The Good Soldiers

It was the last-chance moment of the war. In January 2007, President George W. Bush announced a new strategy for Iraq. He called it the surge. "Many listening tonight will ask why this effort will succeed when previous operations to secure Baghdad did not. Well, here are the differences," he told a skeptical nation. Among those listening were the young, optimistic army infantry soldiers of the 2-16, the battalion nicknamed the Rangers. About to head to a vicious area of Baghdad, they decided the difference would be them. Fifteen months later, the soldiers returned home forever changed. Pulitzer Prize-winning Washington Post reporter David Finkel was with them in Bagdad, and almost every grueling step of the way. What was the true story of the surge? And was it really a success? Those are the questions he grapples with in his remarkable report from the front lines. Combining the action of Mark Bowden's Black Hawk Down with the literary brio of Tim O'Brien's The Things They Carried, The Good Soldiers is an unforgettable work of reportage. And in telling the story of these good soldiers, the heroes and the ruined, David Finkel has also produced an eternal tale—not just of the Iraq War, but of all wars, for all time.

In January 2007, the young and optimistic soldiers of the 2-16, the American infantry battalion known as the Rangers, were sent to Iraq as part of the surge. Their job would be to patrol one of the most dangerous areas of Baghdad. For fifteen months, Pulitzer Prize-winning reporter David Finkel was with them, following them almost every grueling step of the way. The resulting account of that time, The Good Soldiers, is a searing, shattering portrait of the face of modern war. In telling the story of these soldiers, both the heroes and the ruined, David Finkel has also written a classic work of war reporting.

No journalist has reckoned with the psychology of war as intimately as David Finkel. In The Good Soldiers, Finkel shadowed the men of the US 2-16 Infantry Battalion in Baghdad as they carried out the grueling fifteen-month "surge" that changed them all forever. Now Finkel has followed many of the same men as they've returned home and struggled to reintegrate - both into their family lives and into society at large. In the ironically titled Thank You for Your Service, Finkel writes with tremendous compassion not just about the soldiers but about their wives and children. Where do soldiers belong after their homecoming? Is it reasonable, or even possible, to expect them to rejoin their communities as if nothing has happened? And in moments of hardship, who can soldiers turn to if they feel alienated by the world they once lived in? These are the questions Finkel faces as he revisits the brave but shaken men of the 2-16. More than a work of journalism, Thank You for Your Service is an act of understanding -- shocking but always riveting, unflinching but deeply humane, it takes us inside the heads of those who must live the rest of their lives with the realities of war.

A picaresque series of tales about an ordinary man's successful quest to survive, and a funny but unrelentingly savage assault on the very idea of bureaucratic officialdom as a human enterprise conferring benefits on those who live under its control, and on the various justifications bureaucracies offer for their own existence.

The Good Soldier A Tale of Passion by Ford Madox Ford At the fashionable German spa town Bad Nauheim, two wealthy, fin de siecle couples - one British, the other American - meet for their yearly assignation. As their story moves back and forth in time between 1902 and 1914, the fragile surface propriety of the pre - World War I society in which these four characters live is ruptured - revealing deceit, hatred, infidelity, and betrayal. "The Good Soldier" is Edward Ashburnham, who, as an adherent to the moral code of the English upper class, is nonetheless consumed by a passion for women younger than his wife - a stoic but fallible figure in what his American friend, John Dowell, calls "the saddest story I ever heard."

The role of African-Americans, most free but some enslaved, in the regiments of the Continental Army is not well-known; neither is the fact that relatively large numbers served in southern regiments and that the greatest number served alongside their white comrades in integrated units. 'They Were Good Soldiers' begins by discussing, for comparison, the inclusion and treatment of black Americans by the various Crown forces (particularly British and Loyalist commanders, and military units). The narrative then moves into an overview of black soldiers in the Continental Army, before examining their service state by state. Each state chapter looks first at the Continental regiments in that state's contingent throughout the war, and then adds interesting black soldiers' pension narratives or portions thereof. The premise is to introduce the reader to the men's wartime duties and experiences. The book's concluding chapters examine veterans' postwar fortunes in a changing society and the effect of increasing racial bias in the late eighteenth and early nineteenth centuries. 'They Were Good Soldiers' makes extensive use of black veterans' pension narratives to 'hear' them and others tell their stories, and provides insights into their lives, before, during, and after the war.

"Private Soldiers chronicles the 2-127th's year-long deployment from the unique perspective of the soldiers themselves. Written and photographed by three battalion members, the book provides a rare first-hand account of war and life in Iraq. Fascinating soldier interviews reveal the effects of deployment on the troops and on their families back home, and interviews with Iraqi civilians describe the Iraqis' perceptions of life, war, and working alongside Wisconsin troops. Brilliant photography illuminates the 2-127th's year, from training to "boots on the ground" to their return home. And candid photos token by battalion members capture the soldiers' day-to-day lives and camaraderie."--BOOK JACKET.

From October 2006 to December 2007, Daniel A. Sjursen-then a U.S. Army lieutenant-led a light scout platoon across Baghdad. The experiences of Ghost Rider platoon provide a soldier's-eye view of the incredible complexities of warfare, peacekeeping, and counterinsurgency in one of the world's most ancient cities. Sjursen reflects broadly and critically on the prevailing narrative of the surge as savior of America's longest war, on the overall military strategy in Iraq, and on U.S. relations with ordinary Iraqis. At a time when just a handful of U.S. senators and representatives have a family member in combat, Sjursen also writes movingly on questions of America's patterns of national service. Who now serves and why? What connection does America's professional army have to the broader society and culture? What is the price we pay for abandoning the model of the citizen soldier? With the bloody emergence of ISIS in 2014, Iraq and its beleaguered, battle-scarred people are again much in the news. Unlike other books on the U.S. war in Iraq, Ghost Riders of Baghdad is part battlefield chronicle, part critique of American military strategy and policy, and part appreciation of Iraq and its people. At once a military memoir, history, and cultural commentary, Ghost Riders of Bahdad delivers a compelling story and a deep appreciation of both those who serve and the civilians they strive to protect. Sjursen provides a riveting addition to our understanding of modern warfare and its human costs.