The Friar And The Philosopher

William of Moerbeke was a prolific medieval translator of Aristotle and other ancient philosophical and scientific authors from Greek into Latin, and he played a decisive role in the acceptance of Aristotelian philosophy in the Latin world. He is often criticized for an allegedly deficient translation method. However, this book argues that his approach was a deliberate attempt to allow readers to reach the correct understanding of the source texts in accordance with the medieval view of the role of the translator. William’s project to make all genuine works of Aristotle – and also of other important authors from Antiquity – available in Latin is framed against the background of intellectual life in the 13th century, the deliberate policy of his Dominican order to reconcile Christian doctrine with worldly knowledge, and new trends in book production that influenced the spread of the new translations. William of Moerbeke’s seemingly modest acts of translation started an intellectual revolution, the impact of which extended from the Middle Ages into the early modern era. The Friar and the Philosopher will appeal to researchers and students alike interested in Medieval perceptions of Aristotle, as well as other works from Antiquity.

"William of Moerbeke was a prolific medieval translator of Aristotle and other ancient philosophical and scientific authors from Greek into Latin, and he played a decisive role in the acceptance of Aristotelian philosophy in the Latin world. He is often criticized for an allegedly deficient translation method. However, this book argues that his approach was a deliberate attempt to allow readers to reach the correct understanding of the source texts in accordance with the medieval view of the role of the translator. William's project to make all genuine works of Aristotle - and also of other important authors from Antiquity - available in Latin is framed against the background of intellectual life in the 13th century, the deliberate policy of his Dominican order to reconcile Christian doctrine with worldly knowledge, and new trends in book production that influenced the spread of the new translations. William of Moerbeke's seemingly modest acts of translation started an intellectual revolution, the impact of which extended from the Middle Ages into the early modern era. The Friar and the Philosopher will appeal to researchers and students alike interested in Medieval perceptions of Aristotle, as well as other works from Antiquity"--

A compulsively readable account of the most mysterious manuscript in the world, one that has stumped the world’s greatest scholars and codebreakers. The Voynich Manuscript, a mysterious tome discovered in 1912 by the English book dealer Wilfrid Michael Voynich, has puzzled scholars for a century. A small six inches by nine inches, but over two hundred pages long, with odd illustrations of plants, astrological diagrams, and naked women, it is written in so indecipherable a language and contains so complicated a code that mathematicians, book collectors, linguists, and historians alike have yet to solve the mysteries contained within. However, in The Friar and the Cipher, the acclaimed bibliophiles and historians Lawrence and Nancy Goldstone describe, in fascinating detail, the theory that Roger Bacon, the noted thirteenth-century, pre-Copernican astronomer, was its author and that the perplexing alphabet was written in his hand. Along the way, they explain the many proposed solutions that scholars have put forth and the myriad attempts at labeling the manuscript's content, from Latin or Greek shorthand to Arabic numerals to ancient Ukrainian to a recipe for the elixir of life to good old-fashioned gibberish. As we journey across centuries, languages, and countries, we meet a cast of impassioned characters and case-crackers, including, of course, Bacon, whose own personal scientific contributions, Voynich author or not, were literally and figuratively astronomical. The Friar and the Cipher is a wonderfully entertaining and historically wide-ranging book that is one part The Code Book, one part Possession, and one part The Da Vinci Code and will appeal to bibliophiles and laypeople alike.

The Friar and the Maya offers a full study and new translation of the Relación de las Cosas de Yucatán (Account of the Things of Yucatan) by a unique set of eminent scholars, created by them over more than a decade from the original manuscript held by the Real Academia de la Historia in Madrid. This critical and careful reading of the Account is long overdue in Maya studies and will forever change how this seminal text is understood and used. For generations, scholars used (and misused) the Account as the sole eyewitness insight into an ancient civilization. It is credited to the sixteenth-century Spanish Franciscan, monastic inquisitor, and bishop Diego de Landa, whose legacy is complex and contested. His extensive writings on Maya culture and history were lost in the seventeenth century, save for the fragment that is the Account, discovered in the nineteenth century, and accorded near-biblical status in the twentieth as the first “ethnography” of the Maya. However, the Account is not authored by Landa alone; it is a compilation of excerpts, many from writings by other Spaniards—a significant revelation made here for the first time. This new translation accurately reflects the style and vocabulary of the original manuscript. It is augmented by a monograph—comprising an introductory chapter, seven essays, and hundreds of notes—that describes, explains, and analyzes the life and times of Diego de Landa, the Account, and the role it has played in the development of modern Maya studies. The Friar and the Maya is an innovative presentation on an important and previously misunderstood primary source.

A History of Political Philosophy: From Thucydides to Locke is an engaged and lucid account of the major political theorists and philosophers of the ancient Greek, Roman, medieval, renaissance, and early modern periods. The author demonstrates the continuing significance of some political debates and problems that originated in the history of Western political thought. Recurring themes include discussions concerning human nature, different views of justice, the origin of government and law, the rise and development of various forms of government, idealism and realism in international relations, the distinction between just and unjust war, and the sources of public authority and the nature of legitimate sovereignty. The organizing principle of the book is the idea that the great political thinkers were searching for the best political order and a criterion for human conduct in both domestic and international politics. The book presupposes no previous knowledge of the subject. It is therefore a valuable introductory book for students of philosophy, politics, and international relations. As it opens eyes to the perceptions that historical knowledge may convey, it is also an illuminating and engaging reading for a general reader.

The Truth of the Philosopher’s Stone or Magnalia Naturae is a story about a search for the philosopher’s stone. It is about an Austrian friar named Wenceslaus Seilerus, who searches to transmute stone into precious metals. According to Dr. Becher’s account, the friar truly did manage to turn stone into precious metals and this story is the record of Wenceslaus Seilerus’ alchemical achievement.

The Reed of God is an inspirational classic written by a British Roman Catholic ecclesiastical artist, Caryll Houselander. This book contains a beautiful meditation on Mary, Mother of God and so much more. Reading this book will bring you closer to Our Blessed Mother, and hence, to Christ Himself. Filled with lyrical prose and touching analogies, the author shows how Mary was the "Reed of God" and that we are all vessels waiting to do God's work, and carrying Christ within us.

In 1300, the French region of Languedoc had been cowed under the authority of both Rome and France since Pope Innocent III 's Albigensian Crusade nearly a century earlier. That crusade almost wiped out the Cathars, a group of heretical Christians whose beliefs threatened the authority of the Catholic Church. But decades of harrowing repression-enforced by the ruthless Pope Boniface VIII , the Machiavellian French King Philip the Fair of France, and the pitiless grand inquisitor of Toulouse, Bernard Gui (the villain in The Name of the Rose)-had bred resentment. In the city of Carcassonne, anger at the abuses of the Inquisition reached a boiling point and a great orator and fearless rebel emerged to unite the resistance among Cathar and Catholic alike. The people rose up, led by the charismatic Franciscan friar Bernard Délicieux and for a time reclaimed control of their lives and communities. Having written the acclaimed chronicle of the Cathars The Perfect Heresy , Stephen O'Shea returns to the medieval world to chronicle a rare and remarkable story of personal courage and principle standing up to power, amidst the last vestiges of the endlessly fascinating Cathar world. Praise for The Perfect Heresy : "At once a cautionary tale about the corruption of temporal power...and an accounting of the power of faith ...It is also just a darn good read."-Baltimore Sun "An accessible, readable history with lessons ...that were not learned by broad humanity until it saw 20th-century tyrants applying the goals and methods of the Inquisition on a universal scale."-New York Times

How a famous painting opens a window into the life, times, and philosophy of René Descartes In the Louvre museum hangs a portrait that is considered the iconic image of René Descartes, the great seventeenth-century French philosopher. And the painter of the work? The Dutch master Frans Hals—or so it was long believed, until the work was downgraded to a copy of an original. But where is the authentic version, and who painted it? Is the man in the painting—and in its original—really Descartes? A unique combination of philosophy, biography, and art history, The Philosopher, the Priest, and the Painter investigates the remarkable individuals and circumstances behind a small portrait. Through this image—and the intersecting lives of a brilliant philosopher, a Catholic priest, and a gifted painter—Steven Nadler opens a fascinating portal into Descartes's life and times, skillfully presenting an accessible introduction to Descartes's philosophical and scientific ideas, and an illuminating tour of the volatile political and religious environment of the Dutch Golden Age. As Nadler shows, Descartes's innovative ideas about the world, about human nature and knowledge, and about philosophy itself, stirred great controversy. Philosophical and theological critics vigorously opposed his views, and civil and ecclesiastic authorities condemned his writings. Nevertheless, Descartes's thought came to dominate the philosophical world of the period, and can rightly be called the philosophy of the seventeenth century. Shedding light on a well-known image, The Philosopher, the Priest, and the Painter offers an engaging exploration of a celebrated philosopher's world and work.