The Geography Of The Imagination

In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.

As global temperatures rise under the forcing hand of humanity’s greenhouse gas emissions, new questions are being asked of how societies make sense of their weather, of the cultural values, which are afforded to climate, and of how environmental futures are imagined, feared, predicted, and remade. Weather, Climate, and Geographical Imagination contributes to this conversation by bringing together a range of voices from history of science, historical geography, and environmental history, each speaking to a set of questions about the role of space and place in the production, circulation, reception, and application of knowledges about weather and climate. The volume develops the concept of “geographical imagination” to address the intersecting forces of scientific knowledge, cultural politics, bodily experience, and spatial imaginaries, which shape the history of knowledges about climate.

Schulten examines four enduring institutions of learning that produced some of the most influential sources of geographic knowledge in modern history: maps and atlases, the National Geographic Society, the American university, and public schools."--BOOK JACKET.

This book is a study of the emergence of the geographic paradigm in modern Western thought around 1800.

The advent of photography opened up new worlds to 19th century viewers, who were able to visualize themselves and the world beyond in unprecedented detail. But the emphasis on the photography's objectivity masked the subjectivity inherent in deciding what to record, from what angle and when. This text examines this inherent subjectivity. Drawing on photographs that come from personal albums, corporate archives, commercial photographers, government reports and which were produced as art, as record, as data, the work shows how the photography shaped and was shaped by geographical concerns.

This groundbreaking book brings an important spatial perspective to our understanding of genocide through a fresh interpretation of Germany under Hitler, Cambodia under the Khmer Rouge, and China's Great Leap Forward famine under Mao. James A. Tyner's powerful analysis of these horrifying cases provides insight into the larger questions of sovereignty and state policies that determine who will live and who will die. Specifically, he explores the government practices that result in genocide and how they are informed by the calculation and valuation of life-and death. A geograp.

Geographical imagination and the authority of images collects three papers and an interview on the themes presented and discussed during the 2005 Hettner lectures. Cosgrove examines the roles that vision and imagination have played in shaping material and represented landscapes at scales ranging from the local and regional to the global and cosmic. The book presents substantive studies of cosmographic and global mapping, the picturesque tradition and suburban Los Angeles, and the use of aeTranspennine' England as a geographical art gallery. Embedded in these are theoretical and ethical reflections on the ways that we come to know the world, ourselves and each other through geographical engagements, especially when these are mediated through graphic images. The interview locates these themes within the context of Denis Cosgrove's development as a geographer and his response to debates within the discipline about the roles of imagination, culture and representation within geographies's humanities tradition. Contents Peter Meusburger / Hans Gebhardt: Introduction: Hettner-Lecture 2005 in Heidelberg Denis Cosgrove: Apollo's eye: a cultural geography of the globe Denis Cosgrove: Landscape, culture and modernity Denis Cosgrove: Regional art: Transpennine geography remembered and exhibited Tim Freytag / Heike Joens: Vision and the, culturalae in geography: a biographical interview with Denis Cosgrove The Klaus Tschira Foundations gGmbH u Photographic representations: Hettner-Lecture 2005 u List of participants.

This book examines intellectual curiosity as the driving force in scholarly endeavor on the borderlands of geography, history, anthropology, and other disciplines. The premise is that curiosity is a salient trait of certain people past and present and that each field has its exemplars in this regard. For Carl O. Sauer (1889-1975), America's leading geographer of the twentieth century, and his intellectual descendants, the inquisitive spirit stood high on the list of indispensable scholarly attributes. Their curiosity-driven studies converging space, time, ecology, and culture involved a fluid and unpredictable process of intellectual discovery. This book, combining the empirical with the philosophical and reflexive, describes how the power of intrinsic motivation and the thread of a romantic consciousness blend with the joy of polymathic exploration.

Mapmaking fulfills one of our most ancient and deepseated desires: understanding the world around us and our place in it. But maps need not just show continents and oceans: there are maps to heaven and hell; to happiness and despair; maps of moods, matrimony, and mythological places. There are maps to popular culture, from Gulliver's Island to Gilligan's Island. There are speculative maps of the world before it was known, and maps to secret places known only to the mapmaker. Artists' maps show another kind of uncharted realm: the imagination. What all these maps have in common is their creators' willingness to venture beyond the boundaries of geography or convention. You Are Here is a wide-ranging collection of such superbly inventive maps. These are charts of places you're not expected to find, but a voyage you take in your mind: an exploration of the ideal country estate from a dog's perspective; a guide to buried treasure on Skeleton Island; a trip down the road to success; or the world as imagined by an inmate of a mental institution. With over 100 maps from artists, cartographers, and explorers, You are Here gives the reader a breath-taking view of worlds, both real and imaginary.

The geographical imagination is increasingly recognized as a critical component in contemporary American culture. In this original, interdisciplinary study, Brian Jarvis offers an examination of "new geography" and "mapping the boy," alongside a critique of dominant definitions of postmodernism. Postmodern Cartographies explores spatial representation in a range of texts from social sciences, prose fiction and cinema. It surveys the geography of post-industrial society as advance in the work of Daniel Bell, Marshal McLuhan and Jean Baudrillard; analyzes representations of space in novels by Thomas Pynchon, Paul Auster, Jayne Anne Phillips and Toni Morrison; and, in a key third section, examines sexual politics and body images in science fiction cinema and the films of David Lynch. Jarvis demonstrates an essential continuity between the geographical imagination expressed in so-called postmodern culture and that evident in previous phases in the history of spatial representation.