The Honest Courtesan

The Venetian courtesan has long captured the imagination as a female symbol of sexual license, elegance, beauty, and unruliness. What then to make of the cortigiana onesta—the honest courtesan who recast virtue as intellectual integrity and offered wit and refinement in return for patronage and a place in public life? Veronica Franco (1546-1591) was such a woman, a writer and citizen of Venice, whose published poems and familiar letters offer rich testimony to the complexity of the honest courtesan's position. Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a passionate support of defenseless women, strong convictions about inequality, and, in the eroticized language of her epistolary verses, the seductive political nature of all poetic contests. It is Veronica Franco's insight into the power conflicts between men and women—and her awareness of the threat she posed to her male contemporaries—that makes her literary works and her dealings with Venetian intellectuals so pertinent today. Combining the resources of biography, history, literary theory, and cultural criticism, this sophisticated interdisciplinary work presents an eloquent and often moving account of one woman's life as an act of self-creation and as a complex response to social forces and cultural conditions. "A book . . . pleasurably redolent of Venice in the 16th-century. Rosenthal gives a vivid sense of a world of salons and coteries, of intricate networks of family and patronage, and of literary exchanges both intellectual and erotic."—Helen Hackett, Times Higher Education Supplement The Honest Courtesan is the basis for the film Dangerous Beauty (1998) directed by Marshall Herskovitz. (The film was re-titled The Honest Courtesan for release in the UK and Europe in 1999.)

Study of the life and work of the Venetian courtesan and writer Veronica Franco (1546-1591), who worked within the literary traditions of 16th-century Venice. The author analyses her poems and letters, and sketches the historical background. Adaptation of Rosenthal's dissertation.

Veronica Franco (whose life is featured in the motion picture Dangerous Beauty) was a sixteenth-century Venetian beauty, poet, and protofeminist. This collection captures the frank eroticism and impressive eloquence that set her apart from the chaste, silent woman prescribed by Renaissance gender ideology. As an "honored courtesan", Franco made her living by arranging to have sexual relations, for a high fee, with the elite of Venice and the many travelers—merchants, ambassadors, even kings—who passed through the city. Courtesans needed to be beautiful, sophisticated in their dress and manners, and elegant, cultivated conversationalists. Exempt from many of the social and educational restrictions placed on women of the Venetian patrician class, Franco used her position to recast "virtue" as "intellectual integrity," offering wit and refinement in return for patronage and a place in public life. Franco became a writer by allying herself with distinguished men at the center of her city's culture, particularly in the informal meetings of a literary salon at the home of Domenico Venier, the oldest member of a noble family and a former Venetian senator. Through Venier's protection and her own determination, Franco published work in which she defended her fellow courtesans, speaking out against their mistreatment by men and criticizing the subordination of women in general. Venier also provided literary counsel when she responded to insulting attacks written by the male Venetian poet Maffio Venier. Franco's insight into the power conflicts between men and women and her awareness of the threat she posed to her male contemporaries make her life and work pertinent today.

A passionate encounter in Paris leads a rake to reform his ways in this Regency romance of forbidden desire and secret identities. It’s been more than three months, but Oliver Gregory still remembers the exquisite night he shared with a beautiful woman in Paris. Discovering her working at the discreet London gentlemen’s club he owns comes as a shock . . . even more so when he realizes she’s pregnant! Oliver knows the pain of being an outcast. And he will do all in his power to ensure his child is not born illegitimate. Cecilia will return to his bed . . . as his wife!

Constable Will Danbury has infiltrated a school to investigate an alleged crime. What he finds is a deeper, darker mystery—and a potent attraction to the alluring headmistress, Jacqueline Trouvère. But a constable can't get romantically involved with a suspect; even one he thinks is innocent, without committing career suicide. As headmistress of a school devoted to saving the innocent daughters of London's soiled doves, Jacqueline’s life is complicated. Will tempts her in ways she never thought to experience, but she believes no respectable gentleman could love a former courtesan. Despite their best efforts to fight it, a romance blossoms. When danger jeopardizes the school, however, his deceptions and her omissions come to light, threatening to destroy their love. They must look beyond the past to save both their future together and the lives of those they’ve sworn to protect. Each book in the Once Wicked series is STANDALONE: * To Love a Libertine * Once a Courtesan * A Wicked Reputation

According to a Latin American proverb, a complete woman must be a lady in the living room, a chef in the kitchen, and a courtesan in the bedroom. Pilar is none of the above. When Pilar inherits her grandmother's diaries, she discovers what is missing in her life, as well as the secret life her grandmother managed to keep hidden for decades. The black silk-bound diaries reveal the secret beauty rituals of South American women, rules of social etiquette, and delicious recipes to seduce men, which teach Pilar to be the perfect wife, lover, and woman. Offsetting this sumptuous world of a woman's Venezuelan life in the '40s is Pilar's story -- a culturally confused woman living in Chicago with thoughts and dreams that need inspiration. As she reads through the diaries, she slowly begins to discover the importance of tradition and how to incorporate it into her life as an independent, professional woman. And perhaps finally, she will find the courage to allow herself to love the man she isn't supposed to, but desperately does.

During the course of the nineteenth century, a small group of women rose from impoverished obscurity to positions of great power, independence, and wealth. In doing so they took control of their lives -- and those of other people -- and made the world do their will. Extremely accomplished, well-educated, and unusually literate, courtesans exerted an incredible influence as leaders of society. They were not received at court, but inhabited their own parallel world -- the demimonde -- complete with its own hierarchies, etiquette, and protocol. They were queens of fashion, linguists, musicians, accomplished at political intrigue, and, of course, possessors of great erotic gifts. Even to be seen in public with one of the great courtesans was a much-envied achievement.

In this new biography, published to coincide with the 100th anniversary of her execution, Mata Hari is revealed in all of her flawed eccentricity; a woman whose adult life was a fantastical web of lies, half-truths and magnetic sexuality that captivated men. Following the death of a young son and a bitter divorce, Mata Hari reinvented herself as an exotic dancer in Paris, before finally taking up the life of a courtesan. She could have remained a half-forgotten member of France's grande horizontale were it not for the First World War and her disastrous decision to become embroiled in espionage. What happened next was part farce and part tragedy that ended in her execution in October 1917. Recruited by both the Germans and the French as a spy, Mata Hari – codenamed H-21 – was also almost recruited by the Russians. But the harmless fantasies and lies she had told on stage had become part of the deadly game of double agents during wartime. Struggling with the huge cost of war, the French authorities needed to catch a spy. Mata Hari, the dancer, the courtesan, the fantasist, became the prize catch.

First in a sexy new series featuring a match-making courtesan. Lady Sophia Dalby, everyone?s favorite courtesanturned- countess, faces her toughest match-making case yet: her own obstinate daughter.