The Era Of World War Ii Through Contemporary Times

Reproducible student activities cover colonial experiences, including interaction with Native Americans, family and social life, the beginnings of slavery, and the seeds democracy.

The name TIME-LIFE has become synonymous with providing readers with a deeper understanding of subjects and world events that matter to us all. Now, as the U.S. commemorates the 70th anniversary of the end of World War II, TIME-LIFE revisits the pivotal final battles and events in one of the most influential periods in history in World War II: 1945. Between January and August of 1945, the Allies staged their last great military victories, participated in the Potsdam and Yalta conferences, and mourned the death of FDR. Adolf Hitler committed suicide, Benito Mussolini was hanged. The first atomic bomb was dropped. These are just some of the events in the closing months of World War II, a dramatic period that both marked the end of the bloodiest conflict in history and laid the groundwork for the coming Cold War. Organized chronologically, World War II: 1945 maps out the conflict's end in a visual, easy-to-digest format that illustrates key events, days, battles, personalities, military strategies, political maneuverings and betrayals. A compelling, illustrated package, the book will bring 1945 to life for a public curious to learn about the year that changed the world.

The recent dedication of the World War II memorial and the sixtieth-anniversary commemoration of D-Day remind us of the hold that World War II still has over America's sense of itself. But the selective process of memory has radically shaped our picture of the conflict. Why else, for instance, was a 1995 Smithsonian exhibition on Hiroshima that was to include photographs of the first atomic bomb victims, along with their testimonials, considered so controversial? And why do we so readily remember the civilian bombings of Britain but not those of Dresden, Hamburg, and Tokyo? Marianna Torgovnick argues that we have lived, since the end of World War II, under the power of a war complex—a set of repressed ideas and impulses that stems from our unresolved attitudes toward the technological acceleration of mass death. This complex has led to gaps and hesitations in public discourse about atrocities committed during the war itself. And it remains an enduring wartime consciousness, one most recently animated on September 11. Showing how different events from World War II became prominent in American cultural memory while others went forgotten or remain hidden in plain sight, The War Complex moves deftly from war films and historical works to television specials and popular magazines to define the image and influence of World War II in our time. Torgovnick also explores the 1961 trial of Adolf Eichmann, the emotional legacy of the Holocaust, and the treatment of World War II's missing history by writers such as W. G. Sebald to reveal the unease we feel at our dependence on those who hold the power of total war. Thinking anew, then, about how we account for war to each other and ourselves, Torgovnick ultimately, and movingly, shows how these anxieties and fears have prepared us to think about September 11 and our current war in Iraq.

From World War II to the war in Iraq, periods of international conflict seem like unique moments in U.S. political history—but when it comes to public opinion, they are not. To make this groundbreaking revelation, In Time of War explodes conventional wisdom about American reactions to World War II, as well as the more recent conflicts in Korea, Vietnam, the Gulf, Afghanistan, and Iraq. Adam Berinsky argues that public response to these crises has been shaped less by their defining characteristics—such as what they cost in lives and resources—than by the same political interests and group affiliations that influence our ideas about domestic issues. With the help of World War II–era survey data that had gone virtually untouched for the past sixty years, Berinsky begins by disproving the myth of “the good war” that Americans all fell in line to support after the Japanese bombed Pearl Harbor. The attack, he reveals, did not significantly alter public opinion but merely punctuated interventionist sentiment that had already risen in response to the ways that political leaders at home had framed the fighting abroad. Weaving his findings into the first general theory of the factors that shape American wartime opinion, Berinsky also sheds new light on our reactions to other crises. He shows, for example, that our attitudes toward restricted civil liberties during Vietnam and after 9/11 stemmed from the same kinds of judgments we make during times of peace. With Iraq and Afghanistan now competing for attention with urgent issues within the United States, In Time of War offers a timely reminder of the full extent to which foreign and domestic politics profoundly influence—and ultimately illuminate—each other.

With a new afterword by the author

“A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war.” —Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States’ “exceptional” history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II. As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century’s decades of devastating conflict.

This volume covers WWII from initial outbreak to final victory with news stories and photos from the Associated Press archives. Victory commemorates the day Nazi Germany surrendered to the Allied forces in Europe: May 8, 1945, VE Day. It covers the war through contemporary Associated Press coverage of key events, plus gripping human-interest accounts. The stories and photographs are presented chronologically so that readers can follow the unfolding conflict as it was experienced by ordinary citizens at the time. From Germany’s invasion of Poland on September 1, 1939, to Japan’s ceremonial signing of surrender aboard the USS Missouri in Tokyo Bay on September 2, 1945, each event is vividly brought to life through images and text from the original articles; historian Alan Axelrod provides insightful introductory text for each chapter.

The World in 1937 -- Japan and China, 1937-1940 -- Hitler's Border Wars, 1938-1939 -- Germany Re-fights World War I, 1939 fights World War I,1939-1940 -- Wars of Ideology, 1941-1942 -- The Red Army versus the Wehrmacht, 1942-1944 -- Japan's Lunge for Empire, 1941-1942 -- Defending the Perimeter: Japan, 1942-1944 -- The 'World Ocean' and Allied Victory, 1939-1945 -- The European Periphery, 1940-1944 -- Wearing down Germany, 1942-1944 -- Victory in Europe, 1944-1945 -- End and Beginning in Asia, 1945 -- Conclusion.

Examines the distinct leadership roles of Franklin and Eleanor Roosevelt during the war years and discusses the dynamics of their marriage.

“Tells how America, since the end of World War II, has turned away from its ideals and goodness to become a match setting the world on fire” (Seymour Hersh, investigative journalist and national security correspondent). World War II marked the apogee of industrialized “total war.” Great powers savaged one another. Hostilities engulfed the globe. Mobilization extended to virtually every sector of every nation. Air war, including the terror bombing of civilians, emerged as a central strategy of the victorious Anglo-American powers. The devastation was catastrophic almost everywhere, with the notable exception of the United States, which exited the strife unmatched in power and influence. The death toll of fighting forces plus civilians worldwide was staggering. The Violent American Century addresses the US-led transformations in war conduct and strategizing that followed 1945—beginning with brutal localized hostilities, proxy wars, and the nuclear terror of the Cold War, and ending with the asymmetrical conflicts of the present day. The military playbook now meshes brute force with a focus on non-state terrorism, counterinsurgency, clandestine operations, a vast web of overseas American military bases, and—most touted of all—a revolutionary new era of computerized “precision” warfare. In contrast to World War II, postwar death and destruction has been comparatively small. By any other measure, it has been appalling—and shows no sign of abating. The author, recipient of a Pulitzer Prize and a National Book Award, draws heavily on hard data and internal US planning and pronouncements in this concise analysis of war and terror in our time. In doing so, he places US policy and practice firmly within the broader context of global mayhem, havoc, and slaughter since World War II—always with bottom-line attentiveness to the human costs of this legacy of unceasing violence. “Dower delivers a convincing blow to publisher Henry Luce’s benign ‘American Century’ thesis.” —Publishers Weekly