The Dionysian Self

The series presents outstanding monographic interpretations of Nietzsche's work as a whole or of specific themes and aspects. These works are written mostly from a philosophical, literary, communication science, sociological or historical perspective. The publications reflect the current state of research on Nietzsche's philosophy, on his sources, and on the influence of his writings. The volumes are peer-reviewed.

Friedrich Nietzsche has emerged as one of the most important and influential modern philosophers. For several decades, the book series Monographien und Texte zur Nietzsche-Forschung (MTNF) has set the agenda in a rapidly growing and changing field of Nietzsche scholarship. The scope of the series is interdisciplinary and international in orientation reflects the entire spectrum of research on Nietzsche, from philosophy to literary studies and political theory. The series publishes monographs and edited volumes that undergo a strict peer-review process. The book series is led by an international team of editors, whose work represents the full range of current Nietzsche scholarship.

This classic work of creative criticism from German philosopher Friedrich Nietzsche argues that ancient Greek drama represents the highest form of art ever produced. In the first section of the book, Nietzsche presents an in-depth analysis of Athenian tragedy and its many merits. In the second section, Nietzsche contrasts the refinement of classical tragedy with what he regards as the cultural wasteland of the nineteenth-century.

For many people Dionysos is an obscure Greek god of wine and theatre. For others he is so much more. The Dionysian Spirit examines, in an easy and accessible form, the essence of what Dionysos is all about, both as a deity and as a cultural and social force. It looks at the relation of Dionysos with his opposite number Apollo. The twin gifts of Apollos and Dionysos are ekstasis (ecstasy) and entheos (enthusiasm) and have informed and enlivened our lives and cultures from ancient times right to the present day and beyond. The Dionysian Spirit - like the art of a good party - has always been with us and now, in many ways, we need it more than ever. Contents: Devotional to Dionysos / The Visualisation / The Myths of Dionysos / Dionysian Heroes / Dionysos Around the World / Dionysos Across The Millenium / Dionysos Goes Forth

Before the world knew of the thinker who “philosophizes with a hammer,” there was a young, passionate thinker who was captivated by the two forces found within Greek art: Dionysus and Apollo. In this essay, which was the forerunner to his groundbreaking book The Birth of Tragedy, The Dionysian Vision of the World provides an unparalleled look into the philosophical mind of one of Europe’s greatest and provocative intellects at the beginning of his philosophical interrogation on the subject of art. “While dreaming is the game man plays with reality as an individual, the visual artist (in the larger sense) plays a game with dreaming.” This is the Dionysian vision of the world.

This book argues that The Birth of Tragedy, Nietzsche's first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. It shows that many of the book's elements are reminiscent of Nietzsche's earlier revisions of philology and anticipate the later writings.

In arguing that Nietzsche's Thus Spoke Zarathustra is a philosophical explanation of the possibility of modernism, the author shows that literary fiction can do the work of philosophy.

Dionysian Buddhism: Guided Interpersonal Meditations in the Three Yanas will assist readers in exploring their own emotional landscapes. This sequence of thirty guided meditations by the renowned spiritual teacher and psychotherapist Claudio Naranjo is structured to guide individuals towards acceptance of what is and to be fully present -- to meet pain with joy, expand awareness into consciousness and to learn how to share in the full presence of others. The "Dionysian" context of Buddhism provides a lens in which to interpret non-attachment through noninterference with the stream of life. Naranjo draws on a wide range of Buddhist traditions, from Theravada to Vajrayana, in order to create a work that emphasizes both the experiential and multifaceted aspects of meditation. As Naranjo says, "Only a change of consciousness might save our world, and that in view of this collective shift in consciousness there is nothing more relevant we can do than start with ourselves."