The Hero With A Thousand Faces Second Edition Third Printing

This newly redesigned edition of Campbell's seminal 1949 work combines the insights of modern psychology with the author's revolutionary understanding of comparative mythology. Illustrated.

After the death of Marion Morrison, known as John Wayne, in 1979, President Jimmy Carter said that Wayne "was bigger than life. In an age of few heroes, he was the genuine article. But he was more than a hero; he was a symbol of many of the qualities that made America great." The first section of this study concentrates on Wayne's style of work and sphere of action as an actor: The man who works for a living and is concerned with his audience and the constraints of his immediate environment. The second section examines the artist: the man who lives in his art, who disappears into his character as an archetype of human fears and desires. Analyses of films that have made Wayne a hero are presented in the third section. A comprehensive filmography and numerous photographs are included.

Jane Austen Daddy’s Girl: The Life and Influence of the Revd George Austen is a poignant and pertinent examination of a relationship which became the cornerstone of Jane’s life, the bedrock of family and faith as she knew them. Our epic journey through the life and times of the Reverend George Austen will lead us from his early childhood and humble beginnings as an orphan, through his schooldays and on to Oxford University, and beyond. We will follow his career in the Church of England and as master of his own boarding school, as well as peek into his marriage and home life. Dovetailed in with this revealing biography is a thorough interpretation of fatherhood as a theme, as outlined in Jane’s novels, with scrutiny of the fathers of all her most beloved fictional families. Chapter by chapter we will understand more about Jane’s own view on fatherhood and how the Reverend Austen, as her father, colored and created that view. As we draw George and Jane’s relationship closer to us, we understand anew the many layers of clever meaning that Jane Austen interlaced within her stories. Through an examination of this unique father-daughter bond, Jane Austen fans everywhere can pull up a footstool in George’s library and become further united in spirit with their beloved novelist.

Sherlock Holmes: The Hero With a Thousand Faces ambitiously takes on the task of explaining the continued popularity of Arthur Conan Doyle's famous detective over the course of three centuries. In plays, films, TV shows, and other media, one generation after another has reimagined Holmes as a romantic hero, action hero, gentleman hero, recovering drug addict, weeping social crusader, high-functioning sociopath, and so on. In essence, Sherlock Holmes has become the blank slate upon which we write the heroic formula that best suits our time and place. Volume One looks at the social and cultural environment in which Sherlock Holmes came to fame. Victorian novelists like Anthony Trollope and William Thackeray had pointedly written "novels without a hero," because in their minds any well-ordered and well-mannered society would have no need for heroes or heroic behavior. Unfortunately, this was at odds with a reality in which criminals like Jack the Ripper stalked the streets and people didn't trust the police, who were generally regarded as corrupt and incompetent. Into this gap stepped the world's first consulting detective, an amateur reasoner of some repute by the name of Sherlock Holmes, who shot to fame in the pages of The Strand Magazine in 1891. When Conan Doyle proceeded to kill Holmes off in 1893, it was American playwright, director, and actor William Gillette who brought the character back to life in his 1899 play Sherlock Holmes, creating a sensation on both sides of the Atlantic with his romantic version of Holmes, and cementing his place as the definitive Sherlock Holmes until the late 1930s. By that point, Sherlock Holmes had developed a cult following who facetiously maintained that Holmes was a real person, formed clubs like The Baker Street Irregulars, and introduced the idea of cosplay to the embryonic world of fandom. These well-educated fanboys subsequently became the self-assigned protectors of Sherlock Holmes, anxious that their version of the character not be besmirched or defamed in any way. In spite of this, there was considerable besmirching and defaming to be seen in the early silent films featuring Sherlock Holmes, which effectively turned him into an action hero due to the lack of sound. When sound films took the industry by storm in the late 1920s, there were a numbers of pretenders who reached for the Sherlock Holmes crown, including Clive Brook, Reginald Owen, and Raymond Massey, but it took more than a decade before a new definitive Sherlock Holmes would be crowned in 1939 in the person of Basil Rathbone.