The Fabric Of Memory

Combine your love of crafting, fabric, and reading to create unique volumes for preserving your memories. The 24 projects feature a variety of binding methods as well as inventive techniques like transferring photos onto textiles.

A sequel to the best-selling Shibori', this text provides a modern perspective on shaped-resist dyeing techniques in textile design. Japan's top fashion designers are examined, including Yohji Yamamoto and Issey Miyake and a 96-page section features the work of 24 international artists. A sequel to the best-selling 'Shibori', this text provides a modern perspective on shaped-resist dyeing techniques in textile design. Japan's top fashion designers are examined, including Yohji Yamamoto and Issey Miyake and a 96-page section features the work of 24 international artists.'

Once hanging static in a wardrobe or folded away in a trunk, in recent times clothes have found themselves thrown into the spotlight. The crowds that are drawn to large scale fashion exhibitions staged with increasing frequency in galleries and museums around the world offer glimpses into the meaning that we attach to these items of clothing. Apart from their aesthetic value, clothes have the ability to evoke issues of identity, of the relation of self to body and self to the world. We are able to find ourselves through the experiences of delving into our wardrobes and remembering. Clothes are thus layered with meaning since they have the power to act as memory prompts. Woven into their fabric are traces of past experiences; stitched into their seams are links to people we have loved and lost. Viewed as visual objects, clothing is not frivolous, flippant or foolish. In telling and talking about clothes, we reveal much about ourselves, our lives and the experiences that we drape around our bodies. Whether bought or handmade, passed down or reconstructed, clothes help us to construct meaning as we remember those things in our lives that matter.

An exploration of life at the margins of history from one of Russia’s most exciting contemporary writers Shortlisted for the 2021 International Booker Prize Winner of the MLA Lois Roth Translation Award With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms—essay, fiction, memoir, travelogue, and historical documents—Stepanova assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory.

This book represents an exhibit of 22 fabric artworks that were displayed at the Heart Mountain Interpretive Center in 2016 and made by 17 women of the Textile Artists of the Greater Yellowstone (TAGY), who hail from the Wyoming towns of Cody, Powell, Meeteetse, Lovell, Sheridan and Thermopolis--localities near the Heart Mountain Interpretive Center. Also included is the depiction of a quilt by Naoko Yoshimura Ito, a Japanese American who, as a child, was forcibly removed from her home in 1942, and incarcerated at the "Heart Mountain Relocation Center" with her family.The Interpretive Center is located on the site of the former "Heart Mountain Relocation Center," which unjustly incarcerated Japanese Americans during World War II. Today, it is a National Historic Landmark site that includes the museum, memorial, walking trail and original camp structures.

This 2001 interpretation of literature and arts reveals how clothing and costume were critical to Renaissance culture.

Shape memory polymers (SMPs) are smart materials that, as a result of an external stimulus such as temperature, can change from a temporary deformed shape back to an original shape. SMPs are finding an increasing use in such areas as clothing where they respond dynamically to changes in heat and moisture levels, ensuring greater comfort for the wearer. Shape memory polymers and textiles provides an authoritative and comprehensive review of these important new materials and their applications. After an introductory chapter on the concept and definition of shape memory materials, the book reviews methods for synthesising, characterising and modelling SMPs. It goes on to consider the properties of particular materials such as shape memory polyurethane and environmentally-sensitive polymer gels. The book concludes by assessing potential applications such as wrinkle-free fabrics and smart fabrics providing improved protection and comfort for the wearer. Shape memory polymers and textiles is a valuable guide to R&D staff in such areas as textile apparel in developing a new generation of smart textiles and other products. Reviews the structure, synthesis and preparation of shape memory polymers Assesses methods for analysing and modelling shape memory properties An authoritative overview of particular fibres such as shape memory polyurethane (SMPU)

"I'm scared I'll forget you]]' From the perspective of a young child, Joanna Rowland artfully describes what it is like to remember and grieve a loved one who has died. The child in the story creates a memory box to keep mementos and written memories of the loved one, to help in the grieving process. Heartfelt and comforting, The Memory Box will help children and adults talk about this very difficult topic together. The unique point of view allows the reader to imagine the loss of any they have loved - a friend, family member, or even a pet. A parent guide in the back includes information on helping children manage the complex and difficult emotions they feel when they lose someone they love, as well as suggestions on how to create their own memory box.

Analyzing the ways U.S. culture has been formed and transformed in the 80s and 90s by its response to the Vietnam War and the AIDS epidemic, Marita Sturken argues that each has disrupted our conventional notions of community, nation, consensus, and "American culture." She examines the relationship of camera images to the production of cultural memory, the mixing of fantasy and reenactment in memory, the role of trauma and survivors in creating cultural comfort, and how discourses of healing can smooth over the tensions of political events. Sturken's discussion encompasses a brilliant comparison of the Vietnam Veterans Memorial and the AIDS Quilt; her profound reading of the Memorial as a national wailing wall—one whose emphasis on the veterans and war dead has allowed the discourse of heroes, sacrifice, and honor to resurface at the same time that it is an implicit condemnation of war—is particularly compelling. The book also includes discussions of the Kennedy assassination, the Persian Gulf War, the Challenger explosion, and the Rodney King beating. While debunking the image of the United States as a culture of amnesia, Sturken also shows how remembering itself is a form of forgetting, and how exclusion is a vital part of memory formation.