The Eyes Of The Accused

Through the Eyes of the Accused takes the reader on a literary journey into the drinking establishments as we meet James, Tammy, Sally, and Dawn. James' romantic attention shifts from Denise to Dawn, and the former doesn't take this lying down. Tammy plots to have James arrested with a trumped up story of sexual assult. "Great idea," Tammy says, "lets nail that creep". Their efforts are sadly successful and he is hauled before Judge Thomas who sets bail at fifteen hundred dollars. The reader watches the legal dealings that follow and share James' frustration at the injustice - "How could someone do something so rotten to another human being?" Later in the book James finds a new romantic partner brought into his life; he begins to date Tina. The court gives him five years probation. Soon Dave, the probation officer, has him tested as being intoxicated over the legal limit - a violation of probation. "You people have been trying to put me in jail right from the beginning and now you've got you wish," James defiantly tells Dave. He finds himself sentenced to nine months in jail all stemming from a crime he didn't commit. Through The Eyes of the Accused does not shirk from taking the reader inside the jail cell for the pain suffered there. Ultimately Jim and Tina focus on a plan to get Denise to spill the beans. Tina goes undercover with several others and unbeknownst to Denise, she is tape recorded describing how she framed him. At last vindicated, he is release from jail - "It seems so good to be out of here... it's finally over."

This is the true story of a woman who prevailed against the most heinous accusations imaginable. Tonya Craft, a Georgia kindergarten teacher and loving mother of two, never expected a knock on her door to change her life forever. But in May 2008, false accusations of child molestation turned her world upside down. The trial that followed dragged her reputation through the mud and lent nationwide notoriety to her name. Tonya's life spiraled into a witch-trial nightmare in which she was deemed guilty before her innocence could be determined by a jury. Her children were taken away without even a goodbye, and her own daughter was forced to take the stand against her in a courtroom. The situation seemed hopeless, and Tonya was shell-shocked and heartbroken. But that didn't keep her from finding the strength to fight. Over the course of two terrifying years, Tonya rallied to take charge of her own defense, flying across the country and knocking on doors on a desperate quest for answers, and defying her own lawyers on more than one occasion. Tonya's goal was not only to avoid conviction; it was to clear her name, and, most of all, regain custody of her children. Accused is about more than Tonya's shocking trial and fight for justice. It is the story of a mother's extraordinary love, the faith that sees her through it all, and the forgiveness that sets her free.

Launching a propulsive middle grade nonfiction series, a young woman shares her harrowing experience of being wrongly accused of terrorism. Adama Bah grew up in East Harlem after immigrating from Conakry, Guinea, and was deeply connected to her community and the people who lived there. But as a thirteen-year-old after the events of September 11, 2001, she began experiencing discrimination and dehumanization as prejudice toward Muslim people grew. Then, on March 24, 2005, FBI agents arrested Adama and her father. Falsely accused of being a potential suicide bomber, Adama spent weeks in a detention center being questioned under suspicion of terrorism. With sharp and engaging writing, Adama recounts the events surrounding her arrest and its impact on her life—the harassment, humiliation, and persecution she faced for crimes she didn’t commit. Accused brings forward a crucial and unparalleled first-person perspective of American culture post-9/11 and the country’s discrimination against Muslim Americans, and heralds the start of a new series of compelling narrative nonfiction by young people, for young people.

Book two in the Ben Whittle Investigation series. The Eyes of the Accused is a psychological mystery thriller written with occasional flashes of dark humour. Best enjoyed after reading The Revelation Room. Fresh from the horrors of the Revelation Room, private investigators Ben and Maddie are plunged into a disturbing world of terror as they search for missing pregnant girl, Hannah Heath. Drawn to Frank Crowley, an original suspect in Hannah's disappearance, Maddie is about to learn the true meaning of evil. But all is not what it seems. Crowley is just a small part of something unimaginable. Something so terrible and deranged it defies reason. After Maddie disappears, Ben is left in a desperate race against time to find her and uncover the truth.

Richard Lewis had been a youth therapist, foster carer and teacher in a large city comprehensive school for over 20 years, but his personal integrity was suddenly brought into question by the claims of a former student 16 years ago. His dedicated life as a supporter of delinquent and wayward teenagers was brought to a sudden halt, where, at one point, suicide appeared to be the best way out. The Accused is a harrowing autobiography of an innocent man, a personal ordeal where it was felt that the system presumes one is guilty till proven innocent. When a child abuse allegation is made, where two people stand by irreconcilable testimonies, a strategy group of professionals has to make a decision that has serious long-term consequences. The Accused presents the voice of a victim subjected to an uncorroborated disclosure. This book argues for a review of current child protection procedures, for an examination of stereotypical beliefs and assumptions centring of an enquiry, and for the case to examine the social implications of making unfounded allegations of abuse against professional personnel.

When attorney Will Chambers and his new bride honeymoon in Cancun, they're shocked when terrorists kidnap a U.S. official. And when a secret hostage recovery team is accused of murdering unarmed civilians, the situation swiftly escalates from bad to worse.

Three Jews, Alfred Dreyfus, Mendel Beilis, and Leo Frank, were charged with heinous crimes in the generation before World War I, Dreyfus of treason in France, Beilis of ritual murder in Russia, and Frank of the murder of a young girl in the United States. Quite aside from the lurid details and sensational charges, larger issues emerged, among them the power of modern anti-Semitism, the sometimes tragic conflict between the freedom of the press and the protection of individual rights, the unpredictable reactions of individuals when subjected to extreme situations, and the inevitable ambiguities of campaigns for truth and justice when political advantage is to be gained from them. In attempting to untangle myth and reality many surprises emerge; heroes appear less heroic and villains less villainous, while real factors appear more important than most accounts of the affairs have recognised.

The extraordinary, controversial story of Vera Gran, beautiful, exotic prewar Polish singing star; legendary, sensual contralto, Dietrich-like in tone, favorite of the 1930s Warsaw nightclubs, celebrated before, and during, her year in the Warsaw Ghetto (spring 1941–summer 1942) . . . and her piano accompanist: W³adys³aw Szpilman, made famous by Roman Polanski’s Oscar-winning film The Pianist, based on Szpilman’s memoir. Following the war, singer and accompanist, each of whom had lived the same harrowing story, were met with opposing fates: Szpilman was celebrated for his uncanny ability to survive against impossible odds, escaping from a Nazi transport loading site, smuggling in weapons to the Warsaw Ghetto for the Jewish resistance. Gran was accused of collaborating with the Nazis; denounced as a traitor, a “Gestapo whore,” reviled, imprisoned, ultimately exonerated yet afterward still shunned as a performer . . . in effect, sentenced to death without dying . . . until she was found by Agata Tuszyñska, acclaimed poet and biographer of, among others, Isaac Bashevis Singer, Nobel laureate (“Her book has few equals”—The Times Literary Supplement). Tuszyñska, who won the trust of the once-glamorous former singer, then living in a basement in Paris—elderly, bitter, shut away from the world—encouraged Gran to tell her story, including her seemingly inexplicable decision to return to Warsaw to be reunited with her family after she had fled Hitler’s invading army, knowing she would have to live within the ghetto walls and, to survive, continue to perform at the popular Café Sztuka. At the heart of the book, Gran’s complex, fraught relationship with her accompanist, performing together month after month, for the many who came from within the ghetto and outside its walls to hear her sing. Using Vera Gran’s reflections and memories, as well as archives, letters, statements, and interviews with Warsaw Ghetto historians and survivors, Agata Tuszyñska has written an explosive, resonant portrait of lives lived inside a nightmare time, exploring the larger, more profound question of the nature of collaboration, of the price of survival, and of the long, treacherous shadow cast in its aftermath.