The Famished Road

WINNER OF THE BOOKER PRIZE ‘So long as we are alive, so long as we feel, so long as we love, everything in us is an energy we can use’ The narrator, Azaro, is an abiku, a spirit child, who in the Yoruba tradition of Nigeria exists between life and death. He is born into a world of poverty, ignorance and injustice, but Azaro awakens with a smile on his face. Nearly called back to the land of the dead, he is resurrected. But in their efforts to save their child, Azaro's loving parents are made destitute. The tension between the land of the living, with its violence and political struggles, and the temptations of the carefree kingdom of the spirits propels this latter-day Lazarus's story. Despite belonging to a spirit world made of enchantment, where there is no suffering, Azaro chooses to stay in the land of the Living: to feel it, endure it, know it and love it. This is his story. ‘In a magnificent feat of sustained imaginative writing, Okri spins a tale that is epic and intimate at the same time. The Famished Road rekindled my sense of wonder. It made me, at age 50, look at the world through the wide eyes of a child’ Michael Palin

Set in an African village, this follow-up to the Man Booker Prize–winning novel is “sometimes whimsical, sometimes bawdy . . . Fraught with wild visions” (The Times). “All is not well in the African village where Azaro lives. The child narrator of poet and novelist Okri’s The Famished Road, who had outwitted death in the previous book, again relates the oppressive events that continue to plague his village and his family. While political factionalization shatters the community's cohesiveness, the prodigious bar owner Madame Koto, chief exponent of the ‘Party of the Rich,’ alternately exudes portentous metaphysical malaise and miraculous erotic force. Little Azaro, himself touched and distracted by a series of animuses, follows the heels of ‘dad,’ who is a resounding vessel, by turns, of cantankerous egotism and abased self-sacrifice. This Nigerian epic reveals a violent provincial world, opaque with magical spirits which place horrendous ethical demands on fragile and fickle humanity, as if to test each individual for a thread of virtuous constancy at the core. Events drench the essentially linear narrative with all the ruthless sensuousness of a tropical storm, and Okri’s prose is lucid and deft.” —Publishers Weekly “Okri conjures up the fabulous with the same ease as he affectingly details the ways of the human spirit in a lovingly evoked African setting teeming with life—both real and mythic . . . Stunning.” —Kirkus Reviews “Once again we’re bedazzled and bedeviled by Okri’s phantasmagoric prose and the strange and wondrous sensibility of Azaro, a spirit-child living in a poor African village.” —Booklist “Both a love story and an account of the political turmoil between the parties of Rich and Poor.” —The Independent “Passages of extraordinary beauty . . . Okri paints a convincing surrealist picture.” —The Sunday Times

Some twenty years after the publication of Ben Okri’s 1991 Booker Prize winning novel, The Famished Road, this volume proposes a spiralling journey into the imaginary homelands of its main protagonist, the adventurous spirit-child Azaro. Over the years, The Famished Road has been attributed a variety of mixed and sometimes contradictory labels (postcolonial, magic realist, mythopoeic, new ageist, picaresque, epic, to name just a few). Contributors to this volume have chosen to look beyond pre-conceived patterns and categories in order to embrace the otherness of the text and accept to be challenged by it. Disentangling themselves from the rationality of Western discourses, they have opened their minds to unfamiliar ground and new modes of being and seeing the world, which entailed bringing together various structures of feeling, modes of knowledge and protocols of representation, both African and Western. The purpose of this volume is therefore to offer new ways of reading The Famished Road that testify to the richness of Okri’s poetic prose and his reliance on indigenous mythical and oral traditions. The volume also includes an exclusive interview with Ben Okri who provides an insight into his writing processes and discusses the main themes, narrative techniques and literary strategies at work in The Famished Road.

A potent combination of political, metaphorical, and mythical storytelling” from the prizewinning author of The Freedom Artist (The Scotsman). “Who can be certain where the end begins?” said Dad, shortly before he was arrested for the murder of the carpenter . . . This novel, the conclusion to the trilogy that began with the Man Booker Prize winner The Famished Road, follows the spirit-child Azaro, who travels between the worlds of the living and the dead. Set against the backdrop of a Nigerian village in turmoil, it is a novel about the multiple forms that wealth and power can take, the challenges of the physical world, and the wonders of the mystical world, by an author who has earned numerous literary honors and whose “writing is hailed for its intelligence, tenderness, poeticism and luminosity” (Financial Times). “Ben Okri is that rare thing, a literary and social visionary, a writer for whom all three—literature, culture, and vision—are profoundly interwoven.” —Ali Smith, author of Autumn

The Guardian: Best Children's and YA Book of the Year An environmental fairytale that speaks eloquently to the most pressing issues of our times, from the Booker Prize–winning author of The Famished Road. Mangoshi lives with her mom and dad in a village near the forest. When her mom becomes ill, Mangoshi knows only one thing can help her—a special flower that grows deep in the forest. The little girl needs all her courage when she sets out alone to find and bring back the flower, and all her kindness to overpower the dangers she encounters on the quest. Ben Okri brings the power of his mystic vision to a timely story that weaves together wonder, adventure, and environmentalism.

This innovative book provides an original approach to the analysis of the representation of myth, ritual, and 'magic' in African literature. Emphasizing the ambivalent nature of the sacred, it advances work on the religious dimension of canonical African texts and attends to the persistence of pre-colonial cultures in postcolonial spaces.

In this enchanting novel from the Booker Prize–winning author, a group of world-weary travelers discover the meaning of life in a mysterious Swiss mountain village. The Age of Magic has begun. Unveil your eyes. Eight weary filmmakers, traveling from Paris to Basel, arrive at a small Swiss hotel on the shores of a luminous lake. Above them, strewn with lights that twinkle in the darkness, looms the towering Rigi mountain. Over the course of three days and two nights, the travelers will find themselves drawn into the mystery of the mountain reflected in the lake. One by one, they will be disturbed, enlightened, and transformed, each in a different way. An intoxicating and dreamlike tale unfolds. Allow yourself to be transformed. Having shown a different way of seeing the world, Ben Okri now offers a different way of reading.

One of 2019's most anticipated novels in THE TIMES, IRISH TIMES and GUARDIAN. 'Where fiction's master of enchantments stares down a real horror, and without blinking or flinching, produces a work of beauty, grace and uncommon power' MARLON JAMES, winner of the Man Booker Prize 2015. An impassioned plea for freedom and justice, set in a world uncomfortably like our own, by the Man Booker-winner Ben Okri. In a world uncomfortably like our own, a young woman called Amalantis is arrested for asking a question. Her question is this: Who is the Prisoner? When Amalantis disappears, her lover Karnak goes looking for her. He searches desperately at first, then with a growing realization. To find Amalantis, he must first understand the meaning of her question. Karnak's search leads him into a terrifying world of lies, oppression and fear at the heart of which lies the Prison. Then Karnak discovers that he is not the only one looking for the truth. The Freedom Artist is an impassioned plea for justice and a penetrating examination of how freedom is threatened in a post-truth society. In Ben Okri's most significant novel since the Booker Prize-winning The Famished Road, he delivers a powerful and haunting call to arms. 'Ben Okri is that rare thing, a literary and social visionary, a writer for whom all three – literature, culture and vision – are profoundly interwoven' ALI SMITH.

An epic of daily life, Dangerous Love is one of Ben Okri's most accessible and most disarming novels. Omovo is an office worker and artist who lives at home with his father and his father's second wife. In the communal world of the compound in which he lives, Omovo has both friends and enemies, but his most important relationship is with Ifeyiwa, a beautiful young married woman whom he loves with an almost hopeless passion – not because she doesn't return his love, but because they can never be together. Set against the backdrop of a country struggling to come to terms with the aftermath of a recent civil war, this is a story of doomed love – of star-crossed lovers, separated not by their families, but by the very circumstances of their lives.

NATIONAL BOOK AWARD WINNER • Is love between equals possible? This modern classic is a delightful intellectual love story that explores the deepest canyons of romantic love even as it asks large questions about society, geopolitics, and the mystery of what men and women really want. “Luminous…Few books evoke the state of love at its apogee.” —The New York Times Book Review “The best rendering of erotic politics…since D.H. Lawrence…The voice of Rush’s narrator is immediate, instructive and endearing.” —The New York Review of Books The narrator of this splendidly expansive novel of high intellect and grand passion is an American anthropologist at loose ends in the South African republic of Botswana. She has a noble and exacting mind, a compelling waist, and a busted thesis project. She also has a yen for Nelson Denoon, a charismatic intellectual who is rumored to have founded a secretive and unorthodox utopian society in a remote corner of the Kalahari—one in which he is virtually the only man. What ensues is an exhilarating quest and an exuberant comedy of manners: “A dryly comic love story about grown-up people who take the life of the mind seriously.” —Newsweek