The Great Survivor At The Tudor Court

William Paulet is the exemplar of the successful Tudor courtier. For an astonishing 46 years he served at the courts of Henry VIII, Edward VI, Mary and Elizabeth and was one of the men responsible for introducing changes in religious, economic and social issues which shaped England as we know it today. He was a judge at the trials of Fisher and More and a central figure in the intrigues of the succession crisis following Edward VI's reign. Though born a commoner, by his death he was the senior peer in England and, as Lord High Treasurer, held one of the most influential positions at court. Paulet survived a bloody half-century of Tudor politics by making himself indispensable, satisfying the demands of four very different monarchs, while still maintaining his own principles. He watched former friends go to the block whilst he weathered the storms of a changing England. Bringing together the separate strands of biographical study and social history, this book offers a fascinating insight not only into Paulet's long and varied career within the royal household and in government but also, through the innovative use of descriptive scenes, into the many routines and rituals that shaped the everyday life of a Tudor courtier. In Tudor Survivor, Margaret Scard paints a captivating portrait of a great man who for many years held the purse strings of England, and both witnessed and was instrumental in the greatest events of the period. From the Siege of Boulogne to the execution of two queens, the Reformation and the beginnings of Elizabeth's Golden Age, Paulet was there, and the story of his fascinating life reveals the nature of life at the Tudor court set against the politics of the age.

Discover the captivating rise and fall of William Paget, as he emerges from obscurity to become one of Henry VIII's most influential advisors, navigating court intrigues, imprisonment, and political machinations as he goes on to shape and define Tudor history. Like Cromwell and Wolsey before him, William Paget came from nowhere to become one of Henry VIII's most powerful 'new men'. After serving as ambassador to the Court of Francis I of France, he became Henry's most influential foreign policy advisor and developed a close relationship with Emperor Charles V. He had the king's ear in Henry's later years, was the key player in drafting his will ( was it a forgery?) and in enabling Somerset to become Lord Protector in the reign of the boy king, Edward VI. For a while, he was Somerset's 'right-hand man'. When Somerset fell, Paget was imprisoned in the Tower and nearly executed. But he survived and regained power. He had a major role in delivering the Crown to the Catholic queen, Mary, and in arranging her marriage to Philip II of Spain, whom he then advised on English politics. He kept in with the Protestant princess Elizabeth and survived to have influence when she came to the throne. William was the founder of the aristocratic Paget family - Barons of Beaudesert, Earls of Uxbridge and Marquesses of Anglesey. From records of the mansion that he built on a site next to today's Heathrow Airport, a picture has been created of how life was actually lived in a Tudor household at the personal family level. The story is partly told from previously unexamined family letters. It is an exciting narrative of dramatic ups and downs: from rags to riches, plague to plenty, and prison to peerage. Court intrigues, conspiracies, rebellions and coups, follow one after the other. William is usually in the thick of it, the power behind the throne.

In this biography of Henry Howard, the Poet Earl of Surrey, the author assesses his role in Tudor society and examines his image of the Renaissance courtier, his representation of nobility and his poetic work and creation of poetic forms.

Discover the captivating rise and fall of William Paget, as he emerges from obscurity to become one of Henry VIII's most influential advisors, navigating court intrigues, imprisonment, and political machinations as he goes on to shape and define Tudor history. Like Cromwell and Wolsey before him, William Paget came from nowhere to become one of Henry VIII's most powerful 'new men'. After serving as ambassador to the Court of Francis I of France, he became Henry's most influential foreign policy advisor and developed a close relationship with Emperor Charles V. He had the king's ear in Henry's later years, was the key player in drafting his will ( was it a forgery?) and in enabling Somerset to become Lord Protector in the reign of the boy king, Edward VI. For a while, he was Somerset's 'right-hand man'. When Somerset fell, Paget was imprisoned in the Tower and nearly executed. But he survived and regained power. He had a major role in delivering the Crown to the Catholic queen, Mary, and in arranging her marriage to Philip II of Spain, whom he then advised on English politics. He kept in with the Protestant princess Elizabeth and survived to have influence when she came to the throne. William was the founder of the aristocratic Paget family - Barons of Beaudesert, Earls of Uxbridge and Marquesses of Anglesey. From records of the mansion that he built on a site next to today's Heathrow Airport, a picture has been created of how life was actually lived in a Tudor household at the personal family level. The story is partly told from previously unexamined family letters. It is an exciting narrative of dramatic ups and downs: from rags to riches, plague to plenty, and prison to peerage. Court intrigues, conspiracies, rebellions and coups, follow one after the other. William is usually in the thick of it, the power behind the throne.

A timely reexamination of the fate of the Princes in the Tower, crucially asking: 'what if there was no murder?'

Since the days in the early twentieth century when the study of pre-Reformation English music first became a serious endeavour, a conceptual gap has separated the scholarship on English and continental music of the late fifteenth and early sixteenth centuries. The teaching which has informed generations of students in influential textbooks and articles characterizes the musical life of England at this period through a language of separation and conservatism, asserting that English musicians were largely unaware of, and unaffected by, foreign practices after the mid-fifteenth century. The available historical evidence, nevertheless, contradicts a facile isolationist exposition of musical practice in early Tudor England. The increasing appearance of typically continental stylistic traits in mid-sixteenth-century English music represents not an arbitrary and unexpected shift of compositional approach, but rather a development prefaced by decades of documentable historical interactions. Theodor Dumitrescu treats the matter of musical relations between England and continental Europe during the first decades of the Tudor reign (c.1485-1530), by exploring a variety of historical, social, biographical, repertorial and intellectual links. In the first major study devoted to this topic, a wealth of documentary references scattered in primary and secondary sources receives a long-awaited collation and investigation, revealing the central role of the first Tudor monarchs in internationalizing the royal musical establishment and setting an example of considerable import for more widespread English artistic developments. By bringing together the evidence concerning Anglo-continental musical relations for the first time, along with new documents and interpretations concerning musicians, music manuscripts and theory sources, the investigation paves the way for a new evaluation of English musical styles in the first half of the sixteenth century.

As Queen Catherine's maid and daughter of the Duke of Buckingham, the future seems bright for Elizabeth Stafford. But when her father gives her hand to Thomas Howard, third Duke of Norfolk, the spirited young woman must sacrifice all for duty. Yet Elizabeth is surprised by her passion for her powerful new husband. And when he takes on a mistress, she is determined to fight for her love and her honor. . . Naïve and vulnerable, Bess Holland is easily charmed by the Duke of Norfolk, doing his bidding in exchange for gifts and adoration. For years, she and Elizabeth compete for his affections. But they are mere spectators to an obsession neither can rival: Norfolk's quest to weave the Howard name into the royal bloodline. The women's loyalties are tested as his schemes unfold-among them the litigious marriage of his niece, Anne Boleyn, to King Henry the VIII. But in an age of ruthless beheadings, no self-serving motive goes unpunished-and Elizabeth and Bess will have to fight a force more sinister than the executioner's axe. . . Praise for Secrets of the Tudor Court "A beautifully written story with wonderful attention to detail. I loved the book." -Diane Haeger, author of The Queen's Mistake "Throbs with intensity as it lays bare the secret delights of Tudor court life and the sudden, lethal terrors. A tale of innocence and ruthless ambition locked in a love-hate embrace." -Barbara Kyle, author of The King's Daughter

The Later Tudors, the second volume to be published in Oxford's authoritative series The New Oxford History of England, tells the story of England between the accession of Edward VI and the death of Elizabeth I. The second half of the sixteenth century was a period of intense conflict between the nations of Europe, and between competing Catholic and Protestant beliefs. These struggles produced acute anxiety in England, but the nation was saved from the disasters that befell her neighbors and, by the end of Elizabeth's reign, achieved a remarkable sense of political and religious identity. In this masterly and comprehensive study, Penry Williams explains how this process came about. He begins by weaving together the political, religious, and economic history of the nation, setting out the workings and development of the English state. Later chapters establish the broader perspective, with a thorough analysis of English society, family relations, and culture, focusing on the ways in which art and literature were used to uphold--and sometimes to subvert--the social and political order. The final chapter looks to Europe and across the seas at England's part in the shaping of the New World.

Did Richard, Duke of York, the younger of the Princes on the Tower, survive his imprisonment? In this revealing new book medieval historian David Baldwin presents an original and intriguing scenario. On 27 December 1550 an old man named Richard Plantagenet was buried at Eastwell in Kent. He had spent much of his life working as a bricklayer at St John's Abbey, Colchester, but, unusually for a bricklayer, he could read Latin. Reluctant to give any account of his background, he eventually told his employer that he was a natural son of Richard III. Yet, if this was true, why was he not publicly acknowledged by the king? Richard III made provision for his other bastards, John of Gloucester and Katherine. The fact that he was called Richard Plantagenet is also revealing. Had he simply been Richard III's bastard, he would have been styled 'of Gloucester' or given the name of his birthplace. And, most tellingly of all, where is the evidence that Prince Richard actually died? David Baldwin opens up an entirely new line of investigation and offers a startling solution to one of the most enduring mysteries in English history and a final exoneration for Richard III.

There are, contends Joel Rosenthal, two suppositions that have achieved almost full and unquestionable acceptance in contemporary social history and family studies. The first is that at any given time in any given culture one particular form or model of the family dominates; the second is that historical changes in the family operate in a single and compelling direction. In Patriarchy and Families of Privilege in Fifteenth-Century England, the author joins quantitative and legal evidence with case studies to yield a depiction of the family as something at once corporeal, fictive, and symbolic.