The Hardships Of The English Laws In Relation To Wives By Sarah Chapone

In this legal treatise published anonymously in 1735 in the form of an address to Parliament, Sarah Chapone discusses the oppression of married women in England. In this landmark in the history of feminism, Chapone argues forcefully against the legal doctrine of coverture, which she compares to slavery, and under which married women were subject to their husbands.

Susan Paterson Glover here presents, in modern type, a critical edition of the first printed work by an English woman writer, Sarah Chapone, on the inequity of the common law regime for married women. Glover's extended, original introduction provides an account of Chapone's life; a discussion of the influence of Mary Astell's work on Chapone's thought and work; and a review of the legal status of women in England's eighteenth century, with particular attention to marriage and the doctrine of coverture and the relations of women, law, and property. It concludes by acknowledging the importance of this text to any consideration of the evolution of a discourse of "rights" for women in the Anglo–American legal tradition, and its contribution to a movement for property rights and women's equality whose genesis is generally located in the legislative changes of the nineteenth century. The edition contains valuable appendices including, among other writings, excerpts from Chapone's correspondence with Samuel Richardson; excerpts of responses to Chapone's work from the Weekly Miscellany; and excerpts from contemporary legal literature. Also included is an annotated text of Chapone's pamphlet on the Muilman controversy, Remarks on Mrs. Muilman's Letter to the Right Honourable The Earl of Chesterfield (London, 1750).

A new account of a vital period in the history of ethics, focusing on the content of morality.

This study examines the presentation of suicide within the genre of the eighteenth-century novel. Referencing several key writers of the period, McGuire demonstrates that their work inscribes a nationalist imperative to frame suicide as self-sacrifice.

Cultural Histories of Law, Media and Emotion: Public Justice explores how the legal history of long-eighteenth-century Britain has been transformed by the cultural turn, and especially the associated history of emotion. Seeking to reflect on the state of the field, 13 essays by leading and emerging scholars bring cutting-edge research to bear on the intersections between law, print culture and emotion in Britain across the eighteenth and nineteenth centuries. Divided into three sections, this collection explores the ‘public’ as a site of legal sensibility; it demonstrates how the rhetoric of emotion constructed the law in legal practice and in society and culture; and it highlights how approaches from cultural and emotions history have recentred the individual, the biography and the group to explain long-running legal-historical problems. Across this volume, authors evidence how engagements between cultural and legal history have revitalised our understanding of law’s role in eighteenth-century culture and society, not least deepening our understanding of justice as produced with and through the public. This volume is the ideal resource for upper-level undergraduates, postgraduates and scholars interested in the history of emotions as well as the legal history of Britain from the late seventeenth to the nineteenth century.

For hundreds of years English people have claimed that fair play is at the core of their national identity. Jonathan Duke-Evans looks at the history of fair play in Britain from earliest times to the present, asking whether it is in fact a British, or alternatively an English, characteristic at all - and if so, whether fair play still matters today? In An English Tradition?, Jonathan Duke-Evans explores the origins of the idea of fair play, tracing it back to the classical world and the Dark Ages, and finding its genesis deep within England's social structure. Charting its early development through both the tales of chivalry and the stories of popular legend, the book shows how fair play manifested itself in literature, the law, the Christian religion, and the family. It examines the way in which fair play was conceived during the ages of slavery and empire, and it proposes a new account of the birth of modern sport in the encounter between age-old popular games and the Victorian cult of amateurism. Taking in the Scottish, Irish, and Welsh manifestations of fair play, Duke-Evans offers contrasts and comparisons from cultures all around the world, and suggests new perspectives on the relevance of fair play in the twenty-first century.