The Easy Life In Kamusari

From Shion Miura, the award-winning author of The Great Passage, comes a rapturous novel where the contemporary and the traditional meet amid the splendor of Japan's mountain way of life. Yuki Hirano is just out of high school when his parents enroll him, against his will, in a forestry training program in the remote mountain village of Kamusari. No phone, no internet, no shopping. Just a small, inviting community where the most common expression is "take it easy." At first, Yuki is exhausted, fumbles with the tools, asks silly questions, and feels like an outcast. Kamusari is the last place a city boy from Yokohama wants to spend a year of his life. But as resistant as he might be, the scent of the cedars and the staggering beauty of the region have a pull. Yuki learns to fell trees and plant saplings. He begins to embrace local festivals, he's mesmerized by legends of the mountain, and he might be falling in love. In learning to respect the forest on Mt. Kamusari for its majestic qualities and its inexplicable secrets, Yuki starts to appreciate Kamusari's harmony with nature and its ancient traditions. In this warm and lively coming-of-age story, Miura transports us from the trappings of city life to the trials, mysteries, and delights of a mythical mountain forest.

From Shion Miura, award-winning author of The Easy Life in Kamusari, comes a spirit-lifting novel about tradition, first love, and ancient lore in a Japanese mountain village. It's been a year since Yuki Hirano left home--or more precisely, was booted from it--to study forestry in the remote mountain village of Kamusari. Being a woodsman is not the future he imagined, but his name means "courage," and Yuki hopes to live up to it. He's adapting to his job and learning constantly. In between, he records local legends--tales pulsing with life, passion, and wondrous gods. Kamusari has other charms as well. One of them is Nao. Yuki's crush on the only other young single person in the village isn't a secret. Yet how impressed can she be with someone at least five years younger who makes less money and doesn't even own a car? More daunting, she's in love with another man. Finally finding his place among the villagers, a feeling deepened by his crush, Yuki seems headed for a dream life of adventure and camaraderie--and Nao could be the missing piece of that dream.

OVER ONE MILLION COPIES SOLD ''A mesmerising reading experience for all of us seeking a meaningful life' JAPAN TIMES What he experienced that day wasn’t life-changing . . . It was life-making. Tomura is startled by the hypnotic sound of a piano being tuned in his school. It seeps into his soul and transports him to the forests, dark and gleaming, that surround his beloved mountain village. From that moment, he is determined to discover more. Under the tutelage of three master piano-tuners – one humble, one jovial, one ill-tempered – Tomura embarks on his training, never straying too far from a single, unfathomable question: do I have what it takes? Set in small-town Japan, this warm and mystical story is for the lucky few who have found their calling – and for the rest of us who are still searching. It shows that the road to finding one’s purpose is a winding path, often filled with treacherous doubts and, for those who persevere, astonishing moments of revelation. Mega-bestselling winner of the Japan Booksellers Award, selected by bookshop staff as the book they most wanted to hand-sell: A tender and uplifting novel for fans of A WHOLE LIFE by Robert Seethaler. [Contains 5 exquisite hand-drawn illustrations]

The Teas That Bind is the first book from J. C. Greenway, an English writer based in Japan. It is a collection of posts first written for the website ten minutes hate about life in Japan before and since the Great East Japan Earthquake in March 2011. It also includes a selection of emails, status updates and tweets from the days after the disaster and the following year, covering the writer's involvement in fundraising and volunteering efforts - along with plenty of new material - in an attempt to answer the question, 'what was it like?'

'If we want to understand what has been lost to time, there is no way other than through the exercise of imagination ... imagination applied with delicate rather than broad strokes'. So wrote the award winning Japanese author Kyoko Nakajima of her story, Things Remembered and Things Forgotten, a piece that illuminates, as if by throwing a switch, the layers of wartime devastation that lie just below the surface of Tokyo's insistently modern culture. The ten acclaimed stories in this collection are pervaded by an air of Japanese ghostliness. In beautifully crafted and deceptively light prose, Nakajima portrays men and women beset by cultural amnesia and unaware of how haunted they are - by fragmented memories of war and occupation, by fading traditions, by buildings lost to firestorms and bulldozers, by the spirits of their recent past.

Two young men, Pájaro Tamai and Marciano Miranda, are dying in a deserted amusement park. The story begins almost at its end, just after the two main characters have faced off in a knife fight: the culmination of a rivalry that has pitted them against one another since childhood. The present in Brickmakers is a state of impending death, at moments marked by dream-like visions: Marciano is visited by the ghost of his father, who was murdered when he was a teenager, a father he had sworn to avenge, in a promise he could not keep. Pájaro is also visited, in a recurring nightmare, by his abusive father who disappeared years earlier. Narrated with fury and passion, reminiscent of William Faulkner or Katherine Anne Porter, Brickmakers is a rural tragedy in the great American tradition, a story of love, honour and violence where everything is at stake. Reprising the powerful imagery and the filmic landscape of The Wind That Lays Waste, and the threatening atmosphere of Dead Girls, Brickmakers is yet another proof of Almada’s extraordinary talent.

“A delicate, layered exploration of family, trauma, and memory . . . An intriguing introduction to a significant voice in contemporary Japanese fiction.” —Kirkus Reviews Two tales about memory, loss and love, both told with stylistic inventiveness and breath-taking sensitivity. Taichi was forced to stop working almost a decade ago and since then he and his wife Natsuko have been getting by on her wages. But Natsuko is a woman accustomed to hardship. When her own family’s fortune dried up years during her childhood, she lived a surreal hand-to-mouth existence shaped by her mother’s refusal to accept her family’s new station in life. When Natsuko sees an ad for a spa and recognizes the place as the former luxury hotel where she spent time as a child, she decides to take her sick husband, despite the cost. But the overnight visit triggers hard but ultimately redemptive memories relating to the complicated history of her family. Modelled on a classic story by Junichiro Tanizaki, Ninety-Nine Kisses is the second story in this book and it portrays in touching and lyrical fashion the lives of the four unmarried sisters in a historical, close-knit neighbourhood of contemporary Tokyo. “Magical.” —The Guardian, Most Anticipated Fiction of 2021 “An ethereal novel combining two tales exploring memory, love, and loss.” —Vogue (UK) “Kashimada’s writing is exceptional.” —The Spectator “While Kashimada’s stories, like Murakami’s, resist easy interpretation, the former revel in the beauty of experience, whether sorrowful or joyous, affirming life in all its strangeness, horror and mystery.” —The Times Literary Supplement (UK) “Only Kashimada can create this kind of world.” —Yoko Ogawa, author of The Memory Police

Analysis, partly in the form of an autobiography of karari njama, of nationalist political problems and the mau mau revolution in the former British colony and protectorate of Kenya between the years 1952 and 1957 - covers government policy and social implications thereof, armed forces activities of kikuyu tribal peoples, the role of UK armed forces, etc. Bibliography pp. 505 to 507. Biography njama k.

'A mystery, a love story and a fascinating encounter with a different culture, Yuki Means Happiness is an outstanding novel' John Boyne Diana is young and uneasy in a new relationship when she leaves America and moves halfway around the world to Tokyo seeking adventure. In Japan she takes a job as a nanny to two-year-old Yuki Yoshimura and sets about adapting to a routine of English practice, ballet and swimming lessons, and Japanese cooking. But as Diana becomes increasingly attached to Yuki she also becomes aware that everything in the Yoshimura household isn't as it first seemed. Before long, she must ask herself if she is brave enough to put everything on the line for the child under her care, confronting her own demons at every step of the way. Yuki Means Happiness is a rich and powerfully illuminating portrait of the intense relationship between a young woman and her small charge, as well as one woman's journey to discover her true self.

Two decades of living is not nothing. It is everything we know. In Twenty-One Years Young: Essays, author Amy Dong examines the uncertainty, absurdity, and beauty in growing up. This poignant collection of essays is unabashedly intimate, drawing the reader into Dong's life as if they were a close friend. She masterfully evokes humor, nostalgia, melancholy, and euphoria to create scenes that are as vivid as they are profound. In this collection, you'll read essays such as "So It Goes" (inspired by the famous Vonnegut quip), in which Dong reflects on a near-death experience; "On Taking Care of Pets," a self-explanatory essay that provides the very best of belly laughs; and "The Man with the Magical Watch," in which Dong grapples with the pain-and joy-inherent to our limited existence. These essays urge readers to consider the meaning of a good life and, further, how they will choose to spend the rest of their moments. Fans of Didion and Sedaris alike will find themselves at home with this collection for its unyielding insight into young adulthood, travel, and life itself.