The Dragon Has Two Tongues

First published in 1968, The Dragon Has Two Tongues was the first book-length study of the English-language literature of Wales. Glyn Jones (1905–95) was one of Wales’s major English-language writers of fiction and poetry, and the book includes chapters dealing with the work of Dylan Thomas, Caradoc Evans, Jack Jones, Gwyn Thomas and Idris Davies, all of whom the author knew personally. This first-hand knowledge of the writers, coupled with the shrewdness of Glyn Jones’s critical comments, established The Dragon Has Two Tongues as a classic and invaluable study of this generation of Welsh writers. It also contains Glyn Jones’s own autobiographical reflections on his life and literary career, his loss and rediscovery of the Welsh language, and the cultural shifts that resulted in the emergence of a distinctive English-language literature in Wales in the early decades of the twentieth century. This edition of The Dragon Has Two Tongues was edited by Tony Brown, who discussed the book with Glyn Jones before his death in 1995 with unique access to the author’s proposed revisions and manuscript drafts, and it was first published by the University of Wales Press in 2001.

17 personal statements by people who have contributed to broadcasting in English for Wales. As the UK government decides on the future of public service broadcasting, this book reminds us that television's mirror to the Welsh nation must not be further clouded, let alone discarded.

The Contributions to the Sociology of Language series features publications dealing with sociolinguistic theory, methods, findings and applications. It addresses the study of language in society in its broadest sense, as a truly international and interdisciplinary field in which various approaches - theoretical and empirical - supplement and complement each other. The series invites the attention of scholars interested in language in society from a broad range of disciplines - anthropology, education, history, linguistics, political science, and sociology. To discuss your book idea or submit a proposal, please contact Natalie Fecher.

An important reappraisal of the poetry of Dylan Thomas in terms of modern critical theory.

In the words of the philosopher Cornel West, Raymond Williams was ‘the last of the great European male revolutionary socialist intellectuals’. A figure of international importance in the fields of cultural criticism and social theory, Williams was also preoccupied throughout his life with the meaning and significance of his Welsh identity. Who Speaks for Wales? (2003) was the first collection of Raymond Williams’s writings on Welsh culture, literature, history and politics. It appeared in the early years of Welsh political devolution and offered a historical and theoretical basis for thinking across the divisions of nationalism and socialism in Welsh thought. This new edition, marking the centenary of Williams’s birth, appears at a very different moment. After the Brexit referendum of 2016, it remains to be seen whether the writings collected in this volume document a vision of a ‘Europe of the peoples and nations’ that was never to be realised, or whether they become foundational texts in the rejuvenation and future fulfilment of that ‘Welsh-European’ vision. Raymond Williams noted that Welsh history testifies to a ‘quite extraordinary process of self-generation and regeneration, from what seemed impossible conditions.’ This Centenary edition was compiled with these words in mind.

Until very recently, Welsh literary Modernism has been critically neglected, both within and outside Wales. This is the first book devoted solely to the study of Welsh literary Modernism, revealing and examining eight key Anglophone Welsh writers. Laura Wainwright demonstrates how their linguistic experimentation constituted an engagement with the unprecedented linguistic, social and cultural changes that were the making of modern Wales, and formed the crucible for the emergence of a distinct Welsh Modernism. This study of Welsh Modernism challenges conventional literary histories and, in more than one sense, takes Modernism and Modernist studies into new territories.