The Drawer Boy Western Tour

Cast number: 3.

That's the problem isn't it? Now we can have it all, we're expected to bloody do it all. Late thirties, careers under their belts, and a new baby just arrived. Isn't that what everybody wants? Faced with the reality of her new life, Joanna tries to make sense of the events and decisions which led her to this point. Full of regret, with a husband who's pretending that everything's fine, the last thing she needs is her ex-lover turning up with an unexpected guest. Or maybe it's exactly what she needs. A wry, provocative look at what it is to be a woman today, in a society which tells us we can have it all and our ambitions can be unlimited.

Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.

'You’d like that, would you, your most private, pinkest, tenderest – small bird, small bird, small fragile – stolen from you, slammed down onto the slab, the block, poked at and paraded.’ The children swing their legs on the chairs. The student delivers the presentation. The older woman stands with the gun. The young couple arrives at the house. The house is returning to nature. A movie is being made. The truth is being plundered. But the house is still lived in and the spirit to resist is strong. Janet Adler and Margaret Gibb were conceptual artists working in New York at the end of the last century. They were described by art critic Dave Hickey as the ‘most ferociously uncompromising voice of their generation’. With Adler’s death in 2004, however, the compromise began. Adler & Gibb tells the story of a raid – on a house, a life, a reality and a legacy. The play takes Tim Crouch’s fascination with form and marries it to a thrilling story of misappropriation. Also includes what happens to the hope at the end of the evening by Tim Crouch and Andy Smith, a facsimile of the text as used in performance.

Since 1906, Palm Beach Life has been the premier showcase of island living at its finest — fashion, interiors, landscapes, personality profiles, society news and much more.

Aunti-ji - noun. a term sometimes used to address women older than oneself. Ji is traditionally used after someone's name to show respect, mainly by the communities of the Indian sub-continent. Somewhere in the city live three elderly, South Asian auntijies who have found themselves together in a refuge for abused women, empty of memories and bereft of their families and friends. Nearby, a new Indian bride has arrived in the country only to find herself in a place that she is utterly unprepared for. The Usual Auntijies is a bitter-sweet new comic-drama that visits the lives of four women as they embark on an inspiring, emotional and comic journey to overcome the past abuse and rediscover their sense of life, love and happiness. Exploring ideas of family and the cultural differences that exist between the East and West, the Auntijies struggle with popular Western culture and provide a hybrid cultural context which amusingly sits alongside the women's otherness and past pain. The Usual Auntijies is a celebration of all women of a particular age whose desires and struggles are too often forgotten.

How Theatre Educates is a fascinating and lively inquiry into pedagogy and practice that will be relevant to teachers and students of drama, educators, artists working in theatre, and the theatre-going public.

Johnson M. Rutheford In honor of our sheriff, 1883 The house is the key and under the "wood panel" is your answer. But be careful, for on the day that you use the key, your mind will be open, and your life will be changed forever!

"One thing is certain," a reviewer in True West Magazine recently said, "as long as there are writers as skillful as Elmer Kelton, Western literature will never die." Few would disagree with the assessment of the man whose peers voted the "Best Western writer of all time" and whose 50 novels form a testament and tribute to the American West. But who is that Texas gentleman with the white Stetson and rimless eyeglasses whose friendly face appears on so many book jackets? Sandhills Boy is Kelton's memoir, a funny and poignant story of "a freckle-faced country boy, green as a gourd, a sheep ready to be sheared," growing up in the wild, dry, sandhills of West Texas. The son of a working cowboy and ranch foreman, Elmer was expected to follow in his father's footsteps but learned at an early age that he had no talents in the cowboy's trade. Buck Kelton called Elmer "Pop," said he was "slow as the seven-year itch," and reluctantly supported his son's decision to become a student at the University of Texas, and, eventually, a journalist and writer. Kelton's life in ranch and oil patch Texas during the Great Depression is told with warm nostalgic humor animated with stories of the cowboys and their wives and kids who gave the time and place its special flavor. He writes with great feeling of his service in WW2 in France, Germany, and Czechoslovakia, and the romantic circumstances in which his life changed in the village of Ebensee, Austria. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“We need the theatre, couldn’t, couldn’t do without it. Could we?” A successful actress visits her brother’s isolated estate far from the city, throwing the frustrated residents unfulfilled ambitions into sharp relief. As her son attempts to impress with a self-penned play, putting much more than his pride at stake, others dream of fame, love and the ability to change their past. Chekhov’s darkly comic masterpiece is reignited for the 21st century by one of the most exciting new voices in British Theatre, Anya Reiss, Winner of the Most Promising Playwright at both the Evening Standard and Critics’ Circle awards.