The Domestic Architecture Of Benjamin Henry Latrobe

Publisher description

Benjamin Henry Latrobe was a man of extraordinary talents - and high standards. One of the first professional architects in the United States, British-born Latrobe made his mark on America with his insistence on function as well as form. Among his most recognizable achievements are the central portion of the U.S. Capitol, the east and west wings of the White House, and Ashland, the home of Henry Clay. Here, in this short-form book by historian Marshall B. Davidson, is Latrobe's remarkable story.

An English émigré who became America's first professional architect, Benjamin Henry Latrobe put his stamp on the built landscape of the new republic. Latrobe contributed to such iconic structures as the south wing of the US Capitol building, the White House, and the Navy Yard. He created some of the early republic's greatest neoclassical interiors, including the Statuary Hall and the Senate, House, and Supreme Court Chambers. As a young man, Latrobe was apprenticed to both a leading architect and civil engineer in London, studied the European continent's architectural and engineering monuments, worked on canals, and designed private houses. After the death of his first wife, he was bankrupt and emigrated to the United States in 1796 to restart his career. For the new nation with grand political expectations, he intended buildings and engineering projects to match those aspirations. Like his patron Thomas Jefferson, Latrobe saw his neoclassical designs as a way to convey American democracy. He envisioned his engineering projects, such as the canals and municipal water systems for Philadelphia and New Orleans, as a way to unite the nation and improve public health. Jean Baker conveys the personality of this charming, driven, and often frustrated genius and the era in which he lived. Latrobe tried to establish architecture as a profession with high standards, established fees, and recognized procedures, though he was unable to collect fees and earn the living his work was worth. Like many of his peers, he speculated and found himself in bankruptcy several times. Building America masterfully narrates the life and legacy of a key figure in creating an American aesthetic in the new United States.

This handsome book explores in depth a group of stunning painted and gilded furniture designed by the architect Benjamin Henry Latrobe (1764-1820), best known for originating the plans for the United States Capitol. The furniture was made in Philadelphia for one of the city's finest houses--the home of William and Mary Wilcocks Waln, which Latrobe also designed. Drawing on a multiyear conservation and research project, Classical Splendor reveals new insights into the patrons, makers, and history behind these extraordinary pieces. In addition to extensively documenting each item, the book attests to Latrobe's significant contributions to American furniture design--his pieces for the Waln house introduced, and served as exemplars of, a classical style rooted in ancient Greek and Roman design. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Philadelphia Museum of Art (09/03/16-01/01/17)

The 161 drawings, sketches, and watercolors in the volume cover a wide variety of subjects: rivers, roads, bridges, canals, towns, flora and fauna, people in their homes and at work and play.

" By the author of the acclaimed Antebellum Houses of the Bluegrass, this book includes significant structures from throughout the commonwealth, illustrating the entire range of stylistic architectural development."

Sir John Soane?s Influence on Architecture from 1791: A Continuing Legacy is the first in-depth study of this eighteenth-century British architect?s impact on the work of others, extending globally and still indeed the case over 200 years later. Author Oliver Bradbury presents a compelling argument that the influence of Soane (1753-1837) has persevered through the centuries, rather than waning around the time of his death. Through examinations of internationally-renowned architects from Benjamin Henry Latrobe to Philip Johnson, as well as a number of not so well known Soanean disciples, Bradbury posits that Soane is perhaps second only to Palladio in terms of the longevity of his influence on architecture through the course of more than two centuries, from the early 1790s to today, concluding with the recent return to pure revivalism. Previous investigations have been limited to focusing on Soane?s late-Georgian and then post-modern influence; this is the first in-depth study of his impact over the course of two centuries. Through this survey, Bradbury demonstrates that Soane?s influence has been truly international in the pre-modern era, reaching throughout the British Isles and beyond to North America and even colonial Australia. Through his inclusion of select, detailed case studies, Bradbury contends that Soane?s is a continuing, not negated, legacy in architecture.