The Decade That Rocked

“I have read pretty much every rock 'n' roll biography there is worth reading, and you never know what to expect when you pick up a new book. Well, let me tell you Mark Weiss has raised the bar for rock 'n' roll books with The Decade That Rocked. Mark has always been at the top of his field, and the level of detail and quality put into this book is the ultimate testament to his rock n' roll photographic legacy.” – Sebastian Bach “Mark is the real deal. He may not play the guitar, but that camera is his guitar. He’s a rockstar.” – Gene Simmons "Mark’s energy, his creativity, his drive, his positive attitude and his enthusiasm that make him one of the legends of rock photography. It’s why his work—both old and new—is still so in demand today. Mark Weiss inspires greatness in all he turns his camera lens on. But don’t take my word for it. Just look at the pictures in this book." – Dee Snider “His pictures say as much as the music” – Rob Halford “He was one of the guys. He wasn’t one of the 18 photographers you’d work with that day.” – Alice Cooper “He had that instinct, to recognize our energy and use his technical talent to capture it.” – Joe Perry “The Decade That Rocked breaches a level of intimacy that so many music photographers are lacking today. Each and every photo exemplifies the trust and the synergy between photographer and subject. You can feel the essence of the music in the live shots, just as vibrantly as you can feel the spirit and the essence of the musicians behind the scenes.” – Screamer Magazine Mark “Weissguy” Weiss set an unmatched standard for rock photography. Starting out as a teenager by sneaking into concerts with a neighbor’s 35mm camera, he embarked on a legendary career that took him around the globe and onto some of the most memorable album and magazine covers in rock history– featuring the likes of Van Halen, Ozzy Osbourne, Aerosmith, and Mötley Crüe to Metallica, Guns N’ Roses, Bon Jovi, and KISS, and so many more. With 700+ photos, brand new interviews, and stories from Mark himself, Decade that Rocked is a monument to the photography, friendships, and legacy of an artist that helped define one of rock’s most iconic eras. This career-spanning collection features: A unique lens on the golden age of rock: Never-before or rarely seen photos of legends like Van Halen, Ozzy Osbourne, Aerosmith, and Mötley Crüe to Metallica, Guns N’ Roses, Bon Jovi, and KISS, as well as countless others whose sound and image defined the era. Exclusive interviews: Ozzy Osbourne, Dee Snider, Nikki Sixx, Joe Perry, Rob Halford, and many more recall their memories of this era-defining decade. Untold Stories: Relive Mark’s unbelievable journey through rock history, from getting arrested for selling photos outside of Kiss concert to touring with legends like Van Halen, to photographing Bon Jovi’s infamous “Slippery When Wet” shoot, shooting backstage at Live Aid with Black Sabbath, and so many more. Definitive Lens: Creem magazine readers ranked Mark Weiss as rock’s top photographer of the 80s. His work has appeared on some of the most iconic album and magazine covers of all time. Captured from the unique vantage point of a photographer who lived and breathed the ’80s in all its grit and glory, The Decade That Rocked brings to life the no-holds-barred sounds and sights that changed the world of hard rock and metal forever.

Extravagant visual tribute to the spandex, rouge and eyeliner days of 80s glam rock glory. Colour photographs, interviews, lyrics and keepsakes of the uninhibited teased-hair days of sex, drugs and rock 'n' roll. Steven Blush edited the successful punk rock history American Hardcore (Feral House) and also wrote the screenplay to the feature-length documentary of the same name that debuted at Sundance and will be distributed by Sony Pictures Classics.

At no time since the rock & roll explosion of the 1960s did music matter more than in the 1990s—the decade of grunge, gangsta rap and Britney Spears. The Nineties might have kicked off with Vanilla Ice, but music changed forever the following year when Nirvana's "Smells Like Teen Spirit" exploded onto the airwaves, giving birth to the alternative nation. The decade spawned dozens of new stars (Pearl Jam, Eminem, Dave Matthews, Christina Aguilera and Jay-Z among them); top artists from U2 to Madonna made their most adventurous records; and hip-hop icons Tupac Shakur and Biggie Smalls met violent ends. Rolling Stone was there to tell all those stories and more—and The '90s collects the best of them: the last major interview with Kurt Cobain, conducted by David Fricke three months before the Nirvana singer took his life in 1994; Jonathan Gold's 1993 trip to Compton to check in with Snoop Dogg and Dr. Dre; Carrie Fisher's intimate one-on-one with Madonna following her 1991 film, Truth or Dare; Kim Neely partying with a riot-starting Guns n' Roses in 1991; Anthony Bozza riding along with an Ecstasy-gobbling Eminem in 1999; and, that same year, Steven Daly's visit to the bedroom of a teenage Britney Spears. Packed with over fifty stories, portraits by the biggest names in photography including Mark Seliger, David LaChapelle and Steven Meisel, and a guide to the decade's hundred greatest albums, The '90s is a definitive look back at the decade that rocked.

No one heard her cries. From broken bones to murdered pets to violated innocence, Casey Jones endured countless atrocities as a child. Trapped in a world of unbearable cruelty, her mind shattered into alternate personalities, and she escaped into the arms of an angel. Despite the abusive home she was raised in, Casey found the strength to forge her way in the world, thriving as a flight attendant who entertained passengers with her in-flight songs and antics. But later, a calculating predator pulled her into his snare. This smooth talking, charismatic psychopath had everything under control, so he thought. Like so many others she was taken in, but realizing that God commands us to stand against evil, she fought back. Heart wrenching, And the Angel Rocked Me gives a glimpse into childhood trauma and the breakthroughs that are possible for those who endure. This touching memoir includes insights for those who are in a relationship with a psychopath. And the importance of having faith that your suffering is often the path to your purpose.

Tells the stories of forty-six girls who were younger than twenty years of age when they changed the history of the world through amazing accomplishments.

"Published originally by Plume in 1991, Rodger L. Brown's Party Out of Bounds is a cult classic. This twenty-fifth anniversary edition includes new photographs, a foreword by Charles Aaron, former editor and writer at SPIN magazine, and an essay on Athens, GA since the 'golden age' of Brown's story. Party Out of Bounds offers an insider's look at the phenomenon of an underground rock music culture springing from the Georgia college town of Athens. Brown uses his half-remembered memories to chronicle the 1970s and the 80s in Athens, and the spawning of such supergroups as The B-52's, Pylon, and R.E.M."--

Punk rock culture in a preeminently average town Synonymous with American mediocrity, Peoria was fertile ground for the boredom- and anger-fueled fury of punk rock. Jonathan Wright and Dawson Barrett explore the do-it-yourself scene built by Peoria punks, performers, and scenesters in the 1980s and 1990s. From fanzines to indie record shops to renting the VFW hall for an all-ages show, Peoria's punk culture reflected the movement elsewhere, but the city's conservatism and industrial decline offered a richer-than-usual target environment for rebellion. Eyewitness accounts take readers into hangouts and long-lost venues, while interviews with the people who were there trace the ever-changing scene and varied fortunes of local legends like Caustic Defiance, Dollface, and Planes Mistaken for Stars. What emerges is a sympathetic portrait of a youth culture in search of entertainment but just as hungry for community—the shared sense of otherness that, even for one night only, could unite outsiders and discontents under the banner of music. A raucous look at a small-city underground, Punks in Peoria takes readers off the beaten track to reveal the punk rock life as lived in Anytown, U.S.A.

Laurie Hornsby rediscovers the haunts and venues that played host to the ongoing 1960s revolution, and follows the escapades of the pioneering characters who made it there business to guarantee that 'Brum Rocked On'.

In the 1980s, the San Francisco Bay Area was heaven for hardcore headbangers. Shunning Hollywood hairspray and image in favor of a more dangerous street appeal, the Bay Area thrash metal scene was home toExodus,Metallica,Testament,Possessed,Death Angel,Heathen,Vio-Lence,Attitude Adjustment, Forbidden, andBlind Illusion -- and served as a second home to like-minded similar bands likeSlayer,Mercyful Fate,Anthrax,Megadeth, and more. Beginning as teenagers taking snapshots of visiting heavy metal bands during the 1970s, Brian "Umlaut" Lew and Harald "O." Oimoen documented the birth and growth of the local metal scene. Featuring hundreds of unseen live and candid color and black-and-white photographs,Murder in the Front Row captures the wild-eyed zeal and drive that madeMetallica,Slayer, andMegadeth into legends, with over 100 million combined records sold.

WINNER OF THE PENDERYN MUSIC PRIZEA GUARDIAN MUSIC BOOK OF THE YEAR, 2015Award-winning, Sunday Times bestselling author Jon Savage's monument to the year that shaped the future of global pop cultural history. In America, in London, in Amsterdam, in Paris, revolutionary ideas fomenting since the late 1950s reached boiling point, culminating in a year in which the transient pop moment burst forth. Exploring the canonical figures, from The Beatles and Boty to Warhol and Reagan, 1966 delves deep into the social and cultural heart of the decade through masterfully compiled archival primary sources.'A marvel of hisotrical reconstruction and pop insight.' OBSERVER'Absorbing . . . this is not only fine pop writing, but social history of a high order.'GUARDIAN'Savage is rightly regarded as one of the finest cultural critics of the past 40 years . . . an enthralling, exhiliarting read.'IRISH TIMES'Exceptional.'MOJO