The G I Journal Of Sergeant Giles

A weapons sergeant with the 291st Combat Engineers during the Second World War presents an intensely human and vivid account of a soldier's day-by-day existence.

A weapons sergeant with the 291st Combat Engineers during the Second World War presents an intensely human and vivid account of a soldier's day-by-day existence.

In 1946, at the age of 41, Janice Holt Giles wrote her first novel. Although it took her only three months to complete the first draft, working at night so as not to conflict with her secretarial job, it was another four years before The Enduring Hills was published. Three years later, when her sixth novel appeared, Janice Holt Giles's works had accumulated sales of nearly two million copies. Between 1950 and 1975 she wrote twenty-four books, most of which were bestsellers, regularly reviewed in the New York Times, and selected for inclusion in popular book clubs. Her picture held pride of place in her literary agent's New York office, alongside those of Willa Cather, H.G. Wells, and Edith Wharton, yet until now there has been no biography of this immensely popular American writer. Humbly professing to be "just a good storyteller," Giles was a keen observer of life with great sensitivity, an ear for language, and a superb imagination. Her artistic achievements become even more remarkable when placed in the context of her often difficult personal struggles. Dianne Watkins Stuart, for years the acknowledged expert on Giles's work, has traced the path of her unique life. Stuart walked around the small house where Giles's brother was born and The Kinta Years (1973) had its origin, wandered through the yard where The Plum Thicket (1954) grew, and made countless trips to Adair County, Kentucky, to trace the trails of the Piney Ridge trilogy (The Enduring Hills, Miss Willie, Tara's Healing) and seek out the day-to-day life of her later years. Stuart's long-anticipated biography provides both a narrative of Giles's life and an in-depth description of the art and commerce of American publishing in the middle years of the century.

From the author of The First Air War, a realistic portrait of a solider during World War II. Lee Kennett provides a vivid portrait of the American soldier, or G.I., in World War II, from his registration in the draft, training in boot camp, combat in Europe and the Pacific, and to his final role as conqueror and occupier. It is all here: the "greetings" from Uncle Sam; endless lines in induction centers across the country; the unfamiliar and demanding world of the training camp, with its concomitant jokes, pranks, traditions, and taboos; and the comparative largess with which the Army was outfitted and supplied. Here we witness the G.I. facing combat: the courage, the heroism, the fear, and perhaps above all, the camaraderie—the bonds of those who survived the tragic sense of loss when a comrade died. Finally, when the war was over, the G.I.’s frequently experienced clumsy, hilarious, and explosive interactions with their civilian allies and with the former enemies whose countries they now occupied.

"Goedde finds that as American soldiers fraternized with German civilians, particularly as they formed sexual relationships with women, they developed a feminized image of Germany that contrasted sharply with their wartime image of the aggressive Nazi storm trooper. A perception of German "victimhood" emerged that was fostered by the German population and adopted by Americans.

“This thoroughly researched and superbly written study” examines the final days of WWII combat within Germany during the occupation of Franconia (WWII History). At the end of World War II, Gen. Dwight D. Eisenhower turned US forces toward the Franconian region of Germany, ordering them to cut off and destroy German units before they could escape into the Alps. Opposing this advance were German forces headed by SS-Gruppenführer Max Simon, a committed National Socialist who advocated merciless resistance. Caught in the middle were the people of Franconia. Historians have largely overlooked this period of violence and terror, but it provides insight into the chaotic nature of life while the Nazi regime was crumbling. Neither German civilians nor foreign refugees acted simply as passive victims caught between two fronts. Throughout the region people pressured local authorities to end the senseless resistance. Others sought revenge for their tribulations in the “liberation” that followed. Stephen G. Fritz examines the predicament and perspective of American GI's, German soldiers and officials, and the civilian population. Endkampf is a gripping portrait of the collapse of a society and how it affected those involved, whether they were soldiers or civilians, victors or vanquished, perpetrators or victims.