The Greenhouse Hot House And Stove

Excerpt from The Greenhouse, Hot House, and Stove: Including Selected Lists of the Most Beautiful Species of Exotic Flowering Plants, and Directions for Their Cultivation The arrangement of the subjects is novel, and, it is believed, will be found to have many practical advantages; the work being divided into sections, which comprise plants requiring for the most part the same temperature and mode of management. The instruo tions for culture are not those of a mere theorist, but derived from the daily experience of many years and the author has endeavoured always to use language so plain and free from technicalities as to be clearly understood by every class of readers. The preliminary remarks on Hothouse Architecture and Modes of Heating are the result of pretty extensive experience in these departments. Those on the latter are free from bias towards any particular mode. Experience is in this, as in all other matters, our only safe guide; a remark which is exemplified by the fate of many ingenious theories on this subject, which are rapidly falling into oblivion. The Select Lists of Plants are compiled from notes made in the author's own practice, and comprise most of those which are re markable from their splendour or fragrance, or some other peculiar merit. Should any such, however, have escaped the author's notice, the intelligent cultivator will have no difficulty in referring them to their respective situations in the Lists. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.