The Edinburgh Monthly Review

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Blackwood's Magazine was a British magazine and miscellany printed between 1817 and 1980. It was founded by the publisher William Blackwood and was originally called the Edinburgh Monthly Magazine. The first number appeared in 1817 under the editorship of Thomas Pringle and James Cleghorn. The journal was unsuccessful and Blackwood fired Pringle and Cleghorn and relaunched the journal as Blackwood's Edinburgh Magazine under his own editorship. The journal eventually adopted the shorter name and from the relaunch often referred to itself as Maga. The title page bore the image of George Buchanan, 16th century Scottish historian. For all its conservative credentials the magazine published the works of radicals of British romanticism such as Percy Bysshe Shelley and Samuel Taylor Coleridge. Through Wilson the magazine was a keen supporter of William Wordsworth, parodied the Byronmania common in Europe and angered John Keats, Leigh Hunt and William Hazlitt by referring to their works as the "Cockney School of Poetry."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.