The Death Of Ivan Ilyich

A successful man must face the terror of his own mortality in this masterful nineteenth-century Russian novella by the author of War and Peace. In his later years, Leo Tolstoy began to contemplate the inescapable realities of mortality—its terrifying mystery, its many indignities, and the way it forces one to look back on the legacy and regrets of one’s life. The Death of Ivan Ilyich, widely considered the masterpiece of Tolstoy’s late career, is both a deeply insightful meditation on the final months of a man’s life, and an unsparing critique of conventional middle-class life in nineteenth-century Russia. Ivan Ilyich, a prosperous high-court judge, spends his days pursuing social advancement among his peers and avoiding his loveless marriage. But when a seemingly innocuous injury signals the beginning of a terminal illness, Ilyich begins to see the true worth of his life with tragic clarity.

One of Tolstoy's most exquisitely constructed novellas is presented here with The Devil,a further work exploring the powerful and destructive nature of obsession. On learning of Ivan Ilyich's sudden demise, his former colleagues begin vying for promotion; it seems in neither life nor death has Ivan Ilyich made any lasting impression. And, as the author takes us back to Ilyich's early days, we are shown a life of futility, emptiness, and spiritual barrenness. Yet, in the end, Tolstoy reveals Ivan Ilyich's final resolute gesture to come to terms with his mortality and to embrace his impending death. Leo Tolstoy wrote two of Russia's greatest novels, Anna Kareninaand War and Peace,as well as many short stories and essays.

Fresh translations of Tolstoy's four richest shorter works by the award-winning Boris Dralyuk Tolstoy's stories contain many of the most acutely observed moments in his monumental body of work. This new selection of his shorter works, sensitively translated by the award-winning Boris Dralyuk, showcases the peerless economy with which Tolstoy could render the passions and conflicts of a life. These are works that take us from a self-interested judge's agonising deathbed to the bristling social world of horses in a stable yard, from the joyful vanity of youth to the painful doubts of sickness and old age. With unwavering precision, Tolstoy's eye brings clarity and richness to the simplest materials.

In this dynamic and utterly novel presentation, David Loy explores the fascinating proposition that the stories we tell--about what is and is not possible, about ourselves, about right and wrong, life and death, about the world and everything in it--become the very building blocks of our experience and of reality itself. Loy uses an intriguing mixture of quotations from familiar and less-familiar sources and brief stand-alone micro-essays, engaging the reader in challenging and illuminating dialogue. As we come to see that the world is made--in a word--of stories, we come to a richer understanding of that most elusive of Buddhist ideas: shunyata, the "generative emptiness" that is the all-pervading quality inherent to all mental and physical forms in our ever-changing world. Reminiscent of Zen koans and works of sophisticated poetry, this book will reward both a casual read and deep reflection.

The judge Ivan Ilyich Golovin has spent his life in the pursuit of wealth and status, devoting himself obsessively to work and often neglecting his family in the process. When, after a small accident, he fails to make the expected recovery, it gradually becomes clear that he is soon to die. Ivan Ilyich then starts to question the futility and barrenness of his previous existence, realizing to his horror, as he grapples with the meaning of life and death, that he is totally alone.Included in this volume is another celebrated novella by Tolstoy, The Devil, which addresses the conflicts between desire, social norms and personal conscience, providing at the same time a further exploration of human fear and obsession.

This is a complete text trilingual version of the Leo Tolstoy's famous psychological novel: Russian-English-Spanish. It opens as three paragraphs of the three presented languages on one page. In an electronic format it will run with the paragraphs separated by single, and pages by double lines. The book is a deeply psychological story by a literary genius of Tolstoy. It can be read in any combination of these three world languages. The book can be used by students, professors, or anyone who wants to enjoy the three presented languages. The trilingual text is supplied by the author's translation of notes from the original 33-year-old Russian edition (Russian to English), as well as with the comments on some of Tolstoy's vocabulary, and its reflection in the presented translations. Zoia Eliseyeva is a trilingual educator, Russian native speaker in the USA. She has Master's degree in Education and many publications since 1997: Russian and multilingual.

Most people are familiar with the classics of Western literature, but few have actually read them. Written to equip readers for a lifetime of learning, this beginner’s guide to reading the classics by renowned literary scholar Leland Ryken answers basic questions readers often have, including “Why read the classics?” and “How do I read a classic?” Offering a list of some of the best works from the last 2,000 years and time-tested tips for effectively engaging with them, this companion to Ryken’s Christian Guides to the Classics series will give readers the tools they need to read, interact with, and enjoy some of history’s greatest literature.

One of the great observers of Australian life, Henry Lawson looms large in our national psyche. Yet at his best Lawson transcends the very bush, the very outback, the very up-country, the very pub or selector's hut he conveys with such brevity and acuity: he make specific places universal. Henry Lawson is too often regarded as a legend rather than a writer to be enjoyed. In this selection Lawson is revealed as an author whose delightful, humorous, wry and moving short stories continue to delight generations of readers. This is the essential Lawson collection – the classic of Australian classics. 'Lawson's sketches are beyond praise.' Joseph Conrad 'Lawson gets more feelings, observation and atmosphere into a page than does Hemingway.' Edward Garnett

The Death of Ivan Ilyich, first published in 1886, is a novella by Leo Tolstoy, considered one of the masterpieces of his late fiction, written shortly after his religious conversion of the late 1870s.

The things we do today may make life worse for future generations. But why should we care what happens to people who won't be born until after all of us are gone? Some philosophers have treated this as a question about our moral responsibilities, and have argued that we have duties of beneficence to promote the well-being of our descendants. Rather than focusing exclusively on issues of moral responsibility, Samuel Scheffler considers the broader question of why and how future generations matter to us. Although we lack a developed set of ideas about the value of human continuity, we are more invested in the fate of our descendants than we may realize. Implicit in our existing values and attachments are a variety of powerful reasons for wanting the chain of human generations to persist into the indefinite future under conditions conducive to human flourishing. This has implications for the way we think about problems like climate change. And it means that some of our strongest reasons for caring about the future of humanity depend not on our moral duty to promote the good but rather on our existing evaluative attachments and on our conservative disposition to preserve and sustain the things that we value. This form of conservatism supports rather than inhibits a concern for future generations, and it is an important component of the complex stance we take toward the temporal dimension of our lives.