The Hindu Goddesses

Hindu Goddesses is a valuable sourcebook and reference work for students and scholars of Hindu goddesses and of Hinduism in general. Each goddess is dealt with as an independent deity with a coherent mythology, theology and, in some cases, cult of her own. Within the complex, diverse, and rich goddess traditions of Hinduism, one can find suggestions of nearly every important theme in the Hindu religion. In many ways, this book is as much a study of the Hindu tradition itself as it is a study of one aspect of that tradition. No other living religious tradition has displayed such an ancient, continuous, and diverse history of goddess worship.

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Pixar animator and Academy Award–nominated director Sanjay Patel (Sanjay’s Super Team) brings to life Hinduism’s most important gods and goddesses—and one sacred stone—in fun, full-color illustrations, each accompanied by a short, lively profile. The Little Book of Hindu Deities is chock-full of monsters, demons, noble warriors, and divine divas. Find out why Ganesha has an elephant’s head (his father cut his off!); why Kali, the goddess of time, is known as the “Black One” (she’s a bit goth); and what “Hare Krishna” really means. “Throw another ingredient in the American spirituality blender. Pop culture is veering into Hinduism.”—USA Today

Hindu gods serve mankind with compassion and devotion, breathing wisdom into every aspect of life. This exquisitely illustrated book presents profiles of 30 deitiesfrom the powerful triad of Brahma the creator, Vishnu the preserver, and Shiva the destroyer, to the colorful supporting cast of gods such as Ganesha and Saraswati. Author Priya Hemenway tells the stories of how these gods came to be, how theyre worshipped, and how they remain forever alive in the hearts of those who seek to know themselves.

Popular religion in village India is overwhelmingly dominated by goddess worship. Goddesses can be nationally well-known like Durga or Kali, or they can be an obscure deity who is only known in a particular rural locale. The origins of a goddess can be both ancient—with many transitions or amalgamations with other cults having occurred along the way—and very recent. While some have tribal origins, others sprout up overnight due to a vivid dream. Inventing and Reinventing the Goddess: Contemporary Iterations of Hindu Divinities on the Move looks at the nature of how and why goddesses are invented and reinvented historically in India and how social hierarchy, gender differences, and modernity play roles in these emerging religious phenomena.

Replete with inspired illustrations by award-winning artists B.G. Sharma and Mahaveer Swami, Beauty, Power & Grace features Krishna Dharma’s dramatic retellings of pivotal ancient Indian stories of the many Hindu Goddesses. Adapted from ancient Sanskrit texts, the stories in Beauty, Power & Grace represent one of the most fundamental aspects of Hinduism—the innumerable manifestations of divinity. Among these, the portrayal of the Goddess is perhaps the most alluring. She appears as a devoted wife, a master of the arts, a terrifying demon slayer, a scornful critic, and a doting mother, to name just a few of her forms. In Vedic tradition, these depictions of the Goddess reflect the belief that male and female are simply different expressions of one supreme, absolute truth. These profound stories are brought together here in an exquisitely illustrated collection that reveals the various manifestations of the Goddess, ranging from the iconic to the obscure: Mother Yashoda peers into her infant’s mouth and is astonished to catch a glimpse of the entire universe; Ganga Devi, now synonymous with the sacred river, rides upon a great crocodile and purifies those whom she encounters; and Kali, adorned with a garland of skulls, drinks the blood of her victims on the battlefield. A definitive and timeless celebration of Goddess imagery, symbolism, and lore, Beauty, Power & Grace stunningly displays the fascinating intersection between color, form, and meaning at the heart of Hindu tradition.

Home to one of the ancient civilizations of the world, India is also the birthplace of a dizzying array of gods worshipped by millions of Hindus living in India and across the globe. Over the centuries many of these gods rose to power and became the object of utmost devotion, only to fall from grace and lose their standing. These deities shared a peculiar trait: they were never perfect. In this multivolume series entitled, The Galaxy of Hindu Gods, Sach takes you on an extended journey to meet with the gods and share their tales with you. Among the multitude of deities, the most ancient are the Vedic gods, which include luminaries like Indra, Surya, Varuna, Agni, and others. Today a minor deity, the Vedic Indra was once the ruler of the three worlds who, under the influence of a mysterious power drink, fought with the demons and vanquished them. His reign did not last long. His comrades Surya and Varuna also had their glory days but were overthrown by other gods of the pantheon. Yet, after thousands of years, gods like Indra, Surya, and Varuna are still household names and honored in Hindu rituals and traditions. If you know little or nothing about Hindu mythology, this is your ideal starting point where you will meet the overwhelming array of Hindu gods and learn about their wonderful stories.

A practical text explaining the allegorical significance of gods and goddesses; rituals and festivals; invocations and prayers. It educates a spiritual aspirant with the philosophical aspect of religious practices.

The Great Goddess, in her various puranic and tantric forms, is often figured as sitting on a corpse which is identified as Shiva-as-shava (God Shiva, the consort of the Devi and an iconic representation of the Absolute without attributes, the Nirguna Brahman). Hence, most of the existing critical works and ethnographic studies on Shaktism and the tantras have focused on the theological and symbolic paraphernalia of the corpses which operate as the asanas (seats) of the Devi in her various iconographies. This book explores the figurations of the Goddess as corpse in several Hindu puranic and Shakta-tantric texts, popular practices, folk belief systems, legends and various other cultural phenomena based on this motif. It deals with a more intricate and fundamental issue than existing works on the subject: how and why is the Devi – herself - figured as a corpse in the Shakta texts, belief systems and folk practices associated with the tantras? The issues which have been raised in this book include: how does death become a complement to life within this religious epistemology? How does one learn to live with death, thereby lending new definitions and new epistemic and existential dimensions to life and death? And what is the relation between death and gender within this kind of figuration of the Goddess as death and dead body? Analysing multiple mythic narratives, hymns and scriptural texts where the Devi herself is said to take the form of the Shava (the corpse) as well as the Shakti who animates dead matter, this book focuses not only on the concept of the theological equivalence of the Shava (Shiva as corpse) and the Shakti (Energy) in tantras but also on the status of the Divine Mother as the Great Bridge between the apparently irreconcilable opposites, the mediatrix between Spirit and Matter, death and life, existence-in-stasis and existence-in-kinesis. This book makes an important contribution to the fields of Hindu Studies, Goddess Spirituality, South Asian Religions, Women and Religion, India, Studies in Shaktism and Tantra, Cross-cultural Religious Studies, Gender Studies, Postcolonial Spirituality and Ecofeminism.