The Idea Of Man

What's it like to start a revolution? How do you build the biggest tech company in the world? And why do you walk away from it all? Paul Allen co-founded Microsoft. Together he and Bill Gates turned an idea - writing software - into a company and then an entire industry. This is the story of how it came about: two young mavericks who turned technology on its head, the bitter battles as each tried to stamp his vision on the future and the ruthless brilliance and fierce commitment.

The Idea of Man presents a new ontology, or idea of human being, by developing the logic that naturally flows from that which is original, necessary, inherent and essential to this being - upright posture. The verticality of man, simply and mutely constituted by his innate 'uprightness', is taken as the ontological key to understanding the idea of man, the world of language and the very possibility of Being itself. In this, the book conceives in unison both an Ontological Anthropology and an Anthropological Ontology.

Arguing that humanity has lost its symbiotic relationship with nature regarding housing, a cultural evaluation of architecture considers the evolution of structure development and the possibility of combining the expertise of environmentalists and builders to promote indigenous architecture. UP.

This book presents a new ontology, or idea of human being, in order to better understand the meaning of life, the reason, logic and purpose of life. To find this key to the meaning of life, it looks at the origin of man in order to find that single, essential quality that could be said to constitute his 'essence', that which man, first, always and forever IS ('esse': latin, 'to be')... that without which man is impossible to conceive. With this ontological key in hand, it will be possible to open the door to a treasure of self-knowledge and the possibility of understanding not only the meaning of life but the possibility, even inevitability, of life after death.

For as long as man has consciously existed - really lived - we have questioned the nature and purpose of our own existence; why are we here? What does it mean to be human? This is a photographic interpretation of the complexity and the idea of man abstracted from the individual, in the form of a series of candid observations. It's a documentary, street photography journal and a philosophical work with a twist.

O, The Oprah Magazine's 20 Best Titles of the Year Time Magazine's 100 Books to Read in 2020 Financial Times' Best Books of 2020 Esquire's Best Books of 2020 New York Times Editors' Choice Lit Hub's Best Books of 2020 Bustle's Best Short Story Collections of 2020 Electric Literature's Favorite Short Story Collections of 2020 Library Journal's Best Short Stories of 2020 “Superb. . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.” —Molly Antopol, New York Times Book Review “From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” —Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women’s coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss’s stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

In The Christian Idea of Man Josef Pieper brings off an extraordinary feat. He acknowledges that whoever introduces the theme of "virtue" and "the virtues" can expect to be met with a smile - of various shades of condescension. He then proceeds to single out "prudence" as the fundamental virtue on which the other cardinal virtues are based. In defining it, he does away with the shallow connotations which have debased it in modern times. Similarly, he manages to divest it of all traces of "moralism," which, to a large extent has become identified with the Christian idea of virtue and has made it fall into general disrepute. For Pieper, prudence is fundamentally based on a clear perception of reality - of things as they are - and the prudent person is the one who acts in accordance with this perception. It has nothing to do with knowing how to avoid decisions which might be to one's disadvantage. Similarly, justice, which is based on prudence, involves acting toward other persons according to one's perception of the truth of the circumstances - again, a perception of things "as they are." This is not a reference to any "status quo," but to the reality as constituted by the Creator. In referring to courage [fortitude], Pieper discusses the overcoming of fear. This does not imply having no fear but, precisely, overcoming it. With regard to the fundamental fear of death, Pieper rejects the approaches which contend that there is nothing to fear in death. On the contrary, there is everything to fear in death: it concerns the question of possible absolute annihilation! Here Pieper introduces the consideration of the "theological" virtues of faith, hope, and love [charity]. When confronted with the question of possible annihilation, the Christian's faith is paramount. Belief in God lets him confront danger and overcome even the most radical fear - through hope in God. His love of God does not wipe out fear but gives him courage. Moderation is seen as the last in the hierarchy of the cardinal virtues. Through its manifestation, in recent Christian thinking, with chastity and abstinence, it became in the Christian mind the most prominent characteristic of the Christian idea of man and one that dominated everything else. It has been reduced to the status of the most private of the virtues and is combined with a moralistic conception of the good. Pieper's analysis of moderation shows how this virtue needs to be rethought, although, even then, it will remain the last in the hierarchy of virtues.