The Handbook Of Field Recording

"The Handbook of Field Recording" is the essential book by author Frank Dorritie on the topic. Coming complete with an audio CD, this book will teach you how to make good field recordings in any situation. Getting a good recording in the field is still one of the most challenging tasks in the recording industry. From environmental factors and room acoustics to equipment problems, field recording can be filled with potential roadblocks. "The Handbook of Field Recording" provides you with the knowledge you need to solve these problems and excel at making the best recording possible of any subject at any location. In clear terms, the book explains how to record documentary audio, film sound, underwater sounds, and much more. Veteran music and recording educator Frank Dorritie, author of the popular MixBooks title "Essentials of Music for Audio Professionals," brings his formidable recording experience to light in "The Handbook of Field Recording." This is an exciting, authoritative title that will demystify the challenging process of recording subjects outside of the studio.

Working as a recording engineer presents challenges from every direction of your project. From using microphones to deciding on EQ settings, choosing outboard gear to understanding how, when and why to process your signal, the seemingly never-ending choices can be very confusing. Professional Audio's bestselling author Bobby Owsinski (The Mixing Engineer's Handbook, The Mastering Engineer's Handbook) takes you into the tracking process for all manner of instruments and vocals-- providing you with the knowledge and skill to make sense of the many choices you have in any given project. From acoustic to electronic instruments, mic placement to EQ settings, everything you need to know to capture professionally recorded audio tracks is in this guide.

John Eargle's 4th edition of The Handbook of Recording Engineering is the latest version of his long-time classic hands-on book for aspiring recording engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today's training in recording and its allied arts and sciences. Digital recording and signal processing are covered in detail, as are actual studio miking and production techniques -- including the developing field of surround sound. As always, the traditional topics of basic stereo, studio acoustics, analog tape recording, and the stereo LP are covered in greater detail than you are likely to find anywhere except in archival references. This book has been completely updated with numerous new topics added and outdated material removed. Many technical descriptions are now presented in Sidebars, leaving the primary text for more general descriptions. Handbook of Recording Engineering, Fourth Edition is for students preparing for careers in audio, recording, broadcast, and motion picture sound work. It will also be useful as a handbook for professionals already in the audio workplace.

Want to record live audio or make field recordings for television and films? This book will teach you how. Recording on the Go: The Definitive Guide to Live Recording brings together the foundations of audio and the practice of live recording. It is a comprehensive guide to every step of the location recording process, from planning what you want to do, to getting the right equipment, to setting up the recording, to editing the results to taste. More than a simple overview, this book also maps out a strategy for success in location recording, from planning through execution, taking the reader through all the steps necessary to satisfy clients' needs along with their own practical and aesthetic sensibilities. Along with everything you would expect from a book about location recording penned by two longtime audio professionals, this book provides humor and personal insights into the best practices, risks, and rewards of live recording. Armed with the knowledge in this book, some good skills, and a little bit of luck, you'll have no problem creating a world-class live recording-and you'll even have some fun while doing it!

The Complete Book of Magnetic Recording Get the very latest and most up-to-date information on every aspect of magnetic recording with the 4th edition of one of TAB's all-time best-sellers. Often referred to as the "Bible" by technicians and engineers working in the magnetic recording industry, the Handbook is practical rather than theoretical in its approach. In the rapidly growing field of magnetic recording, this book is truly the "authority" with easy access to topics of interest and extensive instruction on the equipment and techniques prevalent in the industry. This massive reference volume contains numerous illustrations and three indexes (illustrations, names and terms) for quick cross-referencing. References are also included for further study. Every engineer and technician working in the field of magnetic recording should add the Handbook to their reference shelf.

Handbook for Sound Engineers is the most comprehensive reference available for audio engineers, and is a must read for all who work in audio. With contributions from many of the top professionals in the field, including Glen Ballou on interpretation systems, intercoms, assistive listening, and fundamentals and units of measurement, David Miles Huber on MIDI, Bill Whitlock on audio transformers and preamplifiers, Steve Dove on consoles, DAWs, and computers, Pat Brown on fundamentals, gain structures, and test and measurement, Ray Rayburn on virtual systems, digital interfacing, and preamplifiers, Ken Pohlmann on compact discs, and Dr. Wolfgang Ahnert on computer-aided sound system design and room-acoustical fundamentals for auditoriums and concert halls, the Handbook for Sound Engineers is a must for serious audio and acoustic engineers. The fifth edition has been updated to reflect changes in the industry, including added emphasis on increasingly prevalent technologies such as software-based recording systems, digital recording using MP3, WAV files, and mobile devices. New chapters, such as Ken Pohlmann’s Subjective Methods for Evaluating Sound Quality, S. Benjamin Kanters’s Hearing Physiology—Disorders—Conservation, Steve Barbar’s Surround Sound for Cinema, Doug Jones’s Worship Styles in the Christian Church, sit aside completely revamped staples like Ron Baker and Jack Wrightson’s Stadiums and Outdoor Venues, Pat Brown’s Sound System Design, Bob Cordell’s Amplifier Design, Hardy Martin’s Voice Evacuation/Mass Notification Systems, and Tom Danley and Doug Jones’s Loudspeakers. This edition has been honed to bring you the most up-to-date information in the many aspects of audio engineering.

John Eargle's 4th edition of The Handbook of Recording Engineering is the latest version of his long-time classic hands-on book for aspiring recording engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today's training in recording and its allied arts and sciences. Digital recording and signal processing are covered in detail, as are actual studio miking and production techniques -- including the developing field of surround sound. As always, the traditional topics of basic stereo, studio acoustics, analog tape recording, and the stereo LP are covered in greater detail than you are likely to find anywhere except in archival references. This book has been completely updated with numerous new topics added and outdated material removed. Many technical descriptions are now presented in Sidebars, leaving the primary text for more general descriptions. Handbook of Recording Engineering, Fourth Edition is for students preparing for careers in audio, recording, broadcast, and motion picture sound work. It will also be useful as a handbook for professionals already in the audio workplace.

This is a collection of interviews with contemporary sound artists who use field recording in their work. These conversations explore the fundamental issues that underlie the development of field recording as the core of their practice. Recurring themes include early motivations, aesthetic preferences, the audible presence of the recordist and the nature of the field. Conversations with Manuela Barile, Angus Carlyle, Budhaditya Chattopadhyay, Viv Corringham, Peter Cusack, Steven Feld, Felicity Ford, Jez Riley French, Antye Greie, Christina Kubisch, Cathy Lane, Francisco López, Annea Lockwood, Andrea Polli, Ian Rawes, Lasse-Marc Riek, Hiroki Sasajima, Davide Tidoni, Hildegard Westerkamp and Jana Winderen.