The Greek Theatre And Festivals

A collection of essays, by leading international scholars, on the history of the Greek theatre, and on the wider context of festival culture in which theatrical activity took place in the Greek world. The emphasis is on the documentary material - inscriptions, archaeological remains and monuments - which provides so much of our 'hard' evidence for the activities of the theatre. Much of the important material discussed here is unknown except to specialists, and these studies offer access to its interpretation to a wider audience. They cover a wide range of time and place, from the earliest days of the Greek theatre to the Roman period, with special emphasis on the neglected Hellenistic period, which is especially rich in documentary evidence.

Age-old scholarly dogma holds that the death of serious theatre went hand-in-hand with the 'death' of the city-state and that the fourth century BC ushered in an era of theatrical mediocrity offering shallow entertainment to a depoliticised citizenry. The traditional view of fourth-century culture is encouraged and sustained by the absence of dramatic texts in anything more than fragments. Until recently, little attention was paid to an enormous array of non-literary evidence attesting, not only the sustained vibrancy of theatrical culture, but a huge expansion of theatre throughout (and even beyond) the Greek world. Epigraphic, historiographic, iconographic and archaeological evidence indicates that the fourth century BC was an age of exponential growth in theatre. It saw: the construction of permanent stone theatres across and beyond the Mediterranean world; the addition of theatrical events to existing festivals; the creation of entirely new contexts for drama; and vast investment, both public and private, in all areas of what was rapidly becoming a major 'industry'. This is the first book to explore all the evidence for fourth century ancient theatre: its architecture, drama, dissemination, staging, reception, politics, social impact, finance and memorialisation.

A 2007 study of the mask in Greek tragedy, covering both ancient and modern performances.

A history of ancient Greek drama including discussion of the drama competition, Oedipus the King, actors and the chorus, playwrights, and the legacy of Greece.

Exploring themes of ancient life and culture. Format is accessile to general readers - students emphasis on archaeological evidence.

Reexamining the surviving plays of Aeschylus, Sophocles, Euripides, and Aristophanes, the author discusses acting technique, scenery, the power and range of the chorus, the use of theatrical space, and parody in their plays. This edition includes notes on ancient mime and puppetry and how to read Greek playtexts as scripts.

This book explores how festivals of Rome were celebrated in the Greek East and their transformations in the Christian world.