The English Decorated Style

Pre-publication title: The heroic age of Gothic invention.

Thirty-Five years after the publication of Jean Bony's seminal work on the so-called Decorated style of English architecture ('The English Decorated Style: Gothic Architecture Transformed', 1979), this volume brings together a selection of groundbreaking essays by the most promising emerging scholars of English medieval architecture, together with contributions by two of the leading established authorities on the subject: Nicola Coldstream ('The Decorated Style: Architecture and Ornament, 1240-1360', 1994) and Paul Binski ('Gothic Wonder: Art, Artifice, and the Decorated Style, 1290-1350', 2014). The contributors revisit Bony's work and reassess the scholarly legacy of the past three-and-a-half decades. Drawing on a range of innovative methodologies, they then present exciting new insights into the nature and significance of English architecture in the period, focusing particularly on its broader European context. The essays are developed from papers delivered as part of a major seminar series at the University of Cambridge in 2013-14.

English Decorated style flourished from the mid-13th to the mid 14th century. Although it is usually portrayed as a style of architecture, it is better understood as a fusion of architecture and ornament - paint, stained glass and sculpture - which created specific religious and secular effects.

Shows forty decorating styles and demonstrates special painting techniques.

This book explains and celebrates the richness of Englishchurches and cathedrals, which have a major place inmedieval architecture. The English Gothic style developedsomewhat later than in France, but rapidly developed itsown architectural and ornamental codes. The author, John Shannon Hendrix, classifies English Gothic architecture in four principal stages: the early English Gothic, the decorated, the curvilinear, and the perpendicular Gothic. Several photographs of these architectural testimonies allow us to understand the whole originality of Britain during the Gothic era: in Canterbury, Wells, Lincoln, York, and Salisbury. The English Gothic architecture is a poetic one, speaking both to the senses and spirit. churches and cathedrals, which have a major place in medieval architecture. The English Gothic style developed somewhat later than in France, but rapidly developed its own architectural and ornamental codes. The author, John Shannon Hendrix, classifies English Gothic architecture in four principal stages: the early English Gothic, the decorated, the curvilinear, and the perpendicular Gothic. Several photographs of these architectural testimonies allow us to understand the whole originality of Britain during the Gothic era: in Canterbury, Wells, Lincoln, York, and Salisbury. The English Gothic architecture is a poetic one, speaking both to the senses and spirit.