The Country Of Lost Children

This book traces the figure of the lost child in Australia's history and imagination.

NEW YORK TIMES 10 BEST BOOKS OF THE YEAR • “An epic road trip [that also] captures the unruly intimacies of marriage and parenthood ... This is a novel that daylights our common humanity, and challenges us to reconcile our differences.” —The Washington Post In Valeria Luiselli’s fiercely imaginative follow-up to the American Book Award-winning Tell Me How It Ends, an artist couple set out with their two children on a road trip from New York to Arizona in the heat of summer. As the family travels west, the bonds between them begin to fray: a fracture is growing between the parents, one the children can almost feel beneath their feet. Through ephemera such as songs, maps and a Polaroid camera, the children try to make sense of both their family’s crisis and the larger one engulfing the news: the stories of thousands of kids trying to cross the southwestern border into the United States but getting detained—or lost in the desert along the way. A breath-taking feat of literary virtuosity, Lost Children Archive is timely, compassionate, subtly hilarious, and formally inventive—a powerful, urgent story about what it is to be human in an inhuman world.

World War II tore apart an unprecedented number of families. This is the heartbreaking story of the humanitarian organizations, governments, and refugees that tried to rehabilitate Europe’s lost children from the trauma of war, and in the process shaped Cold War ideology, ideals of democracy and human rights, and modern visions of the family.

The figure of the lost child has haunted the Australian imagination. Peter Pierce's original and sometimes shocking study The Country of Lost Children traces this ambivalent and disturbing history. Drawing on a wide range of sources, from poetry, fiction and newspaper reports to paintings and films, The Country of Lost Children analyzes the cultural and moral implications of the lost child in Australian history and illuminates a crucial aspect of our present condition. At its core are confronting, often troubling, questions about childhood itself.

Describes how the author's three-month service as a volunteer at the Little Princes Orphanage in war-torn Nepal became a commitment for advocacy and reform when he discovered that many of his young charges were victims rescued from human traffickers.

This paperback includes all six books in the Lost Children Series by USA TODAY bestselling author Krista Street that reviewers have called, "the perfect mix of romance, mystery, action, and fantasy!" After waking up in an alleyway without a whisper of a memory, Lena begins an arduous journey west following an irresistible instinct. Armed with nothing but a tattooed symbol on her inner wrist, and the ability to see auras, Lena ends up in Colorado and quickly learns she's not alone. Seven other young adults converge on the same spot, and they're all just like her-strangers who woke up in random cities with missing memories, tattooed symbols, and unique paranormal powers. One, in particular, catches her attention. Dark-eyed, super-strong, and drop-dead gorgeous, Flint, moves with the speed of a tornado but is determined to avoid Lena's gaze. Yet something within her reaches for him, as if her soul knows he's her safe place. But safety is merely an illusion. Pooling together their scraps of memories and unique talents, Lena, Flint, and the rest of the gang discover their sinister, hidden origins-and it's not a pretty past. There are other lost children, locked away, unable to escape, and the clock is ticking. Because if Lena and her new family can't rescue all of the lost children in time-none of them will survive. ****************************************************************** Buy now! ******************************************************************

Can two orphans who only have each other survive a world at war when they discover the shocking truth of their past? England, 1943: Eight-year-old twins Molly and Jacob are no longer safe at home. Night after night wailing bombs and screeching planes skim the rooftops overhead. With no other choice, their mother, Martha, sends them to the safety of the countryside--but not without passing on a dangerous secret. Fearful of never seeing her children again, Martha gives Jacob a letter, telling him to only read it if they are in danger. In the country, Molly and Jacob struggle to adjust to life with strangers. But then the unimaginable happens. An explosion kills Martha, leaving the twins all alone in the world. Faced with the grim reality of life in an orphanage, the time has come for Jacob to honor his mother's last wish. But are its secrets enough to change the course of their tragic fate? Because Jacob believes that so long he and Molly are together, they can survive anything. And the letter may be what tears them apart.

The mythologising of lost and abandoned children significantly influences Australian storytelling. In The Lost Child Complex in Australian Film, Terrie Waddell looks at the concept of the ‘lost child’ from a psychological and cultural perspective. Taking an interdisciplinary Jungian approach, she re-evaluates this cyclic storytelling motif in history, literature, and the creative arts, as the nucleus of a cultural complex – a group obsession that as Jung argued of all complexes, has us. Waddell explores ‘the lost child’ in its many manifestations, as an element of the individual and collective psyche, historically related to the trauma of colonisation and war, and as key theme in Australian cinema from the industry’s formative years to the present day. The films discussed in textual depth transcend literal lost in the bush mythologies, or actual cases of displaced children, to focus on vulnerable children rendered lost through government and institutional practices, and adult/parental characters developmentally arrested by comforting or traumatic childhood memories. The victory/winning fixation governing the USA – diametrically opposed to the lost child motif – is also discussed as a comparative example of the mesmerising nature of the cultural complex. Examining iconic characters and events, such as the Gallipoli Campaign and Trump’s presidency, and films such as The Babadook, Lion, and Predestination, this book scrutinises the way in which a culture talks to itself, about itself. This analysis looks beyond the melancholy traditionally ascribed to the lost child, by arguing that the repetitive and prolific imagery that this theme stimulates, can be positive and inspiring. The Lost Child Complex in Australian Film is a unique and compelling work which will be highly relevant for academics and students of Jungian and post-Jungian ideas, cultural studies, screen and media studies. It will also appeal to Jungian psychotherapists and analytical psychologists as well as readers with a broader interest in Australian history and politics.

This book is an extensive study of the figure of the lost child in English-speaking and European literature and culture. It argues that the lost child figure is of profound importance for our society, a symptom as well as a cause of deep trauma. This trauma, or void, is a fundamental disruption of the structures that define us: self, history, and even language. This puts the figure of the child in context with previous research that the modern conception of ‘a child’ was formed alongside modern conceptions of memory. The book analyses the representation of the lost child, through fairy tales, historical oppression and in recent novels and films. The book then studies the connection of the lost child figure with the uncanny and its centrality to language. The book considers the lost child figure as an archetype on a metaphysical and philosophical level as well as cultural.

The story of the vulnerable white person vanishing without trace into the harsh Australian landscape is a potent and compelling element in multiple genres of mainstream Australian culture. It has been sung in “Little Boy Lost,” brought to life on the big screen in Picnic at Hanging Rock, immortalized in Henry Lawson’s poems of lost tramps, and preserved in the history books’ tales of Leichhardt or Burke and Wills wandering in mad circles. A world-wide audience has also witnessed the many-layered and oddly strident nature of Australian disappearance symbolism in media coverage of contemporary disappearances, such as those of Azaria Chamberlain and Peter Falconio. White Vanishing offers a revealing and challenging re-examination of Australian disappearance mythology, exposing the political utility at its core. Drawing on wide-ranging examples of the white-vanishing myth, the book provides evidence that disappearance mythology encapsulates some of the most dominant and durable categories at the heart of white Australian culture, and that many of those ideas have their origin in colonial mechanisms of inequality and oppression. White Vanishing deliberately (and perhaps controversially) reminds readers that, while power is never absolute or irresistible, some narrative threads carry a particularly authoritative inheritance of ideas and power-relations through time.