The Dynamics Of Apocalypse

Winner of the American Sociological Association's 'Distinguished Book Award' in the Religion category. For most of us, "Apocalypse" suggests the cataclysmic end of the world. Yet in Greek "apocalypse" means "revelation," and the real subject of the Book of Revelation is how the sacred arises in history at a moment of crisis and destiny. With origins in ancient religions, the apocalyptic has been a transformative force from the time of the Crusades, through the Reformation, the French Revolution and modern communism, all the way to the present day "Islamic Jihad" and "War on Terror." In Apocalypse, John R. Hall explores the significance of apocalyptic movements and the role they have played in the rise of the West and "The Empire of Modernity." This brilliant cross-disciplinary study offers a novel basis for rethinking our social order and its ambivalent relations to sacred history. Apocalypse will attract general readers seeking new understandings of the world in challenging times. Scholars and students will find a compelling synthesis that draws them into conversation with others interested in religion, theology, culture, philosophy, and phenomenology, as well as sociology, social theory, western civilization, and world history.

Jesus' promise that "the end" draws near has spawned an expectation of that grand event across various religious groups. This volume examines the abiding social issues that surround the continued presence of apocalyptic anticipation by setting them in historical, present-day, and future manifestations. Approaching this fervent expectation from a broad perspective, Gribben and Newport explore the contemporary movements with insightful analysis that provokes discussion and even self-reflection.

Seeking to preserve our future, this volume attempts to imagine in what form the apocalypse may strike. It critically assesses the roles played by literature as well as digital media as instruments for the propagation of apocalyptic ideas through its envisioning in books, movies and T.V. serials alike. The volume seeks to preserve both our future social and environmental futures through the different predictions of the end.

We live in catastrophic times. The world is reeling from the deepest economic crisis since the Great Depression, with the threat of further meltdowns ever-looming. Global warming and myriad dire ecological disasters worsen—with little if any action to halt them—their effects rippling across the planet in the shape of almost biblical floods, fires, droughts, and hurricanes. Governments warn that there is no alternative to the bitter medicine they prescribe—or risk devastating financial or social collapse. The right, whether religious or secular, views the present as catastrophic and wants to turn the clock back. The left fears for the worst, but hopes some good will emerge from the rubble. Visions of the apocalypse and predictions of impending doom abound. Across the political spectrum, a culture of fear reigns.? Catastrophism explores the politics of apocalypse—on the left and right, in the environmental movement—and examines why the lens of catastrophe can distort our understanding of the dynamics at the heart of these numerous disasters—and fatally impede our ability to transform the world. Lilley, McNally, Yuen, and Davis probe the reasons why catastrophic thinking is so prevalent, and challenge the belief that it is only out of the ashes that a better society may be born. The authors argue that those who care about social justice and the environment should jettison doomsaying—even as it relates to indisputably apocalyptic climate change. Far from calling people to arms, they suggest, catastrophic fear often results in passivity and paralysis—and, at worst, reactionary politics.?

Apocalyptic expectations of Armageddon and a New Age have been a fixture of the American cultural landscape for centuries. With the approach of the year 2000, such millennial visions seem once again to be increasing in popularity. Stephen O'Leary sheds new light on the age-old phenomenon of the End of the Age by proposing a rhetorical explanation for the appeal of millennialism. Using examples of apocalyptic argument from ancient to modern times, O'Leary identifies the recurring patterns in apocalyptic texts and movements and shows how and why the Christian Apocalypse has been used to support a variety of political stances and programs. The book concludes with a critical review of the recent appearances of doomsday scenarios in our politics and culture, and a meditation on the significance of the Apocalypse in the nuclear age. Arguing the Apocalypse is the most thorough examination of its subject to date: a study of a neglected chapter of our religious and cultural history, a guide to the politics of Armageddon, and a map of millennial consciousness.

From accounts of the Holocaust, to representations of AIDS, to predictions of environmental disaster; from Hal Lindsey's fundamentalist 1970s bestseller The Late Great Planet Earth, to Francis Fukuyama's The End of History and the Last Man in 1992, the sense of apocalypse is very much with us. In Postmodern Apocalypse, Richard Dellamora and his contributors examine apocalypse in works by late twentieth-century writers, filmmakers, and critics.

We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays. As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science.

The Book of Revelation holds a special fascination for both scholars and the general public. The book has generated widely differing interpretations, yet Revelation has surprisingly not been the focus of many single-volume reference works. The Oxford Handbook of the Book of Revelation fills a need in the study of this controversial book. Thirty essays by leading scholars from around the world orient readers to the major currents in the study of Revelation. Divided into five sections-Literary Features, Social Setting, Theology and Ethics, History of Reception and Influence, and Currents in Interpretation-the essays identify the major lines of interpretation that have shaped discussion of these topics, and then work through the aspects of those topics that are most significant and hold greatest promise for future research.

Apocalypse Observed is about religious violence. By analyzing five of the most notorious cults of recent years, the authors present a fascinating and revealing account of religious sects and conflict. Cults covered include: * the apocalypse at Jonestown * the Branch Davidians at Waco * the violent path of Aum Shinrikyo * the mystical apocalypse of the Solar Temple * the mass suicide of Heaven's Gate. Through comparative case studies and in-depth analysis, the authors show how religious violence can erupt not simply from the beliefs of the cult followers or the personalities of their leaders, but also from the way in which society responds to the cults in its midst.