The Duc Dantin Don Quixote Tapestries The Property Of A Gentleman

The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.

Tapestry making flourished in the major centers of western Europe from the fourteenth through the nineteenth centuries. Thousands of tapestries were woven as special commissions for church, crown, and nobility. This publication is a comprehensive catalogue of the Museum's collection of tapestries and allied works made after the Middle Ages.-- Metropolitan Museum of Art website.

Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world’s leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art’s new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.

“The Splendid Century,” penned by the brother of famous author C. S. Lewis (“Alice in Wonderland”), is a depiction of various aspects of life in France during the reign of Louis XIV, gleaned through the author’s thorough research of records, correspondence, and journals of the time. Using anecdotal evidence, the book probes in detail various facets of life in France during this time, including the lives of nobles (particularly those at court) as well as commoners, religious institutions and conflicts, the organization of the French army and its restructuring, rural life and city life, what life was like on galley ships and passenger sailing ships, how doctors were trained, and the state of women’s education. The author also discusses the background behind Louis XIV’s policies, illustrating their impact on French civilization, both during this time and for generations to come. A must-read for anyone interested in French history.

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