham Fairclough, P.A. Faulkner, John Goodall, Beryl Lott, Charles McKean, T.E. McNeill, Richard K. Morris, Michael Prestwich, Christopher Taylor, Muriel A. Whitaker.

"Text and detailed drawings follow the planning and construction of a "typical" castle and adjoining town in thirteenth-century Wales."--Title page verso.

First multi-disciplinary study of the cultural and social milieu of the post-medieval castle. The castle was an imposing architectural landmark in late medieval and early modern England and Wales. Castles were much more than lordly residences: they were accommodation to guests and servants, spaces of interaction between the powerful and the powerless, and part of larger networks of tenants, parks, and other properties. These structures were political, symbolic, residential, and military, and shaped the ways in which people consumed the landscape and interacted with the local communities around them. This volume offers the first interdisciplinary study of the socio-cultural understanding of the castle in the late fifteenth and early sixteenth centuries, a period duringwhich the castle has largely been seen as in decline. Bringing together a wide range of source material - from architectural remains and archaeological finds to household records and political papers - it investigates the personnel of the castle; the use of space for politics and hospitality; the landscape; ideas of privacy; and the creation of a visual legacy. By focusing on such an iconic structure, the book allows us to see some of the ways in which men and women were negotiating the space around them on a daily basis; and just as importantly, it reveals the impact that the local communities had on the spaces of the castle. AUDREY M. THORSTAD teaches in the Department of History, University of North Texas.