The Fantastic

The book that inspired the Academy Award–winning short film, from New York Times bestselling author and beloved visionary William Joyce. Morris Lessmore loved words. He loved stories. He loved books. But every story has its upsets. Everything in Morris Lessmore’s life, including his own story, is scattered to the winds. But the power of story will save the day. Stunningly brought to life by William Joyce, one of the preeminent creators in children’s literature, The Fantastic Flying Books of Mr. Morris Lessmore is a modern masterpiece, showing that in today’s world of traditional books, eBooks, and apps, it’s story that we truly celebrate—and this story, no matter how you tell it, begs to be read again and again.

The fantastic represents a wide and heterogeneous field in literary, cultural, and media studies. Encompassing some of the field's foremost voices such as Fred Botting and Larissa Lai, as well as exciting new perspectives by junior scholars, this volume offers a mosaic of the fantastic now. The contributions pinpoint and discuss current developments in theory and practice by offering enlightening snapshots of the contemporary Anglophone landscape of research in the fantastic. The authors' arguments and analyses thus give new impetus to the field's theoretical and methodological approaches, its textual materials, its main interests, and its crucial findings.

The Fantastic Other is a carefully assembled collection of essays on the increasingly significant question of alterity in modern fantasy, the ways in which the understanding and construction of the Other shapes both our art and our imagination. The collection takes a unique perspective, seeing alterity not merely as a social issue but as a biological one. Our fifteen essays cover the problems posed by the Other, which, after all, go well beyond the bounds of any single critical perspective. With this in mind, we have selected studies to show how insights from deconstruction, Marxism, feminism, and Freudian, Jungian and evolutionary psychology help us understand an issue so central to the act of reading.

Every reader of literature interprets the literary text on the basis of information they have acquired from previous reading, and according to norms they have established, either consciously or not, with regard to a work of literature. In this study, originally published in 1985, the author clarifies the concepts of magical realism and the fantastic, and establishes a series of guidelines that will allow us to distinguish between the two similar yet independent modes. The reader will thus be able to identify the implicit framework upon which the author of the fantastic and of magical realism bases their text.

The book reveals how the fantastic is used in modern theatre as a manipulative device to encode the unspeakable and control audience response, challenging conventional readings of all authors who use the fantastic.

Darrell Schweitzer interviews seventeen science fiction writers. Included are scintillating conversations with: George R. R. Martin, James Morrow, Jack Dann, Geoffrey A. Landis, Joe W. Haldeman, Zoran Zivkovic, Esther M. Friesner, Kristine Kathryn Rusch, Harry Turtledove, Gregory Frost, Tom Purdom, D. G. Compton, Robert J. Sawyer, Charles Stross, Brian Herbert, Kevin J. Anderson, and Howard Waldrop.

PLASTIC MAN'S frog heads into the jungle to track down the crooked crocodile, KROC!

The World's Fair in Chicago, 1893, was to be a spectacular event: architects, musicians, artists, and inventors worked on special exhibits to display the glories of their countries. But the Fair's planners wanted something really special, something on the scale of the Eiffel Tower, which had been constructed for France's fair three years earlier. At last, engineer George Ferris had an idea-a crazy, unrealistic, gigantic idea. He would construct a twenty-six-story tall observation wheel. The planners didn't think it could be done. They called it a "monstrosity." It wouldn't be safe. But George fought for his design. Finally, in December 1892, with only four months to go until the fair, George was given permission to build his wheel. He had to fight the tight schedule, bad weather, and general disapproval. Against all odds, the Ferris Wheel turned out to be the talk of the Fair, and proof that dreaming big dreams could pay off. Today, George's Ferris Wheel is an icon of adventure and amusement throughout the world.

Addressing the world of the imaginary, the dream, the uncanny, the paranormal, and all forms of speculative fiction, Contours of the Fantastic is a collection of twenty-two essays that were originally presented at the Eighth International Conference on the Fantastic in the Arts at Houston in 1987. The volume gives valuable perspectives on the territory covered by the fantastic, showing the diversity of the field and the variety of approaches used to survey and comprehend it. Each essay brings its own method of investigation--phenomenological, theoretical, historical, sociological, psychological, textual--in an effort to situate the border between reality and fantasy and the passage from one to the other. Authors and works discussed in the volume include Balzac, Dickens, Poe, Aldous Huxley, C. S. Lewis, Tolkien, Muriel Spark, Mary Shelley, Albee's The Zoo Story, Pynchon, Coleridge's Christabel, Le Fanu's Carmilla, and Stephen Donaldson's Thomas Covenant trilogies. Following the editor's introductory essay, the work is divided into 7 sections: Fantasy and Discontinuity, Theory of National Fantasy--Tradition and Invention, Fantastic Vision in Children's Literature, Science Fiction and Fantasy Films, Fusion, Transfusion, and Transgression in the Fantastic, The Fantastic and Science, and The Fantastic World--Space and Time. Individual essays within these major divisions zero in on specific works of fantasy; offer a psychology of fantasy writers; analyze language; assess fantasy from a national perspective; and investigate Christian horror in fiction. The final two sections delineate the border between fantasy and reality--in science and in relation to space and time. Among the outstanding contributors are Brian Aldiss, novelist, poet, and critic, author of more than two dozen books-- many of which are considered science fiction classics; Vivian Sobchack, science fiction film critic and writer on semiotics and phenomenology; and Nancy Willard, author of prize-winning novels, collected stories, poetry, and children's books. Generalists in literature and the arts, sociology, the natural sciences, engineering, and aeronautics as well as students and scholars, aestheticians, and critics of the fantasy/science fiction genres in literature, film, and art will find this collection both a useful and fascinating volume.

Classic stories of occult fiction by Dion Fortune, Edgar Allan Poe, Oscar Wilde, H. P. Lovecraft, Bram Stoker, Marie Corelli, R. W. Chambers, and more. These are the authors and tales that inspired modern masters like Stephen King, Neil Gaiman, and Nic Pizzolatto—edited and introduced by leading occult author and scholar Judika Illes. These powerfully evocative stories—some of which have been forgotten over the years, like buried treasure—will thrill and chill readers to the bone. During the dark, eerie hours, when the wind is blowing and the ghosts are roaming outside, these tales can fill a night with pleasant terror—as well as encouraging our minds to venture beyond the mundane into the realm of the fantastic.