The Darling Buds Of May

Short comic novel about an unconventional English farmer and his attempts to snare a husband for his daughter.

The Larkin family’s rich spirit is tested when Pop has a heart attack in this series finale by the author of The Darling Buds of May. Pop Larkin enjoys the finer things in life, like good food and drink, but too much of it leads him to a mild heart attack. Placed on bedrest and an uncharacteristically strict diet, the family patriarch soon finds himself in low spirits. As nurses try their hand at helping Pop get well, Ma pursues alternative remedies. And Primrose, meanwhile, is in hot pursuit of the dashing Mr. Candy. But when it is discovered the government has plans to run a railroad through the Larkins’ home, it is all hands on deck as the Larkins, their community, and even Pop rise up to prove that the country way of life is always worth fighting for . . . Praise for the Pop Larkin Chronicles “The Larkins live—these novels please us by escaping definition.” —The Guardian “Like Wodehouse’s Jeeves, Bates’ Larkins must continue in their own delightful milieu—in this case the Kentish countryside.” —The New York Times

The rich spirit of an English junk dealer and his family is challenged by the arrival of the tax collector in this humorous and heartwarming classic. Beneath the sunny, cloudless skies of Kent, the Larkin household—Pop, Ma, and their six children—enjoy the simple pleasures of life. Pop works as a junk dealer and keeps the farm to feed his brood, while Ma cooks the meals and minds the children. While the family may not seem to have much, they more than make up for it in joyous spirit—and bountiful feasts. All of that could change, however, when a stranger appears on their farm. Cedric Charlton from Inland Revenue has come to inquire why the Larkins failed to file income tax for the previous year. But Charlton’s plans hit a snag when the eldest Larkin daughter, Mariette, takes a liking to him—and he to her. Now, if the Larkins and country living can charm Charlton, perhaps he will forget about every last pound they owe . . . “A pulsing comedy of country manners. A five-alarm blaze of a book. Just about perfick.” —Time “A gently, anarchic, wish-fulfilling daydream.” —The Times (London)

A rural British family gets new neighbors—and new troubles—in this comic classic by the author of The Darling Buds of May. Gore Court is a run-down country house that junk dealer Pop Larkin intends to convert into a bungalow for his daughter and son-in-law. But Mr. and Mrs. Jerebohm, a wealthy couple from London, arrive desperate to buy the place. Spotting the naivete of the social-climbing pair, Pop manages to get them to agree to pay a ridiculous amount. Now he can install a swimming pool at home . . . But he may not have time to enjoy it. After a party at the Jerebohms, Pop finds himself fending off unwanted advances. Soon, a rocking rowboat, a pair of misplaced hands, and a misunderstanding have Pop before the local magistrate, and it may take more than wit and country charm for him to clear his name . . . “Pop is as sexy, genial, generous, and boozy as ever. Ma is a worthy match for him in all these qualities.” —The Times (London) Praise for the Pop Larkin Chronicles “The Larkins live—these novels please us by escaping definition.” —The Guardian “Like Wodehouse’s Jeeves, Bates’ Larkins must continue in their own delightful milieu—in this case the Kentish countryside.” —The New York Times

A letter arrives from Madame Dupont, the Larkins' landlady during their disastrous French holiday. Within it is the reminder that they had asked her to be godmother to little Oscar, and the news that she is coming over to England for the christening. Pop and Ma, who need no excuse to crack open bottles and host the 'perfick party', are more than happy to celebrate the occasion in style. But when the parson discovers that none of the Larkin brood has ever been baptised, it seems the whole lot of them are in line for a splash of holy water...

Analyzes all of Shakespeare's sonnets in terms of their poetic structure, semantics, and use of sounds and images.