The Critical Response To John Miltons Paradise Lost

Paradise Lost was recognized as a major epic poem soon after its publication in 1667. For more than three centuries, critics have been describing, interpreting, and evaluating it. Regardless of their approaches to changing literary values, they have generally accepted it as the prime example of the epic in English. As many critics have observed, the poem brought biblical, literary, cultural, social, scientific, and political elements into such aesthetic harmony that even its detractors have been forced to recognize its greatness. And because of its complexity, it has become a test case in literary studies as a focal point for changing critical assumptions and literary values. This reference book traces the critical reception of Paradise Lost from the 17th century to the present. The volume is organized in chapters devoted to particular centuries, with each chapter presenting a selection of reviews and critical essays from that period. Thus the reader is able to chart the changing response to ^IParadise Lost^R over time. An introductory essay summarizes the reception of Milton's work, and a bibliography lists important sources of additional information. The volume is organized in chapters devoted to particular centuries. Each chapter then presents a selection of reviews and critical essays from that period. Thus the reader is able to read the 17th-century responses of Samuel Barrow, John Dryden, and Joseph Addison; the 18th-century reactions of Alexander Pope, Samuel Johnson, and William Blake; the 19th-century reactions of British Romantic and Victorian poets; and the 20th-century contributions of major scholars such as E.M.W. Tillyard, Stanley Fish, Louis Martz, and Northrop Frye. The volume closes with a sampling of Milton's own comments about Paradise Lost and the epic, and a selected bibliography of major editions, reference works, and critical studies.

Provides a collection of critical essays on John Milton's Paradise lost.

John Milton's epic poem Paradise Lost (1667) is a literary landmark. His reworking of Biblical tales of the loss of Eden constitutes not only a gripping literary work, but a significant musing on fundamental human concerns ranging from freedom and fate to conscience and consciousness. Designed for students new to Milton's complex, lengthy work, this sourcebook: * outlines the often unfamiliar contexts of seventeenth-century England which are so crucial to Paradise Lost * completes the contextual study with a chronology and reprinted documents from the period * examines and reprints a broad range of responses to the poem, from early reactions to recent criticism * reprints the most frequently studied passages of the poem, along with extensive commentary and annotation of unfamiliar or significant terms used in Milton's work * provides cross-references between the textual, contextual and critical sections of the sourcebook, to show how all the materials can be called upon in an individual reader's encounter with the text * suggests further reading for those facing the huge array of critical work on the poem. With an emphasis on enjoying as well as understanding what can be a somewhat daunting work, this sourcebook will be a welcome resource for anyone new to Paradise Lost.

"The author provides a book-by-book examination of Paradise Lost for the first-time reader, highlighting the important features of Milton's epic style"--

At the base camp - imagining -- First climb - wisdom -- First crossroad - knowledge -- Second climb - meaningful action -- Second crossroad - purchase -- Third climb - meaningless action -- Third crossroad - place -- Fourth climb - receiving -- Fourth crossroad - needs -- Fifth climb - gratitude -- Fifth crossroad - sin -- At the summit

Offers a critique of Paradise Lost by John Milton, aimed at challenging the reader's interpretations and offering the author's current analysis.