The Glittering Illusion

"Mr. Sheldon Vanauken has shown a singular consistency in pursuing an idea that was originally the subject of his graduate research at Oxford University to its presentation in this volume. Mr. Vanauken believes -- and there is a good deal of evidence to support him -- that English sympathies during the American Civil War were largely on the Southern side of the conflict. British intervention would have secured a Southern victory which might have suited British commercial interests and British conceptions of the balance of power and put an end to American hopes of annexing Canada. Support for the South would have conformed to the general British disposition to give credence to struggles for national self-determination. Why then, did Britain not intervene as at one moment she seemed on the point of doing? Mr. Sheldon Vanauken dismisses the view that British anti-slavery sentiment and hence popular support for the Northern cause was the root of the matter and plumps for what he calls the 'glittering illusion' namely the belief that Southern military skills, and in particular the generalship of Robert E. Lee, were thought to make a Southern defeat unthinkable, so that the South could win its independence without the foreign assistance that the American colonies had enjoyed in winning their independence from the British Empire in the war of the American Revolution. It is an interesting idea and one that challenges many accepted beliefs. Interesting also are Mr. Vanauken's subsequent speculations on what would have happened if the South had actually won and as he believes would have followed had freed its slaves of its own violation"--Preliminary page.

Worlds of Exile and Illusion contains three novels in the Hainish Series from Ursula K. Le Guin, one of the greatest science fiction writers and many times the winner of the Hugo and Nebula Awards. Her career as a novelist was launched by the three novels contained here. These books, Rocannon's World, Planet of Exile, and City of Illusions, are set in the same universe as Le Guin's groundbreaking classic, The Left Hand of Darkness. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Secrets and illusions abound as a group of young magicians competes for the prize of a lifetime in this gripping adventure, the first in an enthralling new series from debut author Justyn Edwards. Magic is about dreaming what is impossible and making it possible. It's the innocent young mind in all of us that loves it. We want to be filled with wonder. We want to believe. I want the winner of this competition and the recipient of my legacy to dare to dream big. So, let the Great Fox Hunt begin. Thirteen-year-old Flick Lions has won a place on a new television show, in which young people compete to win the legacy of The Great Fox, one of the world's most famous magicians. But Flick isn't interested in uncovering the Great Fox's tired old magic tricks - she's after something much more important. The magician destroyed her family, and this is Flick's only chance to put things right. Inside the Fox's house is a secret that will change the world of magic for ever, and Flick will go to any lengths to find it.

In the exciting conclusion to Herbie Brennan's New York Times bestselling Faerie Wars series, a child who is half faerie, half human has the power to determine the fate of both worlds. The Faeman Girl is Mella, daughter of Lord Henry and Queen Holly Blue, half faerie, half human and all trouble. When Mella accidentally travels to the country of Haleklind, she discovers rebel forces preparing an invasion using magical manticores. Old favourites are here - Brimstone, Lord Hairstreak and Pyrgus - but readers will identify immediately with Mella, whose stubborn streak and feisty daring must save the faerie realm from mass destruction.

9 yrs+

Best known today as the illustrator of Lewis Carroll's Alice books, John Tenniel was one of the Victorian era's chief political cartoonists. This extensively illustrated book is the first to draw almost exclusively on primary sources in family collections, public archives, and other depositories. Frankie Morris examines Tenniel's life and work, producing a book that is not only a definitive resource for scholars and collectors but one that can be easily enjoyed by everyone interested in Victorian life and art, social history, journalism and political cartoons, and illustrated books. In the first part of the book, Morris looks at Tenniel the man. From his sunny childhood and early enthusiasm for sports, theatre, and medievalism to his flirtation with high art and his fifty years with the London journal Punch, Tenniel is shown to have been the sociable and urbane humorist revealed in his drawings. Tenniel's countrymen thought his work would embody for future historians the 'trend and character' of Victorian thought and life. Morris assesses to what extent that prediction has been fulfilled. The biography is followed by three sections on Tenniel's work, consisting of thirteen independent essays in which the author examines Tenniel's methods and his earlier book illustrations, the Alice pictures, and the Punch cartoons. For lovers of Alice, Morris offers six chapters on Tenniel's work for Carroll. These reveal demonstrable links with Christmas pantomimes, Punch and Judy shows, nursery toys, magic lanterns, nineteenth-century grotesques, Gothic revivalism, and social caricatures. Morris also demonstrates how Tenniel's cartoons depicted the key political questions of his day, from the Eastern Question to Lincoln and the American Civil War, examining their assumptions, devices, and evolving strategies. The definitive study of both the man and the work, Artist of Wonderland gives an unprecedented view of the cartoonist who mythologized the world for generations of Britons.

For over three decades John Shelton Reed has been "minding" the South. He is the author or editor of thirteen books about the region. Despite his disclaimer concerning the formal study of Southern history, Reed has read widely and in depth about the South. His primary focus is upon Southerners' present-day culture, but he knows that one must approach the South historically in order to understand the place and its people. Why is the South so different from the rest of America? Rupert Vance, Reed's predecessor in sociology at Chapel Hill, once observed that the existence of the South is a triumph of history over geography and economics. The South has resisted being assimilated by the larger United States and has kept a personality that is distinctly its own. That is why Reed celebrates the South. The chapters in this book cover everything from great thinkers about the South--Eugene D. Genovese, C. Vann Woodward, M. E. Bradford--to the uniqueness of a region that was once a hotbed of racism, but has recently attracted hundreds of thousands of black people transplanted from the North. There are also chapters about Southerners who have devoted their talents to politics, soft drinks, rock and roll, and jewelry design. Reed writes with wit and Southern charm, never afraid to speak his mind, even when it comes to taking his beloved South to task. While readers may not share all his opinions, most will agree that John Shelton Reed is one of the best "South watchers" there is.