The Daily Telegraph Dictionary Of Tommies Song And Slang 1914 18

During the First World War, British soldiers were renowned for their chirpy songs and plucky sayings. Indeed, nothing would lift the spirits of the often exhausted and weary troops more than a hearty singalong. These cheery, and at times ribald and satiric, songs and sayings have been collected together to give a fascinating insight into the life of the average 'Tommy' in the Great War. The songs that feature in this collection include marching tunes, songs for billets and rude chants for when no commanding officer was present. Each song is accompanied by a short passage that traces the origins of the melody and accounts for lyrical alternatives. There is also a large glossary of soldiers' slang words and phrases, revealing the Tommies' vocabulary in all its bawdiness. _The Daily Telegraph - Dictionary of Tommies' Song and Slang_ provides an insight into the courage, gaiety and astringent cynicism with which men armed themselves against the horrors of trench warfare.

During the First World War the British soldiers were renowned for their chirpy songs and plucky sayings. Indeed nothing would lift the spirits of the often exhausted and demoralized troops more than a hearty sing-a-long. These cheery and at times ribald and satiric songs and sayings have been collected together to give a fascinating insight into the more lighthearted side of trench life. The songs include marching tunes, songs for billets and rude chants for when no commanding officer was present. Each song is accompanied by a short passage that traces the origins of the melody and accounts for lyrical alternatives. There is also a large glossary of soldiers' slang words and phrases, revealing the Tommies' vocabulary in all its bawdiness. The Daily Telegraph - Dictionary of Tommies' Song and Slang reveals the courage, gaiety and astringent cynicism with which men armed themselves against the horrors of trench warfare. Includes 16 pages of plates illustrating the favorite comic cartoons, recruiting posters and other arresting images from the Great War.

War Memories explores the patchwork formed by collective memory, public remembrance, private recollection, and the ways in which they form a complex composition of observations, initiatives, and experiences. Offering an international perspective on war commemoration, contributors consider the process of assembling historical facts and subjective experiences to show how these points of view diverge according to various social, cultural, political, and historical perspectives. Encompassing the representations of wars in the English-speaking world over the last hundred years, this collection presents an extensive, yet integrated, reflection on various types of commemoration and interpretations of events. Essays respond to common questions regarding war memory: how and why do we remember war? What does commemoration tell us about the actors in wars? How does commemoration reflect contemporary society’s culture of war? War Memories disseminates current knowledge on the performance, interpretation, and rewriting of facts and events during and after wars, while focusing on how patriotic fervour, resistance, conscientious objection, injury, trauma, and propaganda contribute to the shaping of individual and collective memory. Contributors include Joan Beaumont (Australian National University, Canberra), Gilles Chamerois (University of Brest, France), Subarno Chattarji (University of Delhi, India), Nicole Cloarec (Rennes 1 University, France), Corinne David-Ives (European University of Brittany – Rennes 2, France), Jeffrey Demsky (San Bernardino Valley College, California), Sam Edwards (Manchester Metropolitan University), Georges Fournier (Jean Moulin University, France), Annie Gagiano (University of Stellenbosch, South Africa), David Haigron (Rennes 2 University, France), Judith Keene (University of Sydney, Australia), Melissa King (San Bernardino Valley College, California), Christine Knauer (Eberhard Karls University Tübingen, Germany), Liliane Louvel (University of Poitiers), Michelle P. Moore (Canadian Army Doctrine and Training Centre, Kingston, Ontario), John Mullen (University of Rouen, France), Lorie-Anne Duech-Rainville (Caen University, France), Elizabeth Rechniewski (Australian Research Council Discovery Project), Raphaël Ricaud (University ‘Paris Ouest Nanterre La Défense’, France), Laura Robinson (Royal Military College of Canada), and Isabelle Roblin (Université du Littoral-Côte d’Opale, France).

A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present

"I found to my delight that I had stumbled across a kind of soup kitchen. The Tommy in charge was stirring a copperful of ‘Shackles’ (soup made from the very dregs of army cooking and stirred with a stick). I must have looked in need of extra nourishment for he said ‘D’yer want a drop, son?’ ‘Yes please’ I replied if you can spare it.’ The warmth and zest from that beefy liquid, unexpected as it was, compelled me to accept a second bowlful which I drank with the same enthusiasm as the first." - George Coppard, from With A Machine Gun to Cambrai. From bully beef to Tickler’s jam, explore what kept Tommy Atkins fed in the trenches by reading recipes and learning how meals were made just yards from the enemy. In this book Andrew Robertshaw combines history, recipes and historical experiments to reveal how Army Cooks in the First World War fed millions of men everyday against the odds.

They left their Southern Lands, They sailed across the sea; They fought the Hun, they fought the Turk For truth and liberty. Now Anzac Day has come to stay, And bring us sacred joy; Though wooden crosses be swept away – We'll never forget our boys. – Jane Morison, ‘We'll never forget our boys', 1917 Be it ‘Tipperary' or ‘Pokarekare', the morning reveille or the bugle's last post, concert parties at the front or patriotic songs at home, music was central to New Zealand's experience of the First World War. In Good-Bye Maoriland, the acclaimed author of Blue Smoke: The Lost Dawn of New Zealand Popular Music introduces us the songs and sounds of World War I in order to take us deep inside the human experience of war.

In September 1939, much military slang still dated to the trenches of 1914-18 - for instance words such as 'Berthas' (meaning big breasts), taken from the German Big Bertha gun . But World War II soon gave birth to a new wave of armed forces slang such as 'wizard prang', D.S.O (Dick Shot Off), and bazookas (back to breasts again). Some British terms came from the army's links with India, for instance 'zig-zig' or 'jig-jig' meaning sexual intercourse. Officers' euphemisms had to be acceptable in the Mess, for instance to 'lose one's cherry', 'extra-curricular activities', 'naval engagements' and 'dishonourable discharge'. The Americans were over-paid, over-sexed and over here and brought new slang with them: 'nugget' for a girl, 'on the rag' meant having a period and 'cheesecake' was GI slang for a gorgeous girl. And this was People's War, with civilians, women and children effectively in the front line. Women in particular were smoking, drinking, dancing and swearing like no female generation before...

The definitive work on the subject, this Dictionary - available again in its eighth edition - gives a full account of slang and unconventional English over four centuries and will entertain and inform all language-lovers.