The Hemingway Hoax

Devotees of SF and literary mystery will enjoy this fast-paced, well-thought-out adventure that takes a college professor / Hemingway scholar on an eerie journey to coexisting universes. The characters reenact their lives in each slightly different, slightly worse universe. In a Key West bar, Baird is conned into writing a story in Hemingway's 1920s style, which could be passed off as one of the contents of the famous valise left on a train by Hemingway's then-wife Hadley. Returning to Key West from the Hemingway Collection at the Kennedy Library, Baird suddenly finds Ernest Hemingway sitting opposite him in the train compartment. This is, however, a nonhuman who can take on any form, and who has come to warn Baird not to finish the Hemingway pastiche. In a lively, philosophical conversation, the temporal policeman explains that if Baird continues in his plan he will be killed. As each attempt to murder him fails, Baird finds himself in a slightly altered universe--and in one of these supernatural worlds, Baird evolves into Hemingway himself.

The Hemingway Hoax is a Hugo- and Nebula-winning novella that weaves an intricate plot of a fake Hemingway manuscript with time travel, multiple universes, and the potential destruction of the omniverse itself. Hemingway's first wife, Hadley, lost a bag containing the manuscript of his first novel on a Parisian train. In 1996, John Baird, a renowned Hemingway scholar, decides to use that loss to account for a fake manuscript he creates. Little does Baird suspect that his attempt to pass off the forgery as a recovered Hemingway manuscript will take him on a journey involving parallel universes and time travel. For Hemingway's reputation is intricately linked to the fate of multiple worlds in the omniverse and any attempt to change that can have disastrous consequences.

FROM THE AUTHOR OF THE #1 NATIONAL BESTSELLER JUSTICE ON TRIAL Stunned by the turbulence of the 2020 election, millions of Americans are asking the forbidden question: what really happened? It was a devastating triple punch. Capping their four-year campaign to destroy the Trump presidency, the media portrayed a Democratic victory as necessary and inevitable. Big Tech, wielding unprecedented powers, vaporized dissent and erased damning reports about the Biden family's corruption. And Democratic operatives, exploiting a public health crisis, shamelessly manipulated the voting process itself. Silenced and subjected, the American people lost their faith in the system. RIGGED is the definitive account of the 2020 election. Based on Mollie Hemingway's exclusive interviews with campaign officials, reporters, Supreme Court justices, and President Trump himself, it exposes the fraud and cynicism behind the Democrats' historic power-grab. Rewriting history is a specialty of the radical left, now in control of America's political and cultural heights. But they will have to contend with the determination, insight, and eloquence of Mollie Hemingway. RIGGED is a reminder for weary patriots that truth is still the most powerful weapon. The stakes for our democracy have never been higher.

In The Hemingway Short Story: A Study in Craft for Writers and Readers, Robert Paul Lamb delivers a dazzling analysis of the craft of this influential writer. Lamb scrutinizes a selection of Hemingway's exemplary stories to illuminate the author's methods of construction and to show how craft criticism complements and enhances cultural literary studies. The Hemingway Short Story, the highly anticipated sequel to Lamb's critically acclaimed Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story, reconciles the creative writer's focus on art with the concerns of cultural critics, establishing the value that craft criticism holds for all readers. Beautifully written in clear and engaging prose, Lamb's study presents close readings of representative Hemingway stories such as "Soldier's Home," "A Canary for One," "God Rest You Merry, Gentlemen," and "Big Two-Hearted River." Lamb's examination of "Indian Camp," for instance, explores not only its biographical contexts -- showing how details, incidents, and characters developed in the writer's mind and notebook as he transmuted life into art -- but also its original, deleted opening and the final text of the story, uncovering otherwise unseen aspects of technique and new terrains of meaning. Lamb proves that a writer is not merely a site upon which cultural forces contend, but a professional in his or her craft who makes countless conscious decisions in creating a literary text. Revealing how the short story operates as a distinct literary genre, Lamb provides the meticulous readings that the form demands -- showing Hemingway practicing his craft, offering new inclusive interpretations of much debated stories, reevaluating critically neglected stories, analyzing how craft is inextricably entwined with a story's cultural representations, and demonstrating the many ways in which careful examinations of stories reward us.

In more than 30 novels, several short stories, graphic novels, movies, plays and poems, Ernest Hemingway has been introduced or "appropriated" as an important fictional character. This book is an inquiry into that phenomenon from various perspectives--including that of fan fiction--and deals with such questions as what, if anything, this biographical fiction adds to the dialogue about America's best known and most talked about writer.

Joe Haldeman’s “adept plotting, strong pacing, and sense of grim stoicism have won him wide acclaim” (The Washington Post) and numerous honors for such works as The Forever War, The Accidental Time Machine, and the Marsbound trilogy. Now, the multiple Hugo and Nebula award–winning author pits a lone war veteran against a mysterious enemy who is watching his every move—and threatens him with more than death unless he kills for them. Wounded in combat and honorably discharged nine years ago, Jack Daley still suffers nightmares from when he served his country as a sniper, racking up sixteen confirmed kills. Now a struggling author, Jack accepts an offer to write a near-future novel about a serial killer, based on a Hollywood script outline. It’s an opportunity to build his writing career, and a future with his girlfriend, Kit Majors. But Jack’s other talent is also in demand. A package arrives on his doorstep containing a sniper rifle, complete with silencer and ammunition—and the first installment of a $100,000 payment to kill a “bad man.” The twisted offer is genuine. The people behind it are dangerous. They prove that they have Jack under surveillance. He can’t run. He can’t hide. And if he doesn’t take the job, Kit will be in the crosshairs instead.

It was the glittering intellectual world of 1920s Paris expatriates in which Pauline Pfeiffer, a writer for Vogue, met Ernest Hemingway and his wife Hadley among a circle of friends that included Gertrude Stein, F. Scott Fitzgerald, John Dos Passos, and Dorothy Parker. Pauline grew close to Hadley but eventually forged a stronger bond with Hemingway himself; with her stylish looks and dedication to Hemingway's writing, Pauline became the source of "unbelievable happiness" for Hemingway and, by 1927, his second wife. Pauline was her husband's best editor and critic, and her wealthy family provided moral and financial support, including the conversion of an old barn to a dedicated writing studio at the family home in Piggott, Arkansas. The marriage lasted thirteen years, some of Hemingway's most productive, and the couple had two children. But the "unbelievable happiness" met with "final sorrow," as Hemingway wrote, and Pauline would be the second of Hemingway's four wives. Unbelievable Happiness and Final Sorrow paints a full picture of Pauline and the role she played in Ernest Hemingway's becoming one of our greatest literary figures.

The twentieth century lies hundreds of years in humanity’s past. But the near-immortal citizens of the future yearn for the good old days—when people’s bodies were susceptible to death through disease and old age. Now, they immerse themselves in virtual reality time machines to explore the life-to-death arc that defined existence so long ago. Jacob Brewer is a virtual reality engineer, overseeing the time machine’s operation aboard the starship Aspera. But on the thousand-year voyage to Beta Hydrii, the eight-hundred member crew gets more reality than they expect when people entering the machine start to die.