The Culture Of Hunting In Canada

The Culture of Hunting in Canada covers elements of the history of hunting from the pre-colonial period until the present in all parts of Canada and features essays by practitioners and scholars of hunting and by pro- and anti-hunting lobbyists. The result crosses the boundaries between scholarship and personal reflection, and between academia and advocacy. Topics include hunting identities; conservation and its relationship to hunting; tensions between hunters and non-hunters and between Aboriginal and non-Aboriginal hunting groups; hunting ethics; debates over hunting practices and regulations; animal rights; and gun control. This book makes an unprecedented contribution to the study of hunting in Canada and its role in our culture.

The history of hunting, from Stone Age hunter-gatherers to today’s sport hunters. Hunting has a long history, beginning with our hominid ancestors. The invention of the spear allowed early humans to graduate from scavenging to actual hunting. The famous cave paintings at Lascaux show a meticulous knowledge of animal behavior and anatomy that only a hunter would have. This volume in the MIT Press Essential Knowledge series traces the evolution of hunting, from Stone Age hunting and gathering to today’s regulated sport hunting. Humans have been hunting since we became human—but did hunting make us human? The authors consider and question the “hunting hypothesis of human origins,” noting that according to this theory, “hunting” meant hunting by men. They explore hunting in the Stone Age and how, beginning some ten thousand years ago, the spread of agriculture led to the emergence of empires and attempts by elites to monopolize hunting. They examine the democratization of hunting in the American colonies and how hunters decimated, but then, in the twentieth century, rallied to save game animals from extinction. They describe how some European and postcolonial societies have managed wildlife and hunting, consider the difficulties of living with abundant wildlife—even as many nongame species are disappearing—and trace the implications of the increasing participation of women in hunting for the future of hunting.

#1 National Bestseller Finalist, CBC Canada Reads Finalist, Scotiabank Giller Prize By turns savage, biting, funny, poetic, and heartbreaking, Megan Gail Coles’s debut novel rips into the inner lives of a wicked cast of characters, exposing class, gender, and racial tensions over the course of one Valentine’s Day in the dead of a winter storm. Valentine’s Day, the longest day of the year. A fierce blizzard is threatening to tear a strip off the city, while inside The Hazel restaurant a storm system of sex, betrayal, addiction, and hurt is breaking overhead. Iris, a young hostess, is forced to pull a double despite resolving to avoid the charming chef and his wealthy restaurateur wife. Just tables over, Damian, a hungover and self-loathing server, is trying to navigate a potential punch-up with a pair of lit customers who remain oblivious to the rising temperature in the dining room. Meanwhile Olive, a young woman far from her northern home, watches it all unfurl from the fast and frozen street. Through rolling blackouts, we glimpse the truth behind the shroud of scathing lies and unrelenting abuse, and discover that resilience proves most enduring in the dead of this winter’s tale.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Hunting for Empire offers a fresh cultural history of sport and imperialism. Greg Gillespie integrates critical perspectives from cultural studies, literary criticism, and cultural geography to analyze the themes of authorship, sport, science, and nature. In doing so he produces a unique theoretical lens through which to study nineteenth-century British big-game hunting and exploration narratives from the western interior of Rupert's Land. Sharply written and evocatively illustrated, Hunting for Empire will appeal to students and scholars of culture, sport, geography, and history, and to general readers interested in stories of hunting, empire, and the Canadian wilderness.

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Denésuliné hunters range from deep in the Boreal Forest far into the tundra of northern Canada. Henry S. Sharp, a social anthropologist and ethnographer, spent several decades participating in fieldwork and observing hunts by this extended kin group. His daughter, Karyn Sharp, who is an archaeologist specializing in First Nations Studies and is Denésuliné, also observed countless hunts. Over the years the father and daughter realized that not only their personal backgrounds but also their disciplinary specializations significantly affected how each perceived and understood their experiences with the Denésuliné. In Hunting Caribou, Henry and Karyn Sharp attempt to understand and interpret their decades-long observations of Denésuliné hunts through the multiple disciplinary lenses of anthropology, archaeology, and ethnology. Although questions and methodologies differ between disciplines, the Sharps’ ethnography, by connecting these components, provides unique insights into the ecology and motivations of hunting societies. Themes of gender, women’s labor, insects, wolf and caribou behavior, scale, mobility and transportation, and land use are linked through the authors’ personal voice and experiences. This participant ethnography makes an important contribution to multiple fields in academe while simultaneously revealing broad implications for research, public policy, and First Nations politics.

Consumptive forms of wildlife tourism (hunting, shooting and fishing) have become a topic of interest – both to the tourism industry, in terms of destinations seeking to establish or grow this sector, and to other stakeholders such as environmental organisations, animal-rights groups, and the general public. Hunting tourism, in particular, has come under fire with accusations that it is contributing to the demise of some species. Practices such as "canned hunting" (within fenced safari parks) or the use of hounds are described as unethical, and fishing tourism too has attracted recent negative publicity as it is said to be cruel. At the same time, however, many peripheral and indigenous communities around the world are strategising how to capitalise on consumptive forms of wildlife tourism. This book addresses a range of contentious issues facing the consumptive wildlife tourism sector across a number of destinations in Europe, North America, Africa, India, Arabia and Oceania. Practices such as baited bear hunting, trophy hunting of threatened species, and hunting for conservation are debated, along with the impact of this type of tourism on indigenous communities and on wider societies. Research on all aspects of "consumptive wildlife tourism" is included, which for the purposes of the book is defined to include all tourism that involves the intended killing of wildlife for sport purposes, and may include the harvest of wildlife products. This includes, among others, recreational hunting, big-game hunting and safari operations, traditional/indigenous hunting, game-bird shooting, hunting with hounds, freshwater angling and saltwater game fishing etc. This is the first book to specifically address tourist aspects of consumption of wildlife. It will appeal to tourism and recreation academics and students, tourism industry operators, community tourism planners and wildlife managers.

"You should always go moose hunting with a partner." -James Itsi For over 50,000 years, the Great Hunt shaped human existence, creating a vital spiritual reality where people, animals, and the land shared intimate bonds. This compelling first-hand account by Larry Frolick takes the reader deep into one of the last refuges of hunting society: Canada's far north. The author travelled five years with First Nations Elders in remote communities across the Northwest Territories, Yukon, and Nunavut, experiencing the raw power of their ancient traditions. His vivid narrative combines accounts of daily life, unpublished archival records, current scientific research, First Nations myths, and personal observation to illuminate the northern wilderness, its people, and their complex relationships. Readers of ecological travel narratives and Arctic adventures will enjoy Crow Never Dies.

By investigating mutually dependent categories of identity in literature that depicts northern peoples and places, Hulan provides a descriptive account of representative genres in which the north figures as a central theme - including autobiography, adventure narrative, ethnography, fiction, poetry, and travel writing. She considers each of these diverse genres in terms of the way it explains the cultural identity of a nation formed from the settlement of immigrant peoples on the lands of dispossessed, indigenous peoples. Reading against the background of contemporary ethnographic, literary, and cultural theory, Hulan maintains that the collective Canadian identity idealized in many works representing the north does not occur naturally but is artificially constructed in terms of characteristics inflected by historically contingent ideas of gender and race, such as self-sufficiency, independence, and endurance, and that these characteristics are evoked to justify the nationhood of the Canadian state.