The Grand Museum Of Egypt

In January 2002, the Egyptian Ministry of Culture ran a competition for an innovative design for a new Grand Museum of Egypt. This two-volume publication contains sketches, plans, elevations and computer models of the prize-winning design and all other second-phase entries.

The Egyptian Museum houses the world's greatest collection of Egyptian treasures and antiquities, tens of thousands of stunning and fascinating objects dating from the earliest Predynastic times right through to the Greek and Roman Periods. Visitors to this great storehouse may become easily overwhelmed by the vast number of objects on display. But here for the first time is the world's best-known Egyptologist's personal introduction to the unmissable highlights of the Museum--Zahi Hawass's own selection of his favorite 200 exhibits. For each piece, he gives some background to its discovery and significance, and describes what it means for him in terms of the art or the history of ancient Egypt, and why it strikes a personal chord. "Due to my love of the Egyptian Museum, I thought that it would be wonderful to write a guide to its treasures, and to talk about my favorite objects within."--Zahi Hawass

"The Egyptian Old Kingdom (c. 2650-2150 BC) was an era of extraordinary artistic achievement-the period that gave us the Sphinx and the pyramids as well as a rich legacy of private tombs, wall paintings, reliefs, statuary, jewelry, and decorative arts. This book, the companion volume to a major traveling exhibition organized by New York's Metropolitan Museum of Art and the Louvre in Paris, showcases the most impressive assemblage of Egyptian art and artifacts since the Tutankhamun exhibition of the late 1970s. Scholarly essays and 650 illustrations bring to life a remarkable panoply of Old Kingdom objects-temple and tomb reliefs, striking gold jewelry, handsome stone vessels, monumental statues, stelae, and exquisite statuettes. Together, text and images create a stunning tribute to the world of the Pharaohs"--Publisher's description.

A documentation, using latest technologies, of the late anthropoid sarcophagi housed in Cairo's Grand Egyptian Museum This joint publication project of Cairo University and the University of T bingen scholars uses modern technologies, including electronic drawing boards, photo merging, and 3-D modeling, to catalogue the late anthropoid sarcophagi housed in Cairo's Grand Egyptian Museum. Most of this collection was previously known only from the entries in M.-L. Buhl's The Late Egyptian Anthropoid Stone Sarcophagi (Copenhagen, 1959). This catalogue draws on the efforts of eight team members, each chapter prepared by a joint Egyptian-German team, with the drawings made by the Egyptians and the translations provided by the Germans. The Egyptian Museum photographer Ahmed Amin provided the teams with hundreds of photographs, which were later merged together with the help of Adobe Photoshop. The hieroglyphic texts were composed by JSesh. This, the first catalogue of the Grand Egyptian Museum, was made possible through financial support from the German Academic Exchange Service (DAAD).

Conflicted Antiquities is a rich cultural history of European and Egyptian interest in ancient Egypt and its material culture, from the early nineteenth century until the mid-twentieth. Consulting the relevant Arabic archives, Elliott Colla demonstrates that the emergence of Egyptology—the study of ancient Egypt and its material legacy—was as consequential for modern Egyptians as it was for Europeans. The values and practices introduced by the new science of archaeology played a key role in the formation of a new colonial regime in Egypt. This fact was not lost on Egyptian nationalists, who challenged colonial archaeologists with the claim that they were the direct heirs of the Pharaohs, and therefore the rightful owners and administrators of ancient Egypt’s historical sites and artifacts. As this dispute developed, nationalists invented the political and expressive culture of “Pharaonism”—Egypt’s response to Europe’s Egyptomania. In the process, a significant body of modern, Pharaonist poetry, sculpture, architecture, and film was created by artists and authors who looked to the ancient past for inspiration. Colla draws on medieval and modern Arabic poetry, novels, and travel accounts; British and French travel writing; the history of archaeology; and the history of European and Egyptian museums and exhibits. The struggle over the ownership of Pharaonic Egypt did not simply pit Egyptian nationalists against European colonial administrators. Egyptian elites found arguments about the appreciation and preservation of ancient objects useful for exerting new forms of control over rural populations and for mobilizing new political parties. Finally, just as the political and expressive culture of Pharaonism proved critical to the formation of new concepts of nationalist identity, it also fueled Islamist opposition to the Egyptian state.