The Coolest Chinese Actors And Actresses

China is home to a thriving film and television industry. Today, the most popular movies and television series in China are homegrown blockbusters with the highest production values, dazzling special effects, and top-notch storytelling. A dynamic group of young actors have emerged to meet the demands of audiences for Chinese productions. They are phenomenally talented all-around performers who are able to sing and dance as well as they act. They also somehow find time to model, produce films, make music videos, become social media stars, endorse luxury brands, and support important causes and charities. This is your VIP pass to meet and greet these young superstars and gain a privileged glimpse into their fascinating and fast-paced lives.

China is home to a thriving film and television industry. Today, the most popular movies and television series in China are homegrown blockbusters with the highest production values, dazzling special effects, and top-notch storytelling. A dynamic group of young actors have emerged to meet the demands of audiences for Chinese productions. They are phenomenally talented all-around performers who are able to sing and dance as well as they act. They also somehow find time to model, produce films, make music videos, become social media stars, endorse luxury brands, and support important causes and charities. This is your VIP pass to meet and greet these young superstars and gain a privileged glimpse into their fascinating and fast-paced lives.

Mei Lan-fang came from a famous actor family -the profession is often hereditary in China-and this story of his life is drawn mainly from his own reminiscences and from conversations with the author. He was a national figure whose name was a household word for more than forty years; even in Europe, Japan, Russia and America he was widely known and admired. He was instrumental in opening the eyes of men like Stanislavsky, Eisenstein and Brecht to new dimensions of theatrical expression. No other Chinese actor attained and retained the unique position held by Mei Lan-fang. In foreign eyes it is unique in another sense for Mei made his reputation playing the women's roles of the Chinese classical repertoire, somewhat in the tradition of the Elizabethan theatre in the West. This biographical sketch remains the solitary account in English of China's most famous actor.

This is the first English language book to systematically examine the life and art of Mei Lanfang (1894-1961). Mei, who specialized in female roles in classical Chinese theatre, especially jingju, is widely considered the greatest actor of twentieth-century China. This text includes analyses of his work from Chinese, Western, Russian, and intercultural perspectives

This book focuses on a representative group of contemporary Chinese female celebrities including actors, directors, writers and reporters, notably personalities such as Liu Xiaoqing, Hong Huang, Chai Jing and the most sought after young generation actors, Yang Mi and Guan Xiaotong. It analyses the on- and off- screen roles of these famous Chinese women, and the cultural, gender and social impact and significance embedded in them, whilst highlighting controversial social and cultural concerns and debates in contemporary China. The book furthers the understanding of the role played by contemporary female celebrities who are considered as social, cultural and feminist icons in present-day China, as reflected in their work, careers and private lives, and whose experiences help to understand Chinese women’s attitudes towards key issues such as career trajectories, marriage and family, gender identity, social changes, civil debates and political transformations, all of which are at the center of societal transformation in China.

Built by Sid Grauman in 1927, the most famous motion picture palace in the world towers majestically above the 6900 block of Hollywood Boulevard. The Chinese Theatre's Forecourt of the Stars attracts more than two million visitors annually. Throughout its history and up to the present day, the theatre has served as a magnet to thousands of fans and tourists who flock to the site daily to view the flamboyant architecture and the historic cement squares in the theatre's forecourt. The footprints, handprints, and signatures of 176 of Hollywood's most famous celebrities have been placed here, plus those of three comedy teams, one group of quintuplets, two robots and a villainous sci-fi character, on ventriloqist's dummy, a radio character, and the world's best known duck.

Anna May Wong was an extraordinary Asian American woman who became the country's most famous film actress of Chinese descent. From small parts in silent films to starring roles in Hollywood and across the Atlantic, Wong made an impression on audiences of all persuasions. In Perpetually Cool, Anthony Chan takes the reader on a compelling journey through Wong's early years in Los Angeles and her first Hollywood pictures. Chan also examines the scope and nature of race, gender, and power and their impact on Wong's personal growth as a Chinese American. Perpetually Cool is not only the captivating story of a cinematic career, but also of roots and identity, as it recounts Wong's desire to connect with her heritage in the United States and in China. Chan provides extensive textual analyses of Wong's signature films, especially The Toll of the Sea (1922), The Thief of Bagdad (1924) with Douglas Fairbanks, and her most famous role as Hui Fei in Shanghai Express (1932), opposite Marlene Dietrich. Perpetually Cool is a fitting tribute to the influence of this Chinese American icon.

In this era, analysis of the West has become not only possible but mandatory. Where does this analysis leave those ethnic peoples whose entry into culture is, precisely because of the history of Western imperialism, already "Westernized"? This is the primary question Rey Chow addresses in "Woman and Chinese Modernity". The author brings together a variety of texts about modern China - from Bertolucci's "Last Emperor" and the "Mandarin Duck and Butterfly" stories, to writings by male and female authors of the May Fourth period - and organizes them along four critical paths all of which involve "woman". Those include the visual image, literary history, narrative structure and emotional reception. These, in turn, allow four mutually implicated aspects of "Chinese" modernity to come to the fore - the ethnic spectator, the fragmentation of tradition in popular literature, the problematic construction of a new "inner" reality through narration, and the relations between sexuality, sentimentalism and reading.

Xin Fengxia (1927-1998), one of the most celebrated Chinese actresses of the last fifty years, grew up and came of age during some of the most dramatic episodes in Chinese history. Her memoirs provide a balanced, unsentimental view of China's history in this century as well as a record of the important Chinese theater form known as pingju.