The Drama Of Love And Death A Study Of Human Evolution And Transfiguration

Love and Death are two major facets of the whole of human existence and in The Drama of Love and Death, Carpenter attempts to analyse the interplay of love and death in everyday life. Originally published in 1912, this study focuses on how love and death are perceived and treated in the history of humankind and how these views evolved up until the early twentieth century. This title will be of interest to students of Sociology and Anthropology.

In 'The Drama of Love and Death', Carpenter dives into the timeless themes of love and death and their intricate relationship. This compelling analysis explores the evolution of human perceptions and attitudes towards these two fundamental aspects of life. Carpenter draws from a vast range of historical and cultural examples, from ancient myths to modern literature, to showcase the multifaceted nature of love and death.

Reproduction of the original: The Drama of Love and Death by Edward Carpenter

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Edward Carpenter (29 August 1844 - 28 June 1929) was an English utopian socialist, poet, philosopher, anthologist, an early activist for gay rights and prison reform whilst advocating vegetarianism and taking a stance against vivisection. As a philosopher, he was particularly known for his publication of Civilisation: Its Cause and Cure. Here, he described civilisation as a form of disease through which human societies pass. An early advocate of sexual liberation, he had an influence on both D. H. Lawrence and Sri Aurobindo, and inspired E. M. Forster's novel Maurice.